Buy a saddle

I had a real character of a supervisor once. The minute I clapped eyes on her, I felt real pity deep in my soul.

She was 106 if she was a day. She had a sparse bottle-blonde bouffant. Her skin was paper thin (friable in MD speak), though her face was amazingly free of wrinkles. She had a permanent snarl on her pink-painted lips that let me know she’d had a stroke and/or that side of her face got stretched too tight. She was sitting behind a desk loaded with yellow and brittle papers that had been there since the Nixon administration, one hand on her hip and the other elbow propped on the desktop, a cigarette between two long, gnarly fingers.

She glared at me.

Well, I was late.

My first day.

As a temp.

(A hammer, really.)

But my first thought was, “Oh, that poor woman, having to work at her age. I bet she’s eating cat food.”

My second thought was, “I didn’t know they made leathers in lavender.”

She had a voice like I would imagine the sound a cat would make if it were shaved and then dragged over the business side of a cheese grater. She smoked like a chimney.

Right. Next. To. Me.

She snarled and growled and snapped at me. Once I dug into the work and figured out what had to be done, I calmly explained myself to her and it only took about 2 sentences for her to understand I knew what the hell I was doing.

We were best pals after that.

Anyhoo, over the next year, she taught me a lot about life. Well, no, not life. About money. About how to make money. Because, contrary to my first assumption, she was not eating cat food. She was richer than God. Older than Him, too, but that’s neither here nor there. She worked full time to pay her taxes because she didn’t want to dig into her principal.

And lavender leathers can’t come cheap.

She had a repertoire of cutting asides she tossed off throughout the months and I wrote them down because I never laughed so much as I did with her. She was a mean, sneaky, conniving, clever bitch and I loved her for it. In my head, I called her The Dragon Lady.

One day a customer came into our store complaining about other merchants in a loud, obnoxious tone of voice, and generally being an asshole. Finally (because she couldn’t help herself), she said, “Well, shit. If one person calls you an ass, you can bet they’re having a bad day. If three people do it, buy a saddle.”

Yesterday I was wandering around blogland and witnessed a train wreck of a blog wherein the embattled blogger was told this, only in a much nicer way (albeit not as, ah, colorfully).

And I thought, “Damn, I wish Dragon Lady was online so I could see what she’d do with that.” Except, well, Dragon Lady can’t type very well.

It’s her long, manicured claws nails, you know.

Painted lavender.

To match her leathers.

Dear Santa,

I have been a very good girl so far this year. Well, I mean, there was that homework assignment I didn’t help my kid with in time. And, um, I kinda sorta strayed away from my diet. Once. Okay, twice. Anyhoo.

9780140911664hDown below, I asked for 6 more hours in a day and the ability to not to have to sleep. That’s my number one and number two wishes for Christmas. You’re magic. You can do that.

Now, I must have this:

Penguin Classics The Arabian Nights gift set.

Okay, now, I know that you’ll have to make a stop in England to get it, but you’re going there first anyway, right? Just pick it up for me while you’re there filling stockings and such.

Yes, I KNOW it’s paper!

What’s that? Oh. Well, I DO adore e-books, Santa. But I also adore paper books. Just not…mass market paperbacks. I’d much rather read an e-book than a mass market paperback.

And look at it. Isn’t it GORGEOUS???

This crow needs pepper or sumpin’

swlogoOkay, so remember where I said I wouldn’t put The Proviso on SmashWords because it had special formatting and boo hoo hoo?

You know what? I’m a capitalist-pig whore* and I’m full of shit, too.

SmashWords partnered with Stanza and Stanza’s iPhone store, so naturally I got over my formatting/design hubris immediately and figured out a way to do all my special little touches with your bare-bones Word settings. So, yeah. Apple, bite me. Or rather, let me bite you. The Proviso is now available on your iPhone/iTouch at the Stanza store via SmashWords in EPUB, LRF, MOBI/PRC, PDB (the PalmDoc source file, not the eReader container), and PDF. You can read 30% of it free there, too.

*Yeah, I know it was redundant and probably went without saying anyway.

But, erm, be patient. Their servers are very popular at the moment.

Yay Stanza and a big THANKS! to Mark Coker and Bill Kendrick for going out of their way to help me.

The forbidden Apple

So let’s try this again and I will make myself very clear: I’m seriously pissed.

Apple rejected my book from its iApp store on the basis that it has the F-word. Now, I’m sorry, but the fact that the F-word is in my book is the least of its crimes (they must have missed the “cunt”), so…“fuck”? Really? But that’s not the point.

