Veni, vidi, vici.

I had several ideas for this post’s title:

“I’m not one of you.”
“Repeating myself”
“Tired of the sound of my own voice”
“Being silent”
“Serial starter”

Anyway, all of them are pertinent to my point, but they all mean different things. I’ll take them one by one.

“I’m not one of you.”

In the cult of self-publishing, the loudest voices are the ones who write fast and put out an oeuvre faster than I can switch channels on the TV. They are the ones who say such things as:

“If you’re not writing, you’re not a writer.”
“If you want to make any money at this, you have to write X number of words per day.”
“Writing is a business.”
“You must outline to write a decent book.”

and my personal favorite,

“Writers are lazy,” which post I would link to, but it has since been pulled. (Here’s the rebuttal.)

It’s all bullshit. Rather, the fact that all writers must follow these instructions as gospel is bullshit. The fact is, writers write for a whole host of reasons, only one of which is to make their works commodities. I provide a commodity service. I’m not in the business of writing novels to make them commodities too.

Commodities are soulless, interchangeable widgets, and I don’t believe that books are commodities at all. I also don’t believe that writing fast makes a book soulless. I simply can’t write that fast and put the time and thought into them that I do.

So, to you incessant voices in self-publishing and those of you who were trained as midlist authors to keep putting product out there, I’m not one of you.

Which leads me to my second point:

“Repeating myself”

I am not on the vanguard of self-publishing. Dan Poynter is. Aaron Shepard is. Morris Rosenthal is. April Hamilton is. They are mostly nonfiction writers and they speak to writers of niche nonfiction. For instance, Dan started out publishing parachuting and skydiving treatises.

I am, however, on the vanguard of self-publishing fiction, along with Ann Somerville and others in niche genres. I took a lot of heat for it, too. The loudest voices in self-publishing now were once rabid anti-self-publishers and some of them attacked me personally both publicly and in email for it. Hey. Assholes. I blazed your trail. You’re welcome.

(Oh, is that arrogant? Yeah, I know. I’m a woman. I’m not supposed to be arrogant. Suck it.)

I’ve said all I want to say, I’m noticing repetitious themes in my writing that annoy me, and I’ve become

“tired of the sound of my own voice.”

You may have noticed that, other than posting Dunham chapters, I haven’t blogged a lot.

“Being silent”

I seek silence like water seeks the ocean. You wouldn’t know it to meet me at a cocktail party, conference, or convention, but I’m an introvert. (Please see “Caring for your introvert” and “Maker’s Schedule, Manager’s Schedule.”)

“Serial starter”

I like to start projects. I rarely finish them. The ones I finish, I really, really care about. And then I abandon them. Because I’m bored with that.

“Veni, vidi, vici.”

You know where I’m going with this by now. For decades, I have wanted to be a published author. Like, since I was 15, which is exactly three decades. It may have been earlier, when I was around 10 and wanted to submit something to one of the Reader’s Digest quip sidebars. I knew how to follow instructions. My submission wasn’t published. But by the time I was 15, I had found out a) how to submit to Harlequin, b) what to submit to Harlequin, c) how many words I had to write to submit to Harlequin (Presents line, in case you were wondering), and d) about how much a Harlequin advance was and how much in royalties I could expect and when (answer: zero, which was okay with me at the time).

Along the way I have had disappointments and obstacles and tangential projects and replacement projects, all while going to school, earning a living being, basically, an administrative handyman because I had an unbelievable skillset and a degree. You know, living life as a marginally normal person. There was always something odd about me. Everybody knew it but me, until I finally got a clue by working in a very dysfunctional place.

So along comes 2007 and, after 7 or 10 or however many years when I had given up writing totally, out pops this doorstopper. And so I published it. And so I had MOAR STORIES TO TELL!!! So I did that. And here we are, five years later and I’m about to publish book 4 in a planned 5-book series, and I realized this morning…I’m done. I did it. I did what I wanted to do, which was to get my stories out on paper and to the public.

I have no more stories. I will write book 5, but it’ll be a while, and I will likely go dark for that time, but I owe those fans who have been slowly accumulating and who love the world I built.

The difference this time, in seeing the light at the end of this obsession’s tunnel, is that for the first time in my life I have no overarching “This is what I want to do.” I’ve done it. I quit writing once and had nothing to fill that creative void so I made a cross-stitch design company and permanently killed my love for my favorite hobby. But always, getting a book published was my overarching life goal–because I thought it would take my entire life to do so. Writing was my life’s work and I never thought I’d run out of stories to tell.

But I have, and now it’s time to move on.

So…where do I go from here?

I dunno, but I’m gonna read a lot of books while I try to figure it out.

Of artists and assholes

"Sit down, let me tell you a story. Once upon a time I ate your hamster this morning."Orson Scott Card doesn’t make a hill of beans’ worth of difference to me. I never read him until I was an adult (and haven’t read Ender’s Game), I was underwhelmed with the Alvin Maker series, and aside from his strong views on homosexuality, he has some other truly whacko ideas that also thoroughly and completely offend my libertarian sensibilities.

I weighed in on the controversy over his short story “Hamlet’s Father” because I can’t stand it when people rant about books they haven’t read. That is intellectually dishonest, and the people I saw doing this promote themselves as intellectually honest. Sorry, nope. Get off your fucking high horse and read the fucking book, then come back and talk to me.

A couple of days ago, I was cleaning out my feed reader and old web articles I’d saved and came across this: Broken, by Lefsetz, a music industry critic, in which he opines about the necessity of great art to come out of broken people. So this was already on my mind when I had an email conversation with a friend who is grieving her relationship with Card’s work because he personally is an asshole.

So this is what I said:

You wanna know why lit programs take the author out of the work? Because they don’t want to know what assholes the authors are.

I don’t know why anybody thinks an asshole can’t write empathetic characters. All you have to do is observe people and understand human nature. And in the end, the authors will reveal themselves to you in one of their characters, or leave bits of themselves in all of them (cf this article’s reference to Peter—the villain, I take it?).

Charles DickensDickens was an ass. Scrooge? Maybe parts of him.

Hitler was a talented artist.

Artists, great ones, are depressive, narcissistic, selfish, mentally ill, and sometimes evil. There are some who know how to act in public and some who don’t. It just kinda goes along with the artist thing.

It’s just that now people have access to these artists’ assholery and they don’t like the type of personality it takes to make great art. Not only that, but they don’t want them to self-medicate to mediate the bad personality traits but keep the great art. They want them to be emotionally stable. They want them to be normal.

