Update on serial delivery

I did, in fact, put all the chapters in one file instead of individual chapters per file. The latest chapter will be in the back (natch), but in the PDF, your reader will open up to the correct chapter automagically. The Kindle and EPUB have links on the title page that will take you to the latest chapter.

I did this beginning with chapter 23, but I failed to let you know. For new readers, if you download chapter 24, you’ll get the whole thing up to this point, so you will have no reason to go back and fetch each chapter individually. And welcome to my world!

Poll: What’s most convenient for you?

I received a wonderful email the other day from someone who found the serial and is now following it. I was asked if, instead of uploading one chapter each week, could I instead simply add the new chapter to the file so all the chapters would be in one spot. (I assume you would then delete the file from the week before and download the new one.)

This question came up at a good time for me, as Dunham is running right at 350-400 downloads per week now (not including page views). There are enough people now who might have a solid preference one way or another, and my goal has always been to provide the most value for the least amount of hassle.

So I put it to you: Would you rather a) leave it as it is (one chapter per week, in individual files) or b) have one master file that contains all the chapters and that week’s installment?

[poll id=”8″]

Magdalene and Publisher’s Weekly

For an author, a Publisher’s Weekly starred review is one of the holy grails of reviews. It’s one of those things that, for a writer, is right up there with The Call (“Hi, Mojo. I want to offer you a contract for your book.”). I’ve had pretty close brushes with getting The Call, which (three times, to be precise) ended up to be “I love this book and I want to buy it, but I can’t because of Freak Things 1, 2, and/or 3.” What I have never dared aspire to (especially once I started down the self-pub path) is a review in Publisher’s Weekly at all, much less a starred one. But then Tuesday, this happened:

And you know what? I’m kinda proud because I had some goals with this book and, at least for this reviewer, I hit some of them. Later I received an email from the senior editor of reviews at PW passing along some more remarks the reviewer made, which made me believe that I accomplished almost all of my goals with the book.

But there is one I want to talk about because it’s not one that’s obvious. And it’s not obvious because I set this challenge for my own benefit, not for the reader’s.

In 2008, my editor for Monsters & Mormons, Wm Morris, wrote this piece at A Motley Vision (a Mormon lit blog): Stephenie Meyer’s Mormonism and the “erotics of abstinence.” The erotics of abstinence. Well, that’s an intriguing little idea. He was springboarding from this Time piece: Stephenie Meyer: A New J.K. Rowling?, wherein the author says this:

But it is the rare vampire novel that isn’t about sex on some level, and the Twilight books are no exception. What makes Meyer’s books so distinctive is that they’re about the erotics of abstinence. Their tension comes from prolonged, superhuman acts of self-restraint. There’s a scene midway through Twilight in which, for the first time, Edward leans in close and sniffs the aroma of Bella’s exposed neck. “Just because I’m resisting the wine doesn’t mean I can’t appreciate the bouquet,” he says. “You have a very floral smell, like lavender … or freesia.” He barely touches her, but there’s more sex in that one paragraph than in all the snogging in Harry Potter.

I, like Wm (and pretty much everybody else who read the book), was intrigued by that idea.

In 2008, Mitch and Cassie were a bare glimmer in my mind. I had mentioned Mitch’s name a couple of times in The Proviso with absolutely no intention of following up on that. Cassie didn’t even exist when I wrote the sketch with a nameless unreliable and unlikeable narrator in the style of “Snuff.” I like to do those sometimes, usually because something catches my attention and I’m restless and haven’t written for a while and though I only have a few words in me, they must come out. That 250-word monologue was in my head when I started thinking about Mitch’s role in Sebastian’s life. The two disparate ideas simply wound in and around each other like different streams of smoke drifting on the same breeze, tickling my mind with vague possibilities.

I was still in the planning stages of Magdalene, trying to figure out if I would or would not have my bishop succumb to temptation. I will tell you: I didn’t want him to, because that wasn’t who he was and besides that, I’d already gone down that road with Giselle. But how was I going to do this? I didn’t think I could write sexual tension, didn’t think I could carry abstinence too far and still make it seem legitimate. (We Mormons have all sorts of ways to justify our celibacy, but nobody outside our culture buys a word of it.)

Then I stumbled upon the “erotics of abstinence.” Stephenie Meyer had to go to paranormal lengths to justify abstinence until marriage. I don’t write paranormal, so I didn’t want to do that. She also had teenagers, which is its own justification. I don’t write teenagers, so that was out of the question.