And you can download the Stanza (free) or eReader (free) applications to your iPhone, download my book, and read it that way, so all is not lost. But that’s not the point.

Some people call this censorship. I don’t; they’re well within their right to accept or reject any book they want. But that’s not the point.

The point is also not that Apple is cutting off its nose to spite its face. For whatever reason I don’t understand, they’re wishing-washing on e-books.

1) There is no iBooks.

2) There is no restriction of explicit lyrics and explicit/violent games and R-rated movies in the iApp store, which leads me to believe that the restriction is solely for e-book applications. Why? Are we discriminating against reading as a leisure activity? Why?

3) At the same time, Apple made a deal with ScrollMotion to provide a host of e-books as applications, but I notice they are of the young adult variety, which is a pretty safe bet, content-wise. However, they’re wrapping these up in DRM. Why?

4) Not only that, but some of them are seriously over-priced. More than the hardback!!! Gah.

5) When I actually looked at what was in the e-book section if the iApp store, it was classics in the public domain (good!) and puppies-and-kittens (no, seriously, books on puppies and kittens) and manga (in which I have no interest whatsoever). Yeah. Selection. I can get a better selection of books to read at Wal-Mart, albeit I have to go there and buy dead-tree books.

6) On Teleread, the speculation is that spikes in iTouch sales are good for e-books, but is that true for e-book applications?

Nothing Apple is doing on this front makes sense to me. David Carnoy’s Knife Music (read his whole post) was rejected for the F-word, but this wouldn’t have even come to light if he weren’t already semi-high-profile (which fact is okay with me, but it’s happening all over the place, not just with him). I mean, they’re adding e-book applications a little bit. Here and there. Snootily.

On a purely capitalist pig basis, wouldn’t you think this would be a market they would want to exploit? I can only conclude that Jobs simply carries an utter abhorrence for The Book and does not want to exploit it for another revenue stream.

Seriously.

Music.

Movies.

Games.

But not…books?

The project orgy

XX and XY Tax Deductions notwithstanding…

I have projects. I adore projects. Alas, I am only one person.

Let me tell you what’s on tap this weekend.

NEEDLEWORK. I do it. I also make a bit of money doing it when I actually do it. The Proviso has taken up a lot of time lately (heh, understatement) and I’ve neglected this needle-and-thread part of my life, to some detriment. I have 2 projects to add finishing touches to, 3 projects to stretch and frame, 1 project to stitch, and 1 project to design. Add in completely revamping the website and that’s 8 projects.

FREELANCE WEB CONTENT WRITING. I do that, too. Sometimes. This isn’t as easy as you might think, considering I seem to have diarrhea of the fingertips. 1 project right now, but it’s a bitch.

My DDJ (damned day job, my main business), which I keep separate from this for reasons which should be obvious. Anyway, I have a little side gig off of that, which makes me a little money when I keep up with it. 1 project, but it’s tedious.

The whole PUBLISHING gig, which next 3 projects I’m giddy over, only one of which is the next book in The Proviso series. Go ahead and count this bullet point as 3.

SEWING for the XX Tax Deduction. 2 projects.

And yeah, READING. Working on The Hole (draft) by Aaron Ross Powell.

Is it too early to make my Christmas list to Santa? ’Cause I wish for 6 more hours in a day and the ability to forego sleeping.

You may feel sorry for me now.

Mama, I’m thirsty

sad-faceWe just gave up our water cooler and water service.

For those of you tightening your belts, even if you A) don’t have any need to do so but you are anyway (yay, you!) or B) don’t have any notches in your belt ’cause it wraps around twice already (it’ll get better!), go here:

Save $1,000 in 30 days. I follow this guy regularly.

I probably should’ve tweeted this, but I’m still trying to figure out exactly what its purpose is.

Viral money-and-politics rant

In case anybody missed it, I’m a Libertarian. Now, RJ Keller got me started and of course, it doesn’t take much to push me over the edge some days. In Maine, where she lives, apparently, people on state assistance get to purchase alcohol and tobacco with their state-granted funds, so she’s a wee bit pissy about this. I would be too, because in 2000, I was pissy enough about what I was seeing as a weekend graveyard cashier at a grocery store to write the following to my congress-critter:

CAUTION: It’s long and way ranty. Because I do not believe any such systems can/will be abolished, I have come up with some complex solutions, even though I am well aware gummint is not into solutions.