Oh, hello, Van Gogh. Mozart. Polanski. (Shall we talk about Polanski?)

But art that touches people doesn’t come out of normal.

Card fans are grieving. Deeply, by the tenor of what I’m reading around the web. While I understand it, I’m kind of unsympathetic because people want great art, but they don’t want people to have the characteristics of what it takes to make great art.

Late installment

Merry Christmas!

I bear news that Wednesday’s installment will be posted late in the day. Usually, I prepare the uploads 2-3 days in advance, but sadly, I came down with a nasty sinus infection/cold Saturday afternoon that (at 9:30 pm on Christmas Day) I still haven’t shaken.

Thank you for all the pitchforks and lit torches. They will be a lovely addition to my Doomsday stash.

Update on serial delivery

I did, in fact, put all the chapters in one file instead of individual chapters per file. The latest chapter will be in the back (natch), but in the PDF, your reader will open up to the correct chapter automagically. The Kindle and EPUB have links on the title page that will take you to the latest chapter.

I did this beginning with chapter 23, but I failed to let you know. For new readers, if you download chapter 24, you’ll get the whole thing up to this point, so you will have no reason to go back and fetch each chapter individually. And welcome to my world!

The Mojo and Tupper Show

So I got a new gig, which I might be able to keep for a couple of weeks before I get fired. I’m gonna be on the (web) radio! The deets:

Wednesday nights (for now), 11pm EST, on the405radio.com, The Mojo and Tupper Show:

Ever wonder what you’d get if you mixed the following:

One cup Female
One cup Male
Three Tablespoons Conservatism
One Tablespoon Humor
One Teaspoon Kink
One Teaspoon Risque
Mixed very well

Well, you’ve come to the right place to find out! Join Moriah Jovan and Bryan Tupper as they explore the darker side of politics – and life. Nothing’s off limits, until someone calls out the “safe word” – not that anyone’s really sure what that is anyway!

Thanks to John Grant and Liz Harrison for making it happen! If you tune in tomorrow night, you’ll hear either the most brilliant smutty politics ever or our souls shattering in abject humiliation.

Poll: What’s most convenient for you?

I received a wonderful email the other day from someone who found the serial and is now following it. I was asked if, instead of uploading one chapter each week, could I instead simply add the new chapter to the file so all the chapters would be in one spot. (I assume you would then delete the file from the week before and download the new one.)

This question came up at a good time for me, as Dunham is running right at 350-400 downloads per week now (not including page views). There are enough people now who might have a solid preference one way or another, and my goal has always been to provide the most value for the least amount of hassle.

So I put it to you: Would you rather a) leave it as it is (one chapter per week, in individual files) or b) have one master file that contains all the chapters and that week’s installment?

[poll id=”8″]

Magdalene and Publisher’s Weekly

For an author, a Publisher’s Weekly starred review is one of the holy grails of reviews. It’s one of those things that, for a writer, is right up there with The Call (“Hi, Mojo. I want to offer you a contract for your book.”). I’ve had pretty close brushes with getting The Call, which (three times, to be precise) ended up to be “I love this book and I want to buy it, but I can’t because of Freak Things 1, 2, and/or 3.” What I have never dared aspire to (especially once I started down the self-pub path) is a review in Publisher’s Weekly at all, much less a starred one. But then Tuesday, this happened:

And you know what? I’m kinda proud because I had some goals with this book and, at least for this reviewer, I hit some of them. Later I received an email from the senior editor of reviews at PW passing along some more remarks the reviewer made, which made me believe that I accomplished almost all of my goals with the book.

But there is one I want to talk about because it’s not one that’s obvious. And it’s not obvious because I set this challenge for my own benefit, not for the reader’s.

In 2008, my editor for Monsters & Mormons, Wm Morris, wrote this piece at A Motley Vision (a Mormon lit blog): Stephenie Meyer’s Mormonism and the “erotics of abstinence.” The erotics of abstinence. Well, that’s an intriguing little idea. He was springboarding from this Time piece: Stephenie Meyer: A New J.K. Rowling?, wherein the author says this:

But it is the rare vampire novel that isn’t about sex on some level, and the Twilight books are no exception. What makes Meyer’s books so distinctive is that they’re about the erotics of abstinence. Their tension comes from prolonged, superhuman acts of self-restraint. There’s a scene midway through Twilight in which, for the first time, Edward leans in close and sniffs the aroma of Bella’s exposed neck. “Just because I’m resisting the wine doesn’t mean I can’t appreciate the bouquet,” he says. “You have a very floral smell, like lavender … or freesia.” He barely touches her, but there’s more sex in that one paragraph than in all the snogging in Harry Potter.

I, like Wm (and pretty much everybody else who read the book), was intrigued by that idea.

In 2008, Mitch and Cassie were a bare glimmer in my mind. I had mentioned Mitch’s name a couple of times in The Proviso with absolutely no intention of following up on that. Cassie didn’t even exist when I wrote the sketch with a nameless unreliable and unlikeable narrator in the style of “Snuff.” I like to do those sometimes, usually because something catches my attention and I’m restless and haven’t written for a while and though I only have a few words in me, they must come out. That 250-word monologue was in my head when I started thinking about Mitch’s role in Sebastian’s life. The two disparate ideas simply wound in and around each other like different streams of smoke drifting on the same breeze, tickling my mind with vague possibilities.

I was still in the planning stages of Magdalene, trying to figure out if I would or would not have my bishop succumb to temptation. I will tell you: I didn’t want him to, because that wasn’t who he was and besides that, I’d already gone down that road with Giselle. But how was I going to do this? I didn’t think I could write sexual tension, didn’t think I could carry abstinence too far and still make it seem legitimate. (We Mormons have all sorts of ways to justify our celibacy, but nobody outside our culture buys a word of it.)

Then I stumbled upon the “erotics of abstinence.” Stephenie Meyer had to go to paranormal lengths to justify abstinence until marriage. I don’t write paranormal, so I didn’t want to do that. She also had teenagers, which is its own justification. I don’t write teenagers, so that was out of the question.

I wanted to do that. With adults. Who weren’t vegetarian vampires. Plausibly.

I wanted to do it better.

So I did.

Look at me! Look at me!

So this morning around 10:13 a.m., I read a piece in HuffPo about a possible alternative chronology to the New Testament that puts a new spin on things. I thought it was an interesting concept. I RTd the link, though I forgot from whom I lifted it.

