Dunham series

Evolution of a cover, part 4

Moriah

This is the final installment on the covers series (parts 1, 2, and 3). I never got this finished for Publishing Renaissance, so this is fresh and new.

Thank you for your continuing indulgence on the travails of designing a cover if you’re not a designer of covers. As I’ve said in the past, it took me almost a year and hundreds of hours of Photoshopping to come to the cover I did, which I affectionately call The Bewbies™. Originally, The Proviso was one book and it was enormous. Then I figured I’d probably do better to split it out into 3 parts, 1 part per romance. Then I realized there was no way to write this in three parts without making everybody crazy.

We are now at the final cycle of decisionmaking, when The Bewbies™ perked up.
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Evolution of a cover, part 3

Moriah

Originally published at Publishing Renaissance on February 12, 2009.

 

Thank you for your continuing indulgence on the travails of designing a cover if you’re not a designer of covers. As I said last week, it took me almost a year and hundreds of hours of Photoshopping to come to the cover I did, which I affectionately call The Bewbies™. Originally, The Proviso was one book and it was enormous. I originally titled it Barefoot Through Fire. Then I figured I’d probably do better to split it out into 3 parts, 1 part per romance. This is the story of book 3.
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Evolution of a cover, part 2

Moriah

Originally published at Publishing Renaissance January 30, 2009.

 

Thank you for your continuing indulgence on the travails of designing a cover if you’re not a designer of covers. As I said last week, it took me almost a year and hundreds of hours of Photoshopping to come to the cover I did, which I affectionately call The Bewbies™. Originally, The Proviso was one book and it was enormous. I originally titled it Barefoot Through Fire. Then I figured I’d probably do better to split it out into 3 parts, 1 part per romance. This is the story of book 2.
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Whether you wanted to know or not

Moriah

I’m a visual person, so when I write, I have to have some fairly specific object or person in mind in order to describe it. I write because I can’t paint, so if I have never seen what I see in my head, I’ll try to find something relatively close and make sure I can look at it often.

A lot of authors use real people as the basis of the looks of their characters. Some authors even reference those people in the text (I did it with Giselle and Bryce). Some readers like it, some don’t. Some readers like faces on their covers, some don’t. Some readers (*ahem* Th. *ahem*) don’t like any description at all. It gets to be a balancing act for an author not to intrude on a reader who likes to imagine the character, yet provide enough for the reader who wants to know which famous person the character most looks like.

Anyway, I’ve been debating writing this post for about a year now, but I’m going to go ahead and bite the bullet. Wanna know who I had in mind while writing The Proviso and Stay and Magdalene (albeit Magdalene‘s only about half written)? Here you go, in order of actual appearance across the books:

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Evolution of a cover, part 1

Moriah

Originally published at Publishing Renaissance January 6, 2009.

 


If you’ll all indulge me, I though it’d be fun to do a little series on the evolution of a cover by a non-cover artist/designer. It took me almost a year and hundreds of hours of Photoshopping to come to the cover I did, which I affectionately call The Bewbies™. Originally, The Proviso was one book and it was enormous. I originally titled it Barefoot Through Fire. Then I figured I’d probably do better to split it out into 3 parts, 1 part per romance. This is where the cover journey begins.
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