My part time job is working graveyards at a grocery store on weekends. I check out people all the time who use food stamps. Before working there, I had a fuzzy sense of exactly what food stamps were used for, since it wasn’t something I thought a whole lot about. My only up-close-and-personal experience with food stamps happened to be that my best friend, single, with two children, used them. She was always very careful to buy cheap, whole foods, fresh produce, and the ingredients to make bread, as she makes it more cheaply than buying bread. Naïve me. I thought everybody was as frugal with their benefits as my friend.

You should see the crap people buy on food stamps! Not only do they buy pre-packaged, expensive junk food, expensive cuts of meat, shrimp and lobster, but then they turn around and buy whole cartons of cigarettes and lots of booze with cash. They buy tons of dog food for dogs that could eat your HOUSE and still be hungry an hour later—with cash! If they can’t afford to buy their own food, where do they get the cash for this stuff???

Anyway, I realize that it would be a futile effort to try to abolish the system altogether, so I would like to propose some reforms that would be the first step in the incremental abolition of food stamps. They are as follows:

1. Mandatory periodic drug and alcohol testing. I don’t have a problem with people who drink, but I sure do have a problem with people who drink on MY dime.

2. Limitations on the use of the food stamp credit card.

a. No usage between midnight and 6am (this is to discourage late-night trips to the store for a brownie mix, candy bars, and a case of Coke)

b. Use limited to once in every 24-hour period

c. No cash transactions during same trip through the check out line (this is to discourage cash beer, cigarette, and animal food sales; granted, this would be the hardest idea to enforce).

3. Limitations on food selections. Users would be required to shop from a list of approved foods (a la WIC). There would be no paperwork like WIC, but a food stamp transaction would require the user to scan his food stamp card before checking out. The grocer’s UPC scanners would be required to be programmed to provide a fail-safe for the approved foods. As a concession to the grocer-as-policeman, the food stamp recipients would be required to work for the grocer free of charge by the state to do the data entry required to make this possible (BONUS: JOB TRAINING!). The following requirements would have to be reflected in the approved foods list.

a. Whole foods only (which mean that users would have to GASP COOK)

b. No shellfish, lobster, or other expensive cuts of meat; if a user buys chicken, he will have to buy it whole and learn to cut it up himself; no boneless, butterflied chicken breasts @ $2.99/lb when whole chickens are $.99/lb

c. No junk food, convenience foods, prepackaged lunches, soda pop, potato chips, cookies, specialty foods, box cereal, ice cream, pop tarts, TV dinners, bottled water, etc.

d. Store-brand canned food only; no name brands.

e. Minimum percentage of total monthly benefits spend on fresh produce (say, 10%; if a user’s monthly benefit is $200, he should be required to buy $20 in produce).

f. Inexpensive cooking spices should be allowed.

g. Toilet paper, cleaning products, and feminine hygiene products should be allowed, but again at the discretion of the state.

Now, I realize that this will require more bureaucracy to regulate, but I have three thoughts on this:

1. Government loves more bureaucracy; they should be very happy that their jobs will be secure,

2. If I have to help pay for the crap these people buy to eat, and there’s no hope of getting the food stamps abolished, then we should have the right to regulate the hell out of it, and

3. If the users refuse to work a regular job, then they should have to work to get their food (the food I’m paying for) home.

I guess what I’m most angry about is not so much that people get food, and cigarettes and booze and dog food on my dime, but that they’re so damn smug about it. You wouldn’t believe the arrogance of these people; their attitudes are nearly regal, as if they are special for being able to get their food for free while I, the chump who has to work two jobs (to pay my self-employment taxes, actually) waits on them.

Now, if you’ve never worked as a cashier at a place that takes EBT (aka food stamps), you really may not get the level of anger here, or why it exists. I’ll tell you why:

It’s the attitude.

AND

Charity should be voluntary, not mandatory. Taking money out of my pocket to give to those the state deems worthy takes away my choices and is, in effect, legalized theft. It deprives me of my freedom and it deprives those I would have given to.

The USA has the highest percentage of charitable giving in the world, and that is in spite of what is wrested by force from our paychecks by the gummint to give to someone else. In the article Why are Americans so generous?, one point came through loud and clear to me:

“Most people think Americans are generous because we are rich. However, the truth is that we are rich, in significant part, because we are generous. Generosity is not a luxury in this country. It is a cultural norm.”

Can you imagine what we’d give if we had that money back?

Road. Hell. Intentions.

So for the last 2 years I’ve been collecting recipes for plain cleaners and wanting to go “green” and cheap, and have done nothing. Nothing! I tell you. I am ashamed.

At least we have our 72-hour kits and a good supply of food laid in (but what WE have depends on electricity, yipes). I also have Amy Dacyczyn’s book, The Tightwad Gazette, and there are all sorts of resources online to help pare down.