[blackbirdpie url=”https://twitter.com/MoriahJovan/status/241555664751689728″]

My friend replied:

[blackbirdpie url=”https://twitter.com/Dhympna/status/241556271516487680″]

Another friend replied:

[blackbirdpie url=”https://twitter.com/Liz_Mc2/status/241561594595770368″]

We had a nice little chat about that that lasted all of about 1/2 hour. Then I had to go do grownup things like work and take care of the gas leak I had and arrange for a plumber and new water heater.

And then this guy shows up SIX HOURS LATER:

[blackbirdpie url=”https://twitter.com/MattReeves17/status/241647366720090114″]

And that’s where he started the fight without bothering to ask us to define our terms first. (First rule of Twitter when butting into a convo you want to involve yourself in: ask for clarification from the participants first. You’ll probably get a nice response and a welcome to the convo so long as you can keep it civil, even if you disagree.) Regrettably, we engaged for about three tweets each before we figured out he had no home training and blocked him.

But before I did, I did a little preliminary snoopage, as per SOP when strangers with an attitude butt into my convo six hours after said convo has been put to bed. Matthew Reeves is 20. He writes YA. How sweet of him. How…20 years old of him.

I was 20 once. It was a nice year. I had fun. And yeah, I thought I knew everything, too.

So! He’s blocked and I go back to harrassing @mikecane, as per usual, interspersed with some time spent making my son do manual labor, and Matthew Reeves continues to rant at us, but who cares, right? Because we can’t see it and there are soooo many more interesting people on Twitter who really CAN school us on something.

But apparently Matthew Reeves needs to broadcast his point of view to the world, so without further ado, and because I’m occasionally a nice mommy to my own know-it-all son, I’m going to assist him in this endeavor:

Dude, I’m A Historian (but not in the subject being discussed).

Bless his heart, picking a fight with two people he doesn’t know who are old enough to have shot him out of our vaginas, and is now mad because we won’t pay him any mind. Precious. Just precious.

And now he’s disillusioned.

[blackbirdpie url=”https://twitter.com/MattReeves17/status/241759665040547840″]

Sadness.

Go away, kid. Ya bother me.

I have assimilated. Sorta.

I have/had a Dell laptop I’ve had for 5 years. That thing has been a workhorse, but it had been having a couple of problems I either found a workaround for or put up with. It was on and cooking 12-18 hours a day every day. It had been reformatted twice, hauled around on vacation and to the library to work on it.

I go through keyboards like crazy because eventually the letters wear off and the fingernail grooves get too deep. That’s not why I get rid of them. I wear them out until they stop working. But I have an external monitor and wireless keyboard and mice. The most vulnerable parts of the machine were protected.

So my laptop’s been well taken care of, the keys are still relatively pristine, as is the screen. I was running XP Pro with Office 2000 (you can see my reasons why here).

But 5 years is a long time and beyond its expected lifespan. Dude was getting worried it would die in the middle of a huge deadline. We decided to get a new laptop. Now, I trust Dude with these decisions and he’s an ASUS fanboy, so I now have a shiny new ASUS.

Intel Core i5-2430M CPU @ 2.4GHz
6.00G RAM
64-bit
Win7 Professional

We’ve had it since April, actually. Dude’s been using it. I customize a computer to beyond an inch of its life and I really didn’t relish the fact that I would have:

1. a completely new operating system
2. incompatibility of my preferred work tools
3. unfamiliar new work tools
4. moving data
5. customizing those new work tools

I also had a Western Digital external hard drive we bought in 2004-2005 that held all my archives. Since it WAS the backup, I hadn’t felt the need to HAVE backup on it. Oh woe was me. Little did I know that it was on its last legs and this move killed it. I may or may not have unplugged it from the computer before it was supposed to have been.

Dude spent three days with a very kind Samaritan retrieving the data. There are other issues with the data now, but it’s there. I have it. This guy is a peach for helping us and here is his information: James Litten Watch the video. Seriously, people, give this guy business. He deserves it. I cannot stress this enough.

So I’m almost totally moved in. I cannot stand the fact that this OS’s changes seem to encompass how it looks. As far as I can see, the only reason it exists is to make the roundy corners on dialog boxes transparent and wavy. Whatever else it does, I don’t know. Please feel free to enlighten me below.

The first thing I do when I move into a computer is change the theme to resemble, as closely as possible, Win95. The new start menu was completely unintelligible and/or takes more clicks than it needs to. I started pinning things to my task bar immediately.  But I still couldn’t deal with the interface. So I found this tool: Classic Shell XP (because XP was good about letting you have the 95 look). I still have the little wavy in the toolbar, but okay.

HOWEVER, my hatred for moving was borne out by the fact that while Office 2000 and Acrobat 7.0 Standard WILL run on Win7, their functionality is rendered nearly useless for my purposes. Every time I closed Word 2000, it said it had crashed. Acrobat 7.0 can’t be installed as a printer driver at all. This is purposeful on Adobe’s part and I’m coming to despise Adobe almost as much as I despise Apple.

Then I found XP Mode/XP Virtual Machine, which…crashed when I tried to install Acrobat 7.0 as the printer driver. I was despondent, thinking I’d have to buy an upgrade. Why? Why is this necessary, Adobe? What functionality have you added that I actually need? None.

I went on eBay, where I always get my software a couple of versions back and for CHEEP! I found this listing. Then I Googled what this is selling for everywhere, so clearly this listing was the JACKPOT! Now, I’ve been on eBay since dirt and have had about two bad buying experiences and it’s because I know how to read the listings. What’s wrong with that one? Rant in the comments below. (Now I see there are new listings.)

So I’m back to the sinking feeling I’d have to buy Acrobat X. I had some difficult (for me—shut up, this is traumatic!) decisions to make.

In the meantime, I needed two antispyware and antimalware utilities, which CNET conveniently had. Both gave me viruses and/or adware and/or spyware. CNET, you are worse than useless. You are perpetuating computer disease and whatever trust you have built up over the years is gone. I want everyone to know you are destroying computer health with these bullshit downloads.

Dude had a copy of Office 2010 he got from his work for a minimal charge, so I sucked it up and installed it after I read that it had a function to “save as PDF.” Another reason was because I had to do a quote PDQ and needed a PDF that wasn’t created with some cheap-ass generic PDF maker. Getting my normal.dot into this fucker was a nightmare. I still don’t know where the normal.dotm is stored, but I was FINALLY able to find where to point it to my preferred folder for templates.