I wanted to do that. With adults. Who weren’t vegetarian vampires. Plausibly.

I wanted to do it better.

So I did.

Creepy collective consciousness is creepy

It appears I’m not the only writer with her knickers in a twist over The Book That Shall Not Be Named, and not only that, but it appears the writerly collective conscious had gotten its knockers knickers in a twist somewhere between Sunday night and Monday morning. Usually when the twist in my knickers gets too tight, I simply avoid the source. In this case, I can’t. It’s everywhere, including my snail mail box after my 70-year-old aunt in Salt Lake took the time to cut an article on it from Deseret News and drop it in the mail to me. I can’t get away from it.

Between this and the incessant banging on the marketing drum, I’ve pretty much had all I can take of the business side of being a writer. (Note: Being a publisher is an entirely different thing.)

Monday morning I went whining to a couple of people, one of whom was utterly unsympathetic and the other who sent me to Cliff Burns’s latest blog post. Lo, there not only did I behold my own frustrations laid out in more articulate language than I’ve been using lately, but on the same day I was having my existential crisis.

Building character through self-flagellation | Cliff Burns – “Books not selling, readers indifferent, preferring to spend their hard-earned shekels on dry-humping teen vampires and spank me-fuck me fan fiction. Not a brilliant stylist, so I can’t even hope for the consolations of posterity.”

Then a friend, who thinks something must in the water:

The rise of the published first draft | VacuousMinx – “I fully agree that TBTSNBN has an alchemical appeal for readers, one that transcends its many flaws. But while its appeal cannot be copied, any more than you can catch lightning in a jar, the (lack of) process can and will be. […] So we will get more barely-altered fanfic and more un-self-critical writers who are proud that they can write 100,000 words in a month and send the resulting manuscript off to a publisher.”

sent me to yet another writer writing at the same time:

Striving for a WIP that’s actually “in progress” | KZ Snow – “Does it even pay to write well? Maybe I should follow the lead of some of my peers and strive for quantity, compose a few tearjerkers or sex romps or chuckle fests every couple of months. There’d be nothing wrong with that. Readers seem to enjoy the output of speed writers as much as or more than that of poky writers.”

I’d already decided to do the Dunham serial a couple of weeks ago, so I did feel as if I were actually taking action and could prove to be a boon. We shall see, but at least I was trying something different, doing something with the words I’d written that otherwise wouldn’t see the light of day for another year. I’d also already decided to rebrand the Dunham series with new covers and new classifications and unveil them all next year with the release of Dunham.

So between the time I announced the serial and the time I got to Cliff’s post, I had spent hours revamping my websites, which I find oddly relaxing. And because I do like this thankless, background, zero-revenue activity so much, I slowly came to the realization that writing novels and the act of publishing them is a hobby. Given that I hold my hobbies sacrosanct, this wasn’t a step down, but a step up. In that respect I also decided to get out of the business of publishing other people. I needed to let go of the pressure of selling, the pressure of sales (or lack thereof, as measured against those of the snake-oil salesmen of our business), and the pressure of bookkeeping. I needed to rejuvenate my love for creating and disseminating my own work. The constant marketing of myself and publishing other people is not part of the hobby and not part of the love.

So now it’s Friday. Nothing about the situation has changed except that I feel as if I have taken some action AND changed my outlook. My frustration level is way down and I can once again stop to see what I have: a wonderful family, a good job that pays the bills, a nice house with a gorgeous porch* upon which I sit with my Tax Deductions and discuss the nature of God—and a hobby I’m mad about and am excited about sharing over the next year.

That’s far more than a lot of people have.

“A book a year is slacking.”

This sentiment got some traction in writerland a couple of weeks ago, but since the beginning of this digital publishing surge, it’s been a (sometimes unspoken) maxim. No, actually, it’s been around a long time. Way back in the day when I was a member of RWA and went to all the chapter meetings (MARA), there were two prolific category writers in my chapter. They worked for both Harlequin and Silhouette and put out three titles a year minimum. Then you have the James Patterson-type book mills wherein a team of ghostwriters is assigned to an idea and a title and off they go. I now know of many writers, especially erotic romance and erotica writers who espouse this view.

It begs some questions, of course, the main one being, “How many pages/words do these books have, anyway?” Come to find out many of them are short stories. Many are novellas. Some are category-length (the size of a Harlequin Presents, or about 50,000 – 60,000 words). Never mind the fact that I do, actually, write that many GOOD words every year. (Good words meaning ones I want to keep. I throw out as many words as I keep.) As far as I can tell, nobody’s writing longer works at the pace of one title per year. (“George RR Martin is not your bitch.”)