It’s time for the Mojo-Dude Family to turn Yank: Use it up, wear it out, make it do, or do without.

First thing to go: Water cooler and associated water delivery service.

Second thing: Homemade cleaners, coming right up! No more Scrubbing Bubbles or Simple Green, no matter how much I love thee.

Third thing: Homemade bribes for the Tax Deductions. No more “if you eat your dinner, I’ll let you have a [insert store-bought treat here].” This means I will have to, uhm, bake. I’m not a bad cook, nor a bad baker. I don’t loathe and despise and spit upon the act of baking, either. I just don’t care for it much. Today’s bribery stock-up baking: goodie cookies also known as Russian tea cakes.

The perfect bookstore

Part 2 | Part 3 | Part 4

Hey, publishers and booksellers. Let me help you solve all your problems, ’kay? Behold the perfect bookstore:

The problems? You know exactly what they are and obviously you aren’t interested in solving them.

You booksellers have been rolling around on the back of the consignment system like it’s catnip for too long—and it’s still going to bite you in the butt.

You publishers are doing everything you can to stymie ebooks and are determined to cling to your outmoded ways. You can lay off people all you want, but you’re not actually willing to do what it takes. Never fear, though! The economy will help you with that.

Now, in a quaint little town that is a suburb of Kansas City, they have a town square surrounding the 19th-century county courthouse. In one of those slender 19th-century 2-story buildings, there is a mom’n’pop bookstore that has been there for, oh, EVER. The top floor was always for used books, the bottom floor stocked to bursting with books. Then they put in a coffee shop. Last week, we found out they were phasing out the books altogether. Now, I ask you. What is a bookstore without books? It’s not. It’s a coffee shop.

I’ve been thinking about these issues for a long time and shaking my head sadly, wondering how long it’ll take before the consignment system collapses.

Say the above drawing is the bottom floor of the aforementioned 2-story 19th-century storefront on the town square. The 2nd floor could house a coffee shop or used books or books that you wanted to order to keep in stock (and you paid for them up front on a wholesale basis) because you’re a bookseller and you love books and books are a perfectly reasonable thing to have in a bookstore.

But do you see what is going on? A way to be inventory-free, using the just-in-time inventory system that half the rest of the retail industry in the world has been using for going on 15 years now.

You, Random Reader, are a book lover. You want a book you can hold in your hands. You go to Quaint Bookstore and they do not have what you want in their meager stock. NO PROBLEM! You sit down at one of the book stations. You browse the computer catalog (probably Ingram or Baker & Taylor). You pick your book. You punch in your credit card number (tied to the store’s point-of-sale system). The order goes directly to one of the Espresso machines behind you. You wait 10 or 15 minutes (by which time you’ve probably already ordered another 3 books), and out pops your book. You are GOOD TO GO.

Or hey! Maybe you don’t want to wait the 10 to 15 minutes, so you tap into your Quaint Bookstore account from home or work or school and order the book that way. You can pick up your Espresso when you pick up your espresso on the way to or from work or school.

And say you want an e-reading device, but you don’t want to get burned. You go to Quaint Bookstore and you pick up one of their demo devices loaded up with ebooks. You sit go upstairs to get an espresso (heh) and read for a while to see if you like it. If not, go back, pick up another one, and make sure you like what you’re getting. Then you buy it and boom, healthy profit for Quaint Bookstore on an e-reading device (which will probably get the customer back to buy at least 1 print book for every 10 ebooks they read—okay, I made up that number, but still!).

Honestly, I do not know why this has to be difficult. The technology’s there, waiting—no, begging—to be used. The consumers are there and will grow as the economy cycles back up again. With one Espresso machine, Quaint Mom’n’Pop Bookstore could get rid of its book stock, but still be a bookstore.

Did I mention there is a small liberal arts college in this town, too? Can you say “bypass the college bookstore for your textbooks”? Ka-ching.

But you know, I’m not even sure this particular Quaint Mom’n’Pop Bookstore ever heard of an Espresso and probably are afraid of ebooks, and are unwilling to look past the death of the consignment system. (I should probably ask them those questions before I assume things, eh?)

I tell you, the time is (almost) right for a new breed of independent bookseller.

 

My way or the highway

Lately I’ve been reading a snowballing number of posts in the ebook community about adopting EPUB as the international (and pleasepleaseplease DRM-free) standard. This is great and I’m SOOO on board with that. What’s got me disturbed is that the subtext (and sometimes it’s not even that subtle) is that in order to adopt EPUB, publishers ought to ditch every other format, I assume, to force the issue of EPUB format adoption for everyone.