That’s another thing. I’m very specific about where I want what stored. I have C: for the OS and program files. I have D: solely for data. Something I consider data is my Word and Excel templates. So I put those in D: and boy did Word 2010 make me work to find the way to set that. It imported all my macros and styles, but it still didn’t import my toolbars from normal.dot, but that’s because Microsoft has totally borked the purpose of toolbars. Don’t these people actually use the products they design? So now I’m faced with the task of rebuilding my toolbars and preferences and getting used to it. Cry for me, Argentina.

Well, I found out that Word 2010 really DOES “save as” PDF. HALLELUJAH. I may have done a victory jig. (Pix or it didn’t happen.) Until…I tried to print to a different page size. It seems that 8.5×11 is the default with no way to edit the page size to 6×9, for example. And I still don’t know if those PDFs are acceptable for Lightning Source. I also don’t know what effect using Word 2010 will have on the Smashwords documents I create. I guess I’ll find out next week when I upload the next installment of Dunham.

My next problem was Flash. Isn’t it always. The Shockwave Flash plugin for Firefox was crashing like crazy. I had to disable the damned thing and trust me, after having been denied access to Flash on my iPad, I was not willing to do so on my PC. Apparently this is a common problem, as evidenced by posts and no solutions. How the fuck do you not have a solution after two years?

Really, it seems many of my problems are caused by the change to a 64-bit system from a 32-bit system.

This has been going on since last Tuesday. What used to take me around 8 hours has taken me almost a week of dedicated effort. (No, I don’t use a moving wizard because I like to customize as I go.)

What I still have to do is:

1. transfer the data from my dead hard drive (currently on Dude’s computer)
2. customize Word and Excel 2010, and…
3. wait for and install Adobe Acrobat X that I ended up buying.

UPDATE 7:14PM CDT: It appears that Firefox and Google want to protect me from myself, but because I hadn’t updated Firefox in FOREVER, I was unaware of this bullshit, and now that I’m running the latest version of Firefox, I’ve got brand new annoyances to deal with.

Comfort food: Trouble salad

Okay, it’s really macaroni salad and about as ubiquitous as can be, but there’s a story behind the title.

It was 1980. In Kansas City. In the summer.

The 1980 United States Heat Wave was a period of intense heat and drought that wreaked havoc on much of the Midwestern United States and Southern Plains throughout the summer of 1980. It is among the most devastating natural disasters in terms of deaths and destruction in U.S. history, claiming at least 1,700 lives[1] and because of the massive drought, agricultural damage reached US$20.0 billion (US$55.4 billion in 2007 dollars, adjusted for the GNP inflation index).[2] It is among the billion-dollar weather disasters listed by the National Oceanic and Atmospheric Administration. […] In Kansas City, Missouri, the high temperature was below 90 only twice and soared above the century mark (100 °F/38 °C) for 17 days straight[…] [Wikipedia]

And we did not have air conditioning. No, we did not. But my grandmother, who lived about four blocks away, had a little window unit, so every afternoon, we would hie ourselves up there to sit in her living room for a while, then come home to sleep. If you can call it that. (Oh, and a little trivia: My room faced east, so I had the joy of the first blast of heat every morning.)

My mother would make dinner that we would bring to grandma’s while we sat in the cool. And one day she made this:

7 oz. dry pasta
1/2 c. Miracle Whip
1/2 c. sour cream
1 15-oz can drained sweet peas
1 c. diced ham
1 c. diced cheese
1/2 tsp. celery seed
1/2 tsp. onion salt

Cook pasta while mixing Miracle Whip, sour cream, and spices. Stir in peas, meat, cheese, and pasta. Chill.

As you see, it involves a stove and boiling water. We three children (12, 6, and 4) were lined up at the door waiting for mom to bring the ginormous stoneware crock full of this so that we could go to grandma’s. Unfortunately, two steps from the front door, she tripped, dropped the bowl (which broke), and sprayed macaroni salad and clay shards everywhere.

My brother laughed.

He, um, got in trouble. (Turrble turrrrrrrrrrrble trouble.)

Hence the name. I don’t think my mother’s made this since and I have only a couple of times, but I love it and thus, the block party Saturday was graced with TWO dishes out of the Dude-and-Mojo household.

That’s what the fresh concrete in front of our beautiful porch says: Dude + Mojo = ?

 

Creepy collective consciousness is creepy

It appears I’m not the only writer with her knickers in a twist over The Book That Shall Not Be Named, and not only that, but it appears the writerly collective conscious had gotten its knockers knickers in a twist somewhere between Sunday night and Monday morning. Usually when the twist in my knickers gets too tight, I simply avoid the source. In this case, I can’t. It’s everywhere, including my snail mail box after my 70-year-old aunt in Salt Lake took the time to cut an article on it from Deseret News and drop it in the mail to me. I can’t get away from it.

Between this and the incessant banging on the marketing drum, I’ve pretty much had all I can take of the business side of being a writer. (Note: Being a publisher is an entirely different thing.)

Monday morning I went whining to a couple of people, one of whom was utterly unsympathetic and the other who sent me to Cliff Burns’s latest blog post. Lo, there not only did I behold my own frustrations laid out in more articulate language than I’ve been using lately, but on the same day I was having my existential crisis.

Building character through self-flagellation | Cliff Burns – “Books not selling, readers indifferent, preferring to spend their hard-earned shekels on dry-humping teen vampires and spank me-fuck me fan fiction. Not a brilliant stylist, so I can’t even hope for the consolations of posterity.”

Then a friend, who thinks something must in the water:

The rise of the published first draft | VacuousMinx – “I fully agree that TBTSNBN has an alchemical appeal for readers, one that transcends its many flaws. But while its appeal cannot be copied, any more than you can catch lightning in a jar, the (lack of) process can and will be. […] So we will get more barely-altered fanfic and more un-self-critical writers who are proud that they can write 100,000 words in a month and send the resulting manuscript off to a publisher.”

sent me to yet another writer writing at the same time:

Striving for a WIP that’s actually “in progress” | KZ Snow – “Does it even pay to write well? Maybe I should follow the lead of some of my peers and strive for quantity, compose a few tearjerkers or sex romps or chuckle fests every couple of months. There’d be nothing wrong with that. Readers seem to enjoy the output of speed writers as much as or more than that of poky writers.”

I’d already decided to do the Dunham serial a couple of weeks ago, so I did feel as if I were actually taking action and could prove to be a boon. We shall see, but at least I was trying something different, doing something with the words I’d written that otherwise wouldn’t see the light of day for another year. I’d also already decided to rebrand the Dunham series with new covers and new classifications and unveil them all next year with the release of Dunham.