I sure as hell am not. What’s an epic writer who is NOT, in fact, George RR Martin, to do with this business when she’s lucky to be able to put out one title per year? This, combined with some other book news that I will not belabor because it’s been belabored quite enough, has got me thinking about what I write and how I write it. How can I capitalize on the fact that I do write the equivalent of three category-length titles per year?

There was only one answer to that. It’s not a new idea. It’s not even an idea I necessarily like because it involves a way of reading I don’t care for. But other people do like it. A LOT. If it works, it’ll keep my name out there for the next year until Dunham is released (July 4, 2013–save the date!) and, hopefully, build excitement. If it doesn’t, no harm done. (I don’t think.)

Dunham serial coverBeginning July 4, 2012, I will be posting one unedited chapter of Dunham per week, every Wednesday at 6:00 a.m. US Central time, for one year. I’ll offer them as free downloads here, at Smashwords, and at All Romance eBooks, and send email reminders to those who request one. It will be the serial equivalent of an Advance Review Copy (ARC).

Fifty-two chapters! you say. That’s a lot! Yeah. It is. In fact, it’s approximately 140,000 words, which (for my fans) is half the length of The Proviso, longer than Stay, and nearly as long as Magdalene. It’s also somewhere around 70% of the finished book. Oh, hey, it’s a swashbuckler with lots and lots of angst, set during the Revolutionary War. They have ships! They go places! They blow things up! So of course it’ll prop a door open! (Eh, but that’s the beauty of digital, innit?)

Hopefully, by the time July 4, 2013, rolls around, you and a gazillion other people will want to know how it ends and buy the book to find out.

I’ll be frank: This is a marketing ploy. I hate marketing. I suck at marketing. So do the most of the rest of us. I also can’t put out two or three titles a year to do my marketing for me. I’m not asking for any money via tip jar or a Kickstarter campaign. I’m offering a free hit and hoping you will get hooked and, in turn, you will hook your friends. Please hook your friends!

Some details:

1) The cover is for the serial. It will not be the cover for the finished book. I thought it would be utterly gauche to go without a cover.

2) Remember, this will be unedited. The finished novel will be professionally edited and available in print as well as digital.

3) Though the serial is offered only here, Smashwords, and All Romance eBooks (of necessity because neither Barnes & Noble nor Amazon will allow me to offer it for free) (fuckers), the complete book will be offered at all the normal retail outlets.

4) Even if you opt in for the email reminders of a new installment, I won’t keep track of your email and I won’t spam you. I just don’t work that way (which is why I suck at marketing!).

5) Each installment will be available for download in DRM-free EPUB, PRC/MOBI/Kindle, and PDF. I’ll even post the text itself online at theproviso.com/dunham (not live yet).

6) Hopefully by the time the serial begins, I’ll have come up with back-cover copy that reflects the story accurately and does not suck. Until then…

It’s 1780. He’s an earl acquitted of treason and out for revenge. She’s a pirate planning a suicide mission. Their first kiss sparks a tavern brawl—and then things get interesting.

Monsters! Mormons! Not necessarily synonymous!

My editor and partner, Theric Jepson, who runs Peculiar Pages alongside my running of B10 Mediaworx, made some sort of joke on Twitter (don’t remember the joke), and Wm Morris of A Motley Vision (a MoLit blog) had an idea. And the idea was to skewer the 19th-century literary tradition of using Mormons as stock villains in pulp fiction by turning the Mormons into the protagonists instead of the antagonists.

Plans were being made. I felt no compunction to submit a story to this anthology of pulp fiction because a) I don’t read pulp fiction; I read trashy romance novels aka porn for women and so b) I didn’t feel qualified to write anything for it. But then Wm posted an update on AMV saying, “I’d like to see X, Y, Z, and A, B, and C.” Well, I thought. I could do Y, Z, and B. So I did.

When I got it done and Wm liked it (Theric was not my editor this time), I had second thoughts. Considering I’m kind of, you know, responsible for its publication, I figured there would be seen some sort of “in,” or conflict of interest. Theric and I discussed it and decided I’d withdraw it, but Wm thought my withdrawing it was a bad idea. So, okay. Onward.

What has resulted is the most wonderful collection of tales of the supernatural and bizarre. Supernaturally bizarre. Or bizarrely supernatural. Whatever. Including! Get this! TWO graphic novels!