No fucking way!

Are you serious?

As a consumer and producer of ebooks, let me tell you, this is simple crackpot evangelism. EPUB is the future; I do not disagree and I would love to see it come into its own and beat the competition.

HOWEVER

The competition exists for a reason and that’s because there are competing machines out there. Why in the world wouldn’t a producer find and exploit every digital outlet he could while they exist?

Now, I understand it’s perfectly reasonable for a producer of analog music to give up making vinyl records and 8-track tapes when there are few enough record players and 8-track players that it makes no sense to spend the time to do so. But if there is fairly equal money in each format, it would be foolish for the producer to give up producing even one of those formats.

In short, there is no way we would give up any one of the (now) 10 digital formats we publish in unless and until all devices can and will read one format and that the majority of the users of those devices are choosing one format:

AZW (Kindle)

EPUB (any device using Stanza or Adobe Digital Editions)

HTML (a lot of devices, plus any browser)

IMP (eBookWise)

LIT (Microsoft Reader)

LRF (Sony PRS)

MOBI/PRC (any device using Mobipocket)

PDB (Palm)

PDF (any device that reads PDF), and coming soon,

iApp for the iTunes store (iPhone/iTouch)

The fact of the matter is that once you’ve formatted for one of the above, you’ve formatted for over half the rest with minor tweaks. Yeah, it takes time to make each pretty for its own device, but it’s worth it as long as people feel they’ve gotten their money’s worth.

And every single one of those formats has a serious issue or 3 that consumers don’t like. However, each consumer still has the choice of the format with the least number of annoyances for him. Giving me 1 format (or, in the case of a book I really really really wanted to buy) 4 formats that are pure hell on me isn’t going to get me to adopt those formats; it’s only going to jolt me out of my impulse buy and now that I’m not BUYING paper books anymore, I’ll get it at the library.

So, Hachette Book Group. Thanks for saving me some money, ’cause I wasn’t strong enough to withstand the temptation if it had been in a format I could use.

Make it easy on the customer

There’s a book I really really really want to read. However, it’s only available in e-format 2 ways: Serialized on the author’s blog (i.e., on the computer—no thanks) and via Kindle (no thanks). Now, I’m getting ready to email him and ask him if it’s available any other way, so we shall see.

There’s another book I really really really want to read. However, it’s only available in 4 formats (actually, 3 because 2 formats are identical in nature), none of which I can read on my ebook reader. The format I want is MS Reader (LIT). Why? Because I can break the DRM and put it on my ebook reader. Which, come to think of it, is probably why it’s not offered in that format.

Really, there’s enough GOOD stuff out there in more accessible formats to waste time having to read on the computer. After having had my eBookWise for a mere 7 months, I’ve gotten to where I WILL forgo a title (no matter how badly I want to read it) if I can’t get it in a format that is accessible to me. Otherwise, I’ll just go to the library, where it likely won’t be.

We’re really trying to put The Proviso in as many places as possible in as many formats as we can. It’s not just in the B10 Mediaworx bookstore (8 DRM-LESS formats bundled together in a zip), but at Amazon in both trade paperback and Kindle, at Barnes & Noble, at Books-A-Million, at Powell’s, and now at ebooksjustpublished (which takes you back to the B10 Mediaworx bookstore, but hey, it’s exposure).

Some time next week, The Proviso will be in the iTunes store as an iApp for iTouch/iPhone. Although we’ve formatted it into EPUB for those who’ve downloaded Stanza on their iTouch/iPhones, we really want to present as many options as possible to make it easy for every customer to read it the way they prefer to read it.

Because not being able to read a book I want to read the way I want to read it is beginning to weary me.

Moratorium on manuscript buying

From Publisher’s Weekly:

It’s been clear for months that it will be a not-so-merry holiday season for publishers, but at least one house has gone so far as to halt acquisitions. PW has learned that Houghton Mifflin Harcourt has asked its editors to stop buying books. […] Another agent who had also heard about the no-acquisitions policy at HMH called the move “very scary” and said it’s indicative of an industry climate worse than any he’s ever seen.

Predictions:

1. Expect this to keep happening for a while at other major publishers.

2. More independent publishers will spring up, particularly in the ebook arena.

3. Major publishers will start mining their backlists for ebooks. Oh, wait, they already have. Credit for innovation coming right up!

4. Revisions in the advance/royalty system. E-presses blazed this trail, but Harper Studios has taken up the cause (and may end up reaping the credit for that, too).