So between the time I announced the serial and the time I got to Cliff’s post, I had spent hours revamping my websites, which I find oddly relaxing. And because I do like this thankless, background, zero-revenue activity so much, I slowly came to the realization that writing novels and the act of publishing them is a hobby. Given that I hold my hobbies sacrosanct, this wasn’t a step down, but a step up. In that respect I also decided to get out of the business of publishing other people. I needed to let go of the pressure of selling, the pressure of sales (or lack thereof, as measured against those of the snake-oil salesmen of our business), and the pressure of bookkeeping. I needed to rejuvenate my love for creating and disseminating my own work. The constant marketing of myself and publishing other people is not part of the hobby and not part of the love.

So now it’s Friday. Nothing about the situation has changed except that I feel as if I have taken some action AND changed my outlook. My frustration level is way down and I can once again stop to see what I have: a wonderful family, a good job that pays the bills, a nice house with a gorgeous porch* upon which I sit with my Tax Deductions and discuss the nature of God—and a hobby I’m mad about and am excited about sharing over the next year.

That’s far more than a lot of people have.

“A book a year is slacking.”

This sentiment got some traction in writerland a couple of weeks ago, but since the beginning of this digital publishing surge, it’s been a (sometimes unspoken) maxim. No, actually, it’s been around a long time. Way back in the day when I was a member of RWA and went to all the chapter meetings (MARA), there were two prolific category writers in my chapter. They worked for both Harlequin and Silhouette and put out three titles a year minimum. Then you have the James Patterson-type book mills wherein a team of ghostwriters is assigned to an idea and a title and off they go. I now know of many writers, especially erotic romance and erotica writers who espouse this view.

It begs some questions, of course, the main one being, “How many pages/words do these books have, anyway?” Come to find out many of them are short stories. Many are novellas. Some are category-length (the size of a Harlequin Presents, or about 50,000 – 60,000 words). Never mind the fact that I do, actually, write that many GOOD words every year. (Good words meaning ones I want to keep. I throw out as many words as I keep.) As far as I can tell, nobody’s writing longer works at the pace of one title per year. (“George RR Martin is not your bitch.”)

I sure as hell am not. What’s an epic writer who is NOT, in fact, George RR Martin, to do with this business when she’s lucky to be able to put out one title per year? This, combined with some other book news that I will not belabor because it’s been belabored quite enough, has got me thinking about what I write and how I write it. How can I capitalize on the fact that I do write the equivalent of three category-length titles per year?

There was only one answer to that. It’s not a new idea. It’s not even an idea I necessarily like because it involves a way of reading I don’t care for. But other people do like it. A LOT. If it works, it’ll keep my name out there for the next year until Dunham is released (July 4, 2013–save the date!) and, hopefully, build excitement. If it doesn’t, no harm done. (I don’t think.)

Dunham serial coverBeginning July 4, 2012, I will be posting one unedited chapter of Dunham per week, every Wednesday at 6:00 a.m. US Central time, for one year. I’ll offer them as free downloads here, at Smashwords, and at All Romance eBooks, and send email reminders to those who request one. It will be the serial equivalent of an Advance Review Copy (ARC).

Fifty-two chapters! you say. That’s a lot! Yeah. It is. In fact, it’s approximately 140,000 words, which (for my fans) is half the length of The Proviso, longer than Stay, and nearly as long as Magdalene. It’s also somewhere around 70% of the finished book. Oh, hey, it’s a swashbuckler with lots and lots of angst, set during the Revolutionary War. They have ships! They go places! They blow things up! So of course it’ll prop a door open! (Eh, but that’s the beauty of digital, innit?)

Hopefully, by the time July 4, 2013, rolls around, you and a gazillion other people will want to know how it ends and buy the book to find out.

I’ll be frank: This is a marketing ploy. I hate marketing. I suck at marketing. So do the most of the rest of us. I also can’t put out two or three titles a year to do my marketing for me. I’m not asking for any money via tip jar or a Kickstarter campaign. I’m offering a free hit and hoping you will get hooked and, in turn, you will hook your friends. Please hook your friends!

Some details:

1) The cover is for the serial. It will not be the cover for the finished book. I thought it would be utterly gauche to go without a cover.

2) Remember, this will be unedited. The finished novel will be professionally edited and available in print as well as digital.

3) Though the serial is offered only here, Smashwords, and All Romance eBooks (of necessity because neither Barnes & Noble nor Amazon will allow me to offer it for free) (fuckers), the complete book will be offered at all the normal retail outlets.

4) Even if you opt in for the email reminders of a new installment, I won’t keep track of your email and I won’t spam you. I just don’t work that way (which is why I suck at marketing!).

5) Each installment will be available for download in DRM-free EPUB, PRC/MOBI/Kindle, and PDF. I’ll even post the text itself online at theproviso.com/dunham (not live yet).

6) Hopefully by the time the serial begins, I’ll have come up with back-cover copy that reflects the story accurately and does not suck. Until then…

It’s 1780. He’s an earl acquitted of treason and out for revenge. She’s a pirate planning a suicide mission. Their first kiss sparks a tavern brawl—and then things get interesting.

Men who hate women

The Girl with the Dragon Tattoo.

Dude and I went to see this movie for his birthday. I haven’t been interested in reading the books because a) I’m not a thriller/mystery fan and b) haven’t had time to devote to sampling genres I’m not usually interested in. I’m still not interested in reading the books, because I either read the book or see the movie, but not both. (I got burned in the Bonfire of the Vanities.) I am interested in seeing the Swedish version.

mraynes at Exponent II has an excellent post up about the exposition of misogyny in the book/movie.

Ironically, The Girl with the Dragon Tattoo phenomenon is a prime example of how our society hides from the culture of violence against women. In the original Swedish version, Stieg Larsson titled the book “Man som hatar kvinnor” or “Men who hate women.” Believing that such a title would turn readers off, American publishers renamed the book The Girl with the Dragon Tattoo, changing the emphasis away from violent misogyny to the physical body of the (anti)heroine. This alone speaks volumes about our society. Instead of dealing with the discomfort that in fact, some men do hate women, publishers felt that the only way to sell books was to objectify and sexualize the female protagonist.

Please read the whole post.

This brought to mind a blog post by a Cale McCaskey, ostensibly ripping on romance novels, but really ripping on women, and after I read mraynes’s post, I realized: This is the mindset. Taken by itself, his opinion is irrelevant and he’s a woman-hating man who is single and likely to remain that way.

