The handy-dandy all-purpose digital reader

Some time back ago, I said I wanted an Asus EeePC to read digital books because it was kind of an all-purpose device. As time went on, I decided maybe I’d rather have an iPhone or a BlackBerry, but then I found out about their mandatory data plans and I’m a cheap bitch, so no thanks. I wanted something reasonably portable that I could 1) read digital books on in any format I wanted; 2) listen to music; 3) keep my personal data on (now that I have this awesome personal information management standalone app); and 4) to basically be able to haul my brain around with me. I don’t like talking on the phone, so I would rather not have one at all, but must. I want to keep the phone separate from my other tasks.

Anyhoo, money’s been a little too tight for frills, but then our old (you don’t want to know HOW old) desktops (all three) started nickel’n’diming us to death, so we bit the bullet. I have been given an assignment to return and report the specs and my digital reading experience.

The assignment:

On the Asus, install:

1) Adobe Reader
2) Adobe AIR
3) Adobe Digital Editions (requires AIR, hence 2)
4) Microsoft Reader
5) MobiPocket Desktop
6) Sony eBook Library
7) FBReader

Then BLOG wtf it’s like to use them on that Atom CPU. (You DO have ATOM, right, not Celeron?)

ADDITIONAL: Try a GOOGLE BOOKS PDF!!

Here are the specs:

Asus EeePC 901 (black, if you care)
Intel Atom
CPU N270
1.6 GHz
1.99 GB RAM
Windows XP Home
2-1/2 pounds (about the weight of Atlas Shrugged, I believe)
~5 hours battery life (>2 hours better than my Dell laptop)

Here’s a gallery with examples of Adobe Reader, ADE, Microsoft Reader, MobiPocket, and FBReader. I have no reason to care about Sony Reader, but will do later, and I haven’t done a Google Books PDF yet.

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So, for the reading part. Thus far, I’ve just been on MobiPocket, reading Soul Identity by Dennis Batchelder, in my recliner. For regular reading, it’s a bit heavy, but if you find your “sweet spot” where you can press the arrow with your thumb and still be comfortable holding it, you get used to it. Naturally, the back light is sweet in the dark.

The only real annoyance I have (besides the weight) so far is how long it takes to turn it on and off. It’s not like my eBookWise, where it’s one button and on, it turns itself off after 15 minutes (or whatever you set). The Asus acts like a computer because, well, it is.

More later after I’ve had a little more time with it.

Coming out of the closet

I’ve taken a lot of heat the last couple of months because I dared to say that the bodice ripper romance was a product of its time and thus needed to be considered for the time in which it was written. Is the forced seduction PC? No, and never was. It was a fantasy, a fantasy that, if the contemporary nonfiction literature at the time is to be believed (both anecdotal and academic), was common. Considering the number of those written and sold, I’d say it was a pretty popular one, all dressed up in period clothing and the mores that clothing represented.

Also lately, around the romance blogs, historical and contemporary romance/erotic romance with bodice-ripper elements have been ridiculed, maybe rightly, maybe not. But in a romance reading public that’s taking to male/male romance and BDSM romance, this abhorrence of the longest-running sexual fantasy in romance is bewildering to me. Women have their fantasies. Some of them involve the forced seduction. Is it PC? Absolutely not. Is it valid? Yes.

Genre romance has always thrived on the power imbalance between the male and female, but this has its caveats, and the caveats make up the majority of the fantasy:

1. The heroine is always clearly superior to any male in her milieu except for the hero, who is the only male strong enough to conquer her.

2. The heroine is always isolated from female companionship for many reasons, one of which is that she is superior to all other females and thus, the object of female derision/jealousy. If there is a female, she takes on a mentor/sister/mother/fairy godmother persona.

3. She’s already attracted to him and he gets her off.

4. The “asshole alpha”’s transformation into acceptable mate material depends on whether his eventual groveling is equivalent to his previous assholishness.

5. He better damn well grovel and do it right.

6. At the end of the book, the reader knows that while the heroine can go on and live without the hero, the hero cannot live without the heroine. He always winds up more dependent on the heroine’s love and presence than she is on his, turning the power imbalance 180 degrees.

7. It’s all about the groveling.

Other than the innumerable authors who write the six Harlequin Presents novels every month, I can’t really name any contemporary romance authors who write the “asshole alpha” except, perhaps Susan Elizabeth Phillips, and boy does she write good groveling, viz. Kiss an Angel, which is one of only five romances on my DIK list (and the only contemporary).

Lately, Anna Campbell and others have come back with the bodice ripper, but again, they write historical and I don’t think it does anybody any good to pretend that some of these characters are a century or two more enlightened than the people around them at the time.

The power imbalances in my own book have been pointed out to me with startling clarity, and I’ve been chewing on this for days, not because I disagree in the case of Knox and Justice (an homage to the Harlequin Presents line of books I cut my teeth on and my best crack at writing an anti-hero), but because I do disagree in the cases of Giselle and Bryce, and Sebastian and Eilis. I’m not going to go into why because that entails spoilers.

What ultimately brings me to write this post, though, is because lately, despite my professed ambivalence (possibly distaste) for paranormal romance and urban fantasy, I’ve been reading a few books (that I liked!) that have led me to a conclusion:

The asshole alpha still lives and breathes, as assholish as he ever was. The bodice ripper hasn’t gone away. The forced seduction hasn’t lost its appeal.

It’s morphed.

Into demons, werebeasts, vampires, ghosts, ghouls, goblins, and things that go bump in the night. In many, many cases it’s further disguised as the (overused) “one true mate and nature has given us no choice” device.