5. This may be the death knell for the consignment system of selling books. One can hope, anyway.

Yeah, it’s depressing, but A) everybody’s having a hard time, so boo hoo at you too, publishing and B) everything is cyclical.

Quite frankly, the economic downturn and the rise of the ebook couldn’t be timed better. You build up the low-cost or free alternative in the downswing (coupled with instant gratification), something people can afford and are open to, then you see it explode once the upswing begins.

Dead tree books will NOT be a thing of the past (knock on wood), but the smart publishers and booksellers will find cheaper alternatives to bring those to market too. If you want to survive after an economic downturn, you must start thinking in the long-term instead of the short-term; you sure as heck aren’t making any money now, so figure out how to make money when everybody has some again.

Pssst, publishers and booksellers:

It’s called the Espresso.

In kiosks.

At Wal-Mart, Target, and smack DAB in the middle of your chain or independent bookstore.

Book design: ur doin it rong

Thank Mike Cane for this rant.

I’ve read a few self-pubbed books lately. None of them were egregiously horrible in the design department and a couple of them were even fairly decent. And frankly, after I converted them to digital and put them on my ebook reader, it wasn’t an issue at all. But let me take the opportunity today to piss off everybody right up front and then we’ll get to the good stuff.

1. If I hear one more word out of self-pub haters that someone self-pubs because she sucks as a writer– Oh, wait. I hear that all the time and move along on my own business. Nebber mind. You go ahead and keep doing what you’re doing, Mr./Ms. Author, because obviously it’s working for you. (Note: I saw the writing on the wall for me when an editor said, “We love it and it’s well written, but we don’t know where to put it.”)

2. If I hear one more word out of proudly proclaimed self-publishers that no one can typeset anything in MS Word and make it look right, I’ll scream. Yeah, I have seen your books and yes, like you, I can tell who did and didn’t use Word for typesetting. Yes, you proud InDesign/PageMaker users, I can tell that you (or the interior design person you hired) used InDesign/PageMaker. How can I tell? Because you (or the person you hired) suck at InDesign/PageMaker. I cut my teeth on PageMaker in J-school, so I know what it can and can’t do and how well you have to know it to do it right. GIGO.

Design, people. Design is the first reason independent publishing gets no respect. If a reader can’t get past the design, doesn’t matter how good the writing is or isn’t.

I’m not going to worry about discussing cover art today, because, well, I can’t speak. I winged that and after about a year and sixteen different covers, I had enough skills to put this together:

The Proviso print cover

CLICK TO ENLARGE

So let’s talk about interiors, shall we? In this I have a wee bit of knowledge, but mostly it comes from J-school.

In my opinion, there are a few basics that should be fairly commonsensical but I’ve seen violated as of late:

1. Don’t use Times New Roman 12 pt single spaced. Please. Pleasepleaseplease. Pwettypweeze with sugar on top. (And as a personal favor to me, don’t use Garamond or Palatino Linotype, either. Ask Lulu to please add some more fonts to their repertoire you don’t have to embed OR learn how to embed your fonts, but then you wouldn’t need Lulu.) If you choose to use a sans-serif font, pick one that’s easy on the eyeballs like Calibri or Candara.

2. Justify your margins.

3. Don’t use 1/2-inch paragraph indent. Use something a lot smaller.

4. White space!!! You can get away with using a smaller font size if you make sure your line spacing is adequate.

5. Don’t put your headers on the chapter page break.

In my case, I had a 283,000-word book. I wasn’t going to be able to mess with font sizes much and still fit it all in one spine, which meant I had to do a couple of things I wasn’t happy about, but won’t do on books any shorter. One thing was having to make the font 11 pt. Because in Adobe Jenson, that’s really really really small; on the other hand, the line spacing is 14 pt, which, according to some typography books I’ve read, is a good ratio and I must say my eyeballs agree. The other thing was:

6. Start all chapters on the odd page, not the even. This isn’t a “rule” so much as simple polish. I couldn’t do it because of my page count. On the other hand, I haven’t read a book that stuck to this “rule” in so long I’m not even sure why I care.

Okay, so here’s an example from The Proviso:

CLICK TO ENLARGE

Let’s break it down.

1) No header on chapter page, and no page number, either.

2) Right margin justified.

3) 0.5 inch on the outside margin, but wider margin on top and bottom (not much, admittedly, but enough).

4) 0.2 inch paragraph indent.

5) Drop cap and first line small caps. It’s nice. It means you notice details. Neither of these is necessary, but it polishes without going overboard.

6) Nice line spacing = plenty of white space, or at least, as much line space as I could afford, given the length of the book and Lightning Source’s printing limitations.