However, how many WOMEN have I heard over the years say the same thing with regard to romance novels and the women who read them? To hear WOMEN talk about the women who read romance novels, we’re all a bunch of fat Peggy Bundys who, instead of earning advanced degrees, becoming Important People, tending to our hearths with the efficiency of Martha Stewart or a Mormon cupcake baker on Ritalin, or fighting against [patriarchy, white privilege, male privilege, rape culture, insert philosophy of choice].

It is not rapists and abusers alone who silence and hide victims. It is we, society, in our unwillingness to stare evil in the face, name it, and confront it. Until we acknowledge culpability within our culture of violence against women, our daughters, sisters and ourselves will be at risk.

Some men hate women. But so do some very vocal women. Women need to look to themselves concerning their own misogyny.

 

Monsters! Mormons! Not necessarily synonymous!

My editor and partner, Theric Jepson, who runs Peculiar Pages alongside my running of B10 Mediaworx, made some sort of joke on Twitter (don’t remember the joke), and Wm Morris of A Motley Vision (a MoLit blog) had an idea. And the idea was to skewer the 19th-century literary tradition of using Mormons as stock villains in pulp fiction by turning the Mormons into the protagonists instead of the antagonists.

Plans were being made. I felt no compunction to submit a story to this anthology of pulp fiction because a) I don’t read pulp fiction; I read trashy romance novels aka porn for women and so b) I didn’t feel qualified to write anything for it. But then Wm posted an update on AMV saying, “I’d like to see X, Y, Z, and A, B, and C.” Well, I thought. I could do Y, Z, and B. So I did.

When I got it done and Wm liked it (Theric was not my editor this time), I had second thoughts. Considering I’m kind of, you know, responsible for its publication, I figured there would be seen some sort of “in,” or conflict of interest. Theric and I discussed it and decided I’d withdraw it, but Wm thought my withdrawing it was a bad idea. So, okay. Onward.

What has resulted is the most wonderful collection of tales of the supernatural and bizarre. Supernaturally bizarre. Or bizarrely supernatural. Whatever. Including! Get this! TWO graphic novels!

So here’s a little taste of my story, of a Mormon self-styled “nun” packing nuclear weapons powered by cold fusion to zap demons left and right.

Allow Me to Introduce Myself

He’s never been here.

I can tell because he can barely keep from puking into the swamp, and his neoprene skin is making him fidget and wiggle.

Definitely a roving monk.

“Gas mask?” I ask and offer him something that very much resembles Cthulhu.

“I am not wearing that,” he snaps.

“Little bit touchy, are we, Monk?”

“Shut up, Nun.” He doesn’t offer his name. Probably something boring like John. “Pray.”

I do.

The sun is just setting when he locks his 0.75-gigajoule disperser down to his titanium gauntlet with much exaggeration. “Got your affairs in order?”

Break a leg in nun-and-monk speak.

I stand for a minute and stare at his gauntlet and matching gun, both so much more decorated than mine, engraved with lightning bolts. My gauntlets and weapons are engraved with paisleys. Pretty, but…

Pretty.

Feminine.

To do a job like this.

I grit my teeth and pull my left-hand disperser out of its case, lock it down to the gauntlet, lay the telescoping barrel along my titanium-covered index finger, then lock it down with tiny clips.

Point and shoot.

Once my right extremity is similarly burdened, I click my night-vision goggles down over my specs, and lead the way into the twilight, into the swamp where it’s already dark as midnight, downdowndown, gradually being covered in slime until I’m chest deep in it.

Yeah, it stinks. But this is where I work, so I’m used to it and I’ve already stuffed my nose with Mentholatum. I have the clearest sinuses in the Atchafalaya basin.

I haven’t been allowed to go into the swamp for the last two weeks, since the flood waters from up north began rising in earnest. It’s taken that long for my sensors and weapons to be recalibrated for the extreme change in environment. The animals have been driven up out of the swamp and what crude oil was left on land has been pulled back into the water. With water comes mold, fungus, mosquitoes, and other diseases, but that’s not a concern for hunters. The crude, well…I don’t know how—or even if—the sludge will react to the extra radioactivity my partner brings, which is orders of magnitude above mine.

But we don’t question, because to question is to die. The general authorities overseeing our gadgetry supply us with whatever we need to do our jobs.

“Why aren’t we taking your boat?” Only now do I detect a mid-Utah accent. Great. A JelloBeltian.

I grab a palm full of water and let it trickle back out through my fingers. I still have a hand full of refuse. “Look at that. It’s soup. Chock full of plants. Oil. Trash from the floods. I don’t want my motor bound up in—” I point to a heavy drape of Spanish moss that floats on the surface. He looks around. Spanish moss is everywhere. “—that.”

He says nothing and we trudge through the thick water.

“Crocodiles?” he asks after a while.

“’Gators, rather,” I say. “They won’t bother us.”

“I know that,” he snaps. Again. He might as well be a ’gator, he’s snappin’ so much. He’s not questioning, but he sure is murmuring.

Murmuring doesn’t get you dead. It might get you injured, though. Very distracting activity, murmuring. I’d rather he not murmur around me when he’s got enough energy to melt a ton of steel.

(I bet it kills him he can’t control a whole gigajoule.)

“Where were you last?” I ask conversationally as we wade through slime, our dispersers primed to shoot.

“Gobi Desert,” he answers, and I catch something wistful in his voice.

“You liked it there.”

“Yes.”

“What were you hunting?”

“Had a band of specter demons going through the villages. Wiped ’em out.”

Specter demons.

Psychiatrists call it “auditory or visual hallucinations,” a symptom of several psychiatric disorders, but we know what they are: Lucifer’s army, waging war on those of us with bodies—on our bodies—because he can’t make any real headway in his war on Father and Mother.

Specter demons are the grub worms of the psyche, chewing up people’s neural pathways like grass roots, leaving dead lawn behind. We’re allowed to attempt to heal the damage, but we mostly can’t. We’re only required to get the demons out of our plane and bar them from future entry.

Like internet trolls.

But there are a lot of internet trolls.

At the blip of a shadow in the corner of my eye, I point and blast. Swamp water explodes and covers us like debris-ridden oil rain.

“Eeewww.” Even I’m grossed out as I flick it off my neoprene skin.

The monk rubs his fingers together, brings the substance to his nose. “Well, you got ’em.”