Only now, because it’s dressed up in con clothes and otherworldly window decoration, it’s perfectly acceptable. Except … some of us don’t care for the window dressing.

I also made a statement a while back that a lot of Mormon authors write our basic tenets and philosophies and beliefs and religious history in science fiction and fantasy, where it’s almost or fully unrecognizable to non Mormons. I said that I thought it was cowardly. I was told by one author that his first instinct was to write science fiction/fantasy and that the incorporation of our doctrine, traditions, and culture was secondary. I believe that—for that author. I don’t believe it across the board.

Why does this happen? Perhaps because suddenly, one person’s fantasy/message is another person’s call to battle?

I don’t write that way. I can’t wrap the bodice ripper up in paranormal and urban fantasy paper and put a shibari bow on it because that doesn’t appeal to me, although the sex probably will. I can’t put a pretty dress on what is, to many readers, an ugly philosophy/belief system in science fiction and fantasy because that doesn’t appeal to me, although the philosophy will.

This is why I like erotica, because, by its very nature and reader expectations, it’s bald. It’s honest. It’s also why I did actually appreciate The Actor and the Housewife for one thing: It put our culture and beliefs and jargon out in the open honestly, naturally, with no apology or preaching.

I want it straight and I write it that way. I call it what it is because that appeals to me, the honesty of it, the setting of human-as-animal in a contemporary world where our baser wants and needs are not only taboo, but ignored as if they don’t exist. And likewise, where our spirituality/religious beliefs offend a whole lot of people, and short shrift is given to the struggle between the natural (human) man and the enlightened (human) one, who attempts to control himself and sometimes simply doesn’t.

I have no issue with control, losing it, struggling with it, conquering the natural man. After all, that’s why we’re here, right? To vanquish the natural man?

But I’m interested in the process.

And the groveling.

I don’t expect a non genre romance reader to get this, so the objections I’ve received have only made me think about the genre, think about why women read romance, the vast subgenres of romance, and why some women despise genre romance altogether.

Whatever universal truths are revealed in fiction, no matter how they’re portrayed, I don’t give a shit about vampires or demons trying to overcome their natures to be moral creatures because vampires and demons don’t exist.

I don’t give a shit about a being (possibly alien) who drives a spaceship for a living (or who has some fantastical adventure) who’s going through some vague spiritual struggle that Mormons can drill down to the most minute nuance, and might kinda look like Mormonism to anybody with a passing familiarity, because I can’t relate to that.

I can relate to asshole people whose feet are planted on earth, who don’t have regular contact with the boogeyman or aliens, who have no magic or fae blood, no superpowers, who strive and fall and fail and lose themselves in their baser natures, who want something better for themselves but may not know how to get it, who make bad choices and know it even while they’re doing it, who depend on other people or a religion or a deity or a philosophy to help “fix” them.

We all need fixed in one way or another, and there is always a power imbalance in a relationship. It shifts and it changes and it morphs and it takes time to level out as much as it’s ever going to. It’s a neverending process, and sometimes it seems like being on a hamster wheel.

How do I know this?

’Cause I’m an asshole and I strive and I fall and I fail and I lose myself in my baser nature, trying, always striving, for enlightenment. And because I need my husband to “fix” me, and I daresay he needs me to “fix” him, too.

And we both have to grovel.

But please, can we stop pretending the forced seduction romance, and the inherent power imbalance the male has over the female is gone? It’s not. It never will be. We like it too much, and, as a fantasy, it’s no less valid than the up-and-coming PC fantasies of male/male romance or BDSM romance in all its incarnations.

It’s just been driven into the closet.

I’m not going to waste my time.

My August reading list experiment is no more.

I read Where Serpents Sleep by C.S. Harris and found it a bit hollow, particularly the end, where the heroine, Hero (I’d find that funnier if I didn’t know it was a Shakes reference), is kind of…forgotten. Hello! She lost her virginity. A teensy bit of half of a resolution would have been nice to ease me into the next book in the series. Actually, (please mark your calendars) I didn’t think the token sex scene was at all necessary (nor was it in character for either of them) and for me, that scene was a WTF? It made me wonder if the editor made her insert the de-virginization scene. Because without more emotional preparation before or reflection after by either of the characters, it made it superfluous. It was like a question that didn’t get completely asked, much less answered.

I’m 100 pages into Tribute by Nora Roberts. It’s going back to the library tomorrow with the rest of the list.

I have no interest in any of these books and I wouldn’t have picked them up in the first place, and my hypothesis will thus officially remain a hypothesis because I’m so not interested in proving it.

I have to finish beta-reading for a friend (this is not a chore, believe me and plug: her debut novel, On These Silken Sheets, is out on September 8—go preorder right now!), I am caught up in Seabird of Sanematsu and Fight Club so I need to finish those, and I want to glom some Victoria Dahl.

And that’s just what I have on my READING plate.

I’m cheeky

In case nobody’s noticed, my Perfect Bookstore post has garnered a wee bit of attention here and there around the interwebz, thanks to @RonHogan who linked me in GalleyCat and then Teleread picked me up.

ronhogantweet

I’ve been to very few of the pingbacks, but of the ones I have, quite a few of them described the post as cheeky*. I like that. I like that they recognized that instead of presenting it like I was completely serious and the plan/design was complete. I have lots of ideas about a whole lot of things. Most of them are half-assed.

*My vision of “cheeky” is Mary Poppins standing in front of her mirror and lightly chastising her reflection for one-upping her (at 3:00).

So, um, for non-regular visitors to the blog, I’m pretty cheeky about everything.