So what’s my point?

If you are going to try to do these things yourself, learn what makes human eyeballs happy. Read the books. The one I lived and breathed by was this one: Type & Layout

Practice. Experiment. Study the way other books are designed (especially the high-end ones). Notice details. Take notes. Don’t be afraid to throw out your pet specs (the same way you shouldn’t be afraid to throw out your words that don’t work).

Independent publishing is a business just like any other business that sells goods to merchants, which makes it difficult enough for us in an industry that doesn’t do business that way and has a vested interest in keeping the status quo. But you know what? If the last week of handselling has taught me anything, it’s that the readers don’t care who published your book–unless it looks like an unprofessional job.

If they take one look at the book and ask to see it, read the back copy, then flip open the pages to read a little bit, and then whip out their checkbook (especially for a book this expensive), then you’ve done something right. If they aren’t intrigued enough to make it to the back copy, and then the first couple of pages, all the good writing in the world isn’t going to help you. They won’t know why they don’t like looking at it and they’ll care even less, but they will know they just don’t want to look at it.

Bottom line: Once you’re finished with the story inside, forget about it and concentrate on the visuals. The book is the art. It all works together in a symbiotic fashion. Don’t believe me? Ask all those authors whose publishers killed their sales straight out of the gate with a bad cover and bad back copy.

“We don’t know where to put it.”

I do. Right in the readers’ hands.

Misckellaneous

I’ve had a lot on my mind lately that I haven’t been able to untangle, much less unpack on an issue-by-issue basis. What are they?Huh?

1. The election

2. Prop 8 in California

3. “Black October” in publishing

4. Independent publishing

5. Agents and editors (the “Gatekeepers”)

6. Mormon writers/Mormon literature

But a couple of posts on Nathan Bransford’s blog yesterday sorted at least one issue out for me, which is my firm belief that whether or not independent publishing becomes as accepted independent filmmaking and independent music making, it was the right choice for me. And I’m going to come back to that Espresso Book Machine thing because it’s tres important.

Which leads me to a post Mike Cane made recently about self-pubbing and an author’s inability to do it all, yet tries because he wants to save money. He’s right overall, but I learned long ago that creative types in one discipline are drawn to other disciplines and have the ability to do those well, too. What they are, though…that I can’t say. So that’s going to be my jumping off point for today’s Jack Handey.

Sex and money

In this society, we treat sex like the Big Cheat. You know, when you go on a diet and you can’t have this food or that food or any other food you’d really like to have, so…you substitute. It doesn’t hit your spot, you’re still hungry, and you’re still craving what you didn’t allow yourself to have. So you binge. It’s at once the prurient attraction and the guilt-laden violation.

But money? Well, we treat that like it’s too sacred to be spoken of in detail and with clarity.

High School Sex EdWe teach sex ed in elementary and high school, but not money, not economics, not basic life/housekeeping crap like how to balance a checkbook, what credit is and how to control it, you know–stuff that if not managed properly can pretty much ruin your life for a while and sometimes, without money, you can’t get laid or worse, you don’t want to get laid because you’re too stressed about your money.

What, is money the sacred cow?

The Thing We Don’t Talk About To Our Children?

We didn’t talk about money in my house growing up. We were kids. It wasn’t our business. It wasn’t spoken of in public. It was just…gauche and undignified. I still feel like that with regard to salaries and such–no, it’s just not cocktail party conversation fodder. On the other hand, not talking about salaries amongst coworkers/colleagues does have its disadvantages.

I learned about checking accounts and your basic bookkeeping in high school (thank heavens or I wouldn’t have had a clue!). I didn’t learn about credit/charge cards until I got in over my head and didn’t know how I’d gotten there. Or how to get out. In short, I didn’t know anything about anything.

Dude and I plan to be as upfront with the money discussions in our house as we are the sex discussions. If that means we open up our bank accounts and break down our credit obligations, we’re prepared to do it. I shudder to think of my Tax Deductions going out into the world knowing what I knew about money, which was zero, zip, nada.

So I ask again: Why aren’t basic financial principles taught in schools, but sex is?

In which fashion pimps for pedophiles

Yo, New York. Milan. Bentonville.

Roman PolanskiI’m tired of having to tart my 5-year-old FEMALE Tax Deduction up like a 63rd & Prospect streetwalker. There’s this thing called a waist. There’s this other thing called a waistBAND. The waistBAND should come up all the way to the waist.

A) I do not have the time nor inclination nor money to sew my TD’s jeans. I know how. Sorta. They’d look homemade and I don’t want my TD to come home crying because she got laughed at about her homemade jeans.