Good. The sacrifice of my skin will not have been vain.

Demolition demons are the worst. They usually show up in hospitals, disguised as Staph infections, gangrene, pneumonia. The advanced demolitionists manifest as cancer catalysts. The more skilled a demolitionist, the greater power it has over a cell’s ecosystem. Medicine will arrest what it can, and we may be able to do the rest, if we get there in time.

No demon has the power to kill a human; they can only sow the seeds of disease—physical or mental—and let nature take its course. That’s the pact the Parents have with us, their children: Lucifer cannot kill us. Yet he continues to search for a way to do so and this, the Atchafalaya basin, is one of his biggest training grounds and laboratories.

I don’t know why he bothers.

Generally, we don’t interfere in a disease process. There is a time and a season for everything. Repairing psychological damage—attempting to, anyway—is different. The schizophrenics, bipolars—not all are caused by specters, just as not all diseases are caused by demolitionists. But it’s very rare that science loses a human body to disease if its turn on earth isn’t done. Not so with specter-induced mental illness.

Several hundred demolitionists burst up in rapid succession, coming for us. They’re small, about the size of a barn owl, and usually invisible to all but us.

It takes both my 3-megajoule dispersers and the monk’s behemoth to pop that ambush right on back to hell, for lack of a better word. Technically outer darkness either hasn’t been built yet or stands empty awaiting its prisoners once this Earth is cast back into the celestial recycle bin.

“Hmm,” I say, and because I can’t keep myself from stating the obvious, “this is not normal.”

The swamp waters aren’t as still as usual. I don’t know if it’s the oil or if there are more demons here than the water can hide. With pelts of moss and a slick over it, it should be harder to displace than water alone.

A battalion bursts out of the water and charges us. They’re no match for us both, but the sheer number of them is cause for concern.

So. The flooding and oil aren’t the only reasons I have a roving monk at my side.

… the unique dangers. I wish I knew what that meant.

Generally, we only make a little headway each night when we hunt. Lucifer replaces the demons almost as fast as we can dispatch them, but never quite fast enough. Out of the hundreds or—like tonight—the thousands that we send back to him in an evening, perhaps collectively, we will have lessened their numbers by a factor of ten.

Sometimes I wonder why we bother.

The water settles.

“I don’t know why we bother,” says the monk wearily.

I look at him sharply. Can he read my mind? I’ve heard it’s a possibility, a gift given to the upper echelons of our kind.

I answer by rote: “So someone can live and fulfill the measure of their creation.”

“Deb, I heard it in correlation meeting last year. And the year before that. And the year before that. Don’t want or need to hear it while I’m hunting.”

He’s jaded.

Bitter.

“How old are you?”

“Four twenty-three.”

Oh. I’m only fifty-eight. I feel that I’ve missed some important information.

No wonder he didn’t like having a nun—and such a young one—take the dictation.

He knows my name. He probably knows everything about me.

“What’s your name?”

“Ezekiel Alleyn.”

Oh. My. Stars.

The water bubbles and I don’t dare think about him as we go about magnifying our callings with weapons powered by cold fusion. Not magic, not supernatural.

Technologically advanced and genetically enhanced.

Like the demons.

Like the hunters.

There is no supernatural, no magic, only puzzles that haven’t been solved. Even we hunters don’t know how most of our technology works, and I’ve always wondered how much the general authorities who build this stuff know.

I figure they get their instructions like Noah did: Here are the blueprints and the supply list. Go to it. Don’t ask any questions.

The hunters’ DNA is altered when we’re set apart for our callings. I don’t know how that works, either, but considering Jesus healed the blind and the lepers…

Something brushes up against the back of my leg, wiggles its way between my feet. “Bonjour, mon ami.” The smallish ’gator flips his tail up behind me, making a splash.

The monk steps away to escape the oil-and-debris rain.

“You have a lot of friends here?” he asks.

What an odd question. “Of course I do.” He, of all people, should know the extent of my enhancements. I couldn’t work this swamp without having the flora and fauna understanding of and sympathetic to my purpose.

The ’gator maneuvers through my legs, and around again, making a figure eight, like a cat. He wants my attention, so I trudge to a log and he climbs out of the water so I can scratch his oil-slicked head with my titanium claws.

He almost purrs.

Non, chèr,” I tell him in Cajun. He doesn’t understand English. “I can’t get rid of him, sorry. He’s my boss.”

“He’s whining, Deb. What are you doing to this place?”

“He’s just a baby.”

“A baby you’ve spoiled rotten. Tell him to go home. We have work to do.” I translate as kindly as I can and he slides back into the sludge, but not without a swipe of a tail at the back of Ezekiel’s knees.

He glares at me. “You tell him he better never do that again.”

We spend the night sludging through the swamp, sending demons back to Lucifer. Our dispersers mess with their molecular structure somehow—or at least, that’s how it’s been explained to me.

We don’t speak. Ezekiel—

Oh. My. Stars. I can’t believe I’m hunting with Ezekiel.

—isn’t familiar with this terrain and I need to keep the awe out of my eyes and voice.

“Don’t believe everything you hear,” he mutters.

I don’t like that he can read my mind. I feel…naked. I don’t look so good naked.

“Are you trying to mess me up?” I ask. “Pick a fight? Because if so, I’ll take some personal time for the rest of the night and let you do this by yourself.”

“Watch your mouth, Sister Judge.”

I gulp. That’s the second time he’s dressed me down tonight, on top of his surliness at being here. It makes me rethink my abilities, my attitude.

“Don’t start doubting yourself now,” he grumbles as we trudge through the swamp. “I don’t need a hunter with a self-esteem problem at my back.” I purse my lips. “And no, I’m not here to kill you… Yet.

If you like science fiction, fantasy, paranormal, zombies, werewolves, ghosts, goblins, and things that go bump in the night, go get the whole collection! It’s only available in digital now from the B10 site and the Kindle store, but print is forthcoming in the next couple of weeks.

How to destroy a brand in one easy (lazy) step

So most of us DIYers out here are trying to brand ourselves. We spend our time on Twitter and Facebook and message boards and whatnot trying to build an audience and a fanbase.

Then the midlist authors come along and digitize their backlists, and everybody’s happy because they already have a brand and they’re simply supplying a product that people want. Yay.

And then there are the midlist and higher-up authors who self-publish new stuff. That’s kind of an interesting experiment. I like watching it all play out even though, well, their brand trumps my brand and I have to work harder at establishing my brand.