B) It’s not like I don’t want her to be fashionable. I just don’t want her to be Lindsay Lohan or Britney Spears at 5 or until she can pay for her own damned clothes and the laundering thereof.

C) This is not out of some outraged sense of modesty or affront to church standards, either. She’s FIVE YEARS OLD. She’s a target just by being five. I spose the gender doesn’t matter much these days.

D) I’m not even saying get rid of low-rise, but SHIT! Give me an alternative, eh? You give me boot-cut and straight-leg and bells, but you don’t give me a choice on rise?

E) If she does want to tart up like Lindsay Lohan or Britney Spears in the future, I could deal with it better if I could point my nightmarishly teenager-girl-ish Tax Deduction to her contemporaries who have a waistBAND touching their actual WAIST and tell her where she needs to shop. And, oh, the thrift stores are no better because they’re backing up on the last 5 (that I know of) years of other little tax deductions who outgrew their 4- and 5-year-old skin-tight, low-rise skank makers.

Every time I go clothes shopping for this kid I get pissed off about this and then I forget about it–right up to the point I have to take her shopping again. I can find modest blouses, no problem. It’s the jeans and khakis that are giving me fits. Or not. If anybody has a source for high-rise jeans/khakis online, I’ll take it.

Kansas City: Comfort food

Yeah, I’m on a KC kick lately. This post is prompted by the search phrase “kielbasa kansas city.” Heh. Do I know where to point you.

Peter May House of KielbasaPeter May’s House of Kielbasa, on the east side, just west of I-435, a few blocks south
of the Truman Road Viaduct. (In the Sheffield neighborhood—click the pic.)

Peter May’s House of Kielbasa
1654 Bristol Avenue
Kansas City, MO 64126
(816) 231-9850

I pimped a bunch of businesses in The Proviso, amongst them:

Peter May’s, Tasso’s Greek restaurant, Strawberry Hill povitica, Bryant’s, and Planter’s. (Mind, this does not mean I don’t like Gates, because I do, but I had to cut the scene in Gates, ’cause, damn, this book is huge.)

So. Peter May has precious little web presence. I’ve suggested they get a website and set up mail order because they are genius, but alas. Go there. Have much gastronomical orgasming.

Kansas City: Nelson-Atkins’s $200M mistake

And it’s ugly, too.

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The Nelson-Atkins Gallery of Art is one Kansas City locale that plays a fairly significant role in The Proviso. I mean, the whole city is rather its own character (or at least, I tried to make it so), but this one spot, I think, plays the most parts other than “Chouteau” County and its pretty courthouse and The Country Club Plaza. It hosts a senatorial fundraising party, it’s where one of the female protagonists goes to meditate, and it’s the gallery chosen to premier a new painting by an infamous artist.

Anyhoo, I see on BlogKC that the gallery’s having to cut back like everybody else. Well, you see, the difference this time is because of that, uhm, $200M construction trailer brilliant Steven Holl masterpiece called the Bloch addition that they built next to the neoclassical structure.

Time called it the number one “(New and Upcoming) Architectural Marvels.”

Adding a new wing to a neoclassical museum, Holl devised a spectacular update on classicism: an irregular series of volumes that cascade down the museum’s lawn and glow from within. The effect against the nighttime sky is nothing short of magical.

If you say so, but I’m just an ignernt country rube who obviously doesn’t know brilliance, especially when it cost more than it was sposed to. And why are all the kudos about its brilliance coming from people who don’t live here?

(Poor Rodin. They displaced The Thinker.)

Now, three problems with this thing.

A. It’s ugly. Did I mention that yet?

B. It’s expensive to light (because, you see, its only marginally redeeming architectural feature can only be seen at night when it’s lit).

C. It’s the most inefficiently designed interior space I’ve ever seen.

So what is one of the things they’re having to cut? The hours and the lighting. And I’m telling you, folks, in the daytime, without the lighting, it looks like a construction trailer/storage shed.

Rozzelle Court Now, I’m not going to be one of those people who would start crying if they began to charge admission, because, well, it’s a very prestigious gallery in terms of its collection and yeah, I’ll pay to get in. And I know they’re not going to knock the damned thing down especially since they spent so much money on it.

But I just need to poke a stick and say, you spent a whole lot more money than you thought you would on something the citizenry doesn’t really like and now you can’t pay to make it do its featured thing that somewhat redeems it.

Enjoy. Or don’t. If you live here and you feel me, meet me in the Rozzelle court (closed Tuesdays now, remember!) and we’ll commiserate.