Thus, it should make me happy when a very well-established author self-publishes something new and it’s crap. But it doesn’t make me happy. It makes me sad.

See, one big slip, and the reader suddenly suspects that you’re not a very good writer and that your editors made you who you are, and…you’re going to throw away years of investment in your brand and your work product  just because you want to cash in on a 99c romance novella heatwave or make money off your under-the-bed manuscripts?

You insult your readers. You insult your former editors. You make a mockery of your previous publishers. And you embarrass the hell out of yourself. Do you really not know how bad you look, or do you not care?

If your intent is to destroy the brand you worked for all these years because you just have to put up that novella right now because can’t wait because you’ll miss the self-publishing train if you don’t, then you are succeeding.

And you deserve it.

P.S. If you insist on going without an editor, learn how to fucking write. If you can’t do it after all these years and titles, you’re a fraud.

The perfect bookstore: Decadence

Part 1 | Part 2 | Part 3

The perfect bookstore has a name: Decadence.

This is not another one of my bookstore-of-the-future/how-to-save-brick-and-mortar-stores posts. This is about a bookstore I dreamed up while writing The Proviso four years ago, the one that spawned the previous bookstore posts. Specifically, it’s Giselle’s bookstore, which was torched, causing her to have to reboot her life at the grand ol’ age of 30 by going to law school. (Because that’s what everybody does when they have to reboot their lives, right? Right?)

decadence05
In the spring and summer when the trees and flowers are in full bloom, it’s gorgeous.

This bookstore was in the River Market area of Kansas City, Missouri, and most closely resembles this building:

decadence04

Giselle describes it this way:

I owned a bookstore for seven years […] I shared space with a patisserie on one side of me and a confectionery on the other. Maisy and Coco weren’t my business partners, exactly; we just figured if we knocked down our walls and unified our décor, we’d all make more money and it worked. […] Decadence wasn’t a bookstore with food. It was a destination. I stocked romance novels of all kinds. Couple that with Maisy’s gourmet chocolates and wine, and Coco’s pastries, the events we put on every weekend… I was doing very well; we all were. I was never going to be independently wealthy, but I made a lot of money doing something I loved.

I’ve been percolating this post for a long time, and after many, many Twitter discussions on the relationship between independent brick-and-mortar booksellers and the romance genre (not good) versus Borders’ and Barnes & Nobles’ willingness to step in where the independent booksellers won’t (but Borders, the more romance-friendly store, went bye-bye), I decided to do yet another perfect bookstore post.

Behold, my real idea of the perfect bookstore:

decadence

And I still think this combination of products and location would make some serious bank. (Add an Espresso machine in the basement…) (A used books section on the second floor…) (Events at lunch and on the weekends…)

UPDATE: August 18, 2015, over 4 years later…

I was re-inserting pictures that got lost in the move so a friend could link to them, so I figured I’d add a couple of notes.

1. Since YA has become a bigger part of the market now, that section would get expanded.

2. I’m reediting The Proviso, and Giselle adds this to her description:

“Wine, chocolate, sex. […] We had PMS survival kits. Better than Midol. Men came in specifically for those.”

Trust me, I’d send my husband across the metro to Decadence to get me a PMS survival kit.

 

Writing: Ur Doin it Rong

I saw this in an author post somewhere on the ’net:

Thinking isn’t writing.
Outlining isn’t writing.
Research isn’t writing.
Rewriting isn’t writing.

Putting pen to paper is writing.

Really.

That’s odd, because I’ve been writing in my head for years, starting circa fifth grade when I couldn’t understand the concept of an outline, but could construct a well-organized essay in my head after a great deal of reading, assimilating, and thinking. When I finally put pen to paper, the work was already done.

Get that? The hard part was not done on the paper. Ever.

And here I am, thirty years, innumerable essays, a gazillion blog posts, a few short stories, a novella or two, a speech or four, two screenplays and one stage play, ten novels, three agents, and a writing degree later, still constructing fairly well organized works in my head, and sometimes after much research. Not only that, but I write out of order.

So I have to put some scenes and ideas down on paper before the story can be fully realized. So what. Let’s face it: a novel is not an essay.

I do a lot of thinking.

I don’t outline as it is understood.

I research.

Then I rewrite. A lot. In my head.

And voila! A novel.

Now, I can write on spec, but I prefer not to. I prefer to take time to assimilate information, to percolate fleshed-out characters and their motives, to ask “Why?” a lot and attempt to plug all the logical fallacies myself, but it gets done.

What I find curious about such assertions is the assumption that that person’s experience is, to him, universal, and then proceeds to instruct the world at large that his way is the only way.

So. Authors. When you get stuck wandering around the ’net gathering advice and feeling guilty because you don’t write “right,” remember this: Writing, like life, is a journey, not a destination. You have to find your own way.

Whatever allows you to produce a finished product works. And why mess with what works?

Fiction takes you places

A fan I tweet with regularly told me my books mess with her head and take her places she doesn’t want to go, but she goes there anyway.

I regularly hear the arguments that reading fiction can teach you empathy or give you a peek into someone else’s world. In other words, fiction is good for you. Like eating your vegetables is good for you.

Except…romance, which is porn for women. And young adult, which is too dark and dangerous.

Throughout my life at church, I’ve heard the call to seek out things (books, music, TV, etc.) which are lovely, praiseworthy, and of good report. I’ve gotten hammered for writing explicit sex and dropping the f-bomb. I’ve heard all the arguments about why fictional violence is more acceptable than fictional sex. Then there are the above-linked articles that basically say, “Protect deh wimminz anna childrinz cuz dey doan know no bettah!

Thus, fiction is bad for you. It makes you experience things you ought not to experience.

Well…yeah. That’s the point. Imagine the following conversation:

Bishop X: “Sister Mojo, you said you wanted to confess something?”

Me: “Yes, Bishop. I killed a man and had sex with a woman yesterday.”

Bishop X: [jaw drop]

Me: “And I want to repent.”

Bishop X: “Uh…how did this all come about?”

Me: “Well, I turned on my Kindle…” [insert confession of murder and lesbian action]

Bishop X: [steely glare] “Why are you wasting my time?”

Fiction takes you places. It’s a way to explore things you wouldn’t ordinarily explore without the risks involved in or resources needed to actually explore it. Maybe you don’t have a sparkly vampire handy.

You may or may not want to go there, but if you do want to go there (you dirty-minded perv)…

Well, look. It’s a whole lot easier to ’fess up to reading a murder mystery than it is to ’fess up to homicide.