So here’s a little taste of my story, of a Mormon self-styled “nun” packing nuclear weapons powered by cold fusion to zap demons left and right.

Allow Me to Introduce Myself

He’s never been here.

I can tell because he can barely keep from puking into the swamp, and his neoprene skin is making him fidget and wiggle.

Definitely a roving monk.

“Gas mask?” I ask and offer him something that very much resembles Cthulhu.

“I am not wearing that,” he snaps.

“Little bit touchy, are we, Monk?”

“Shut up, Nun.” He doesn’t offer his name. Probably something boring like John. “Pray.”

I do.

The sun is just setting when he locks his 0.75-gigajoule disperser down to his titanium gauntlet with much exaggeration. “Got your affairs in order?”

Break a leg in nun-and-monk speak.

I stand for a minute and stare at his gauntlet and matching gun, both so much more decorated than mine, engraved with lightning bolts. My gauntlets and weapons are engraved with paisleys. Pretty, but…

Pretty.

Feminine.

To do a job like this.

I grit my teeth and pull my left-hand disperser out of its case, lock it down to the gauntlet, lay the telescoping barrel along my titanium-covered index finger, then lock it down with tiny clips.

Point and shoot.

Once my right extremity is similarly burdened, I click my night-vision goggles down over my specs, and lead the way into the twilight, into the swamp where it’s already dark as midnight, downdowndown, gradually being covered in slime until I’m chest deep in it.

Yeah, it stinks. But this is where I work, so I’m used to it and I’ve already stuffed my nose with Mentholatum. I have the clearest sinuses in the Atchafalaya basin.

I haven’t been allowed to go into the swamp for the last two weeks, since the flood waters from up north began rising in earnest. It’s taken that long for my sensors and weapons to be recalibrated for the extreme change in environment. The animals have been driven up out of the swamp and what crude oil was left on land has been pulled back into the water. With water comes mold, fungus, mosquitoes, and other diseases, but that’s not a concern for hunters. The crude, well…I don’t know how—or even if—the sludge will react to the extra radioactivity my partner brings, which is orders of magnitude above mine.

But we don’t question, because to question is to die. The general authorities overseeing our gadgetry supply us with whatever we need to do our jobs.

“Why aren’t we taking your boat?” Only now do I detect a mid-Utah accent. Great. A JelloBeltian.

I grab a palm full of water and let it trickle back out through my fingers. I still have a hand full of refuse. “Look at that. It’s soup. Chock full of plants. Oil. Trash from the floods. I don’t want my motor bound up in—” I point to a heavy drape of Spanish moss that floats on the surface. He looks around. Spanish moss is everywhere. “—that.”

He says nothing and we trudge through the thick water.

“Crocodiles?” he asks after a while.

“’Gators, rather,” I say. “They won’t bother us.”

“I know that,” he snaps. Again. He might as well be a ’gator, he’s snappin’ so much. He’s not questioning, but he sure is murmuring.

Murmuring doesn’t get you dead. It might get you injured, though. Very distracting activity, murmuring. I’d rather he not murmur around me when he’s got enough energy to melt a ton of steel.

(I bet it kills him he can’t control a whole gigajoule.)

“Where were you last?” I ask conversationally as we wade through slime, our dispersers primed to shoot.

“Gobi Desert,” he answers, and I catch something wistful in his voice.

“You liked it there.”

“Yes.”

“What were you hunting?”

“Had a band of specter demons going through the villages. Wiped ’em out.”

Specter demons.

Psychiatrists call it “auditory or visual hallucinations,” a symptom of several psychiatric disorders, but we know what they are: Lucifer’s army, waging war on those of us with bodies—on our bodies—because he can’t make any real headway in his war on Father and Mother.

Specter demons are the grub worms of the psyche, chewing up people’s neural pathways like grass roots, leaving dead lawn behind. We’re allowed to attempt to heal the damage, but we mostly can’t. We’re only required to get the demons out of our plane and bar them from future entry.

Like internet trolls.

But there are a lot of internet trolls.

At the blip of a shadow in the corner of my eye, I point and blast. Swamp water explodes and covers us like debris-ridden oil rain.

“Eeewww.” Even I’m grossed out as I flick it off my neoprene skin.

The monk rubs his fingers together, brings the substance to his nose. “Well, you got ’em.”

Good. The sacrifice of my skin will not have been vain.

Demolition demons are the worst. They usually show up in hospitals, disguised as Staph infections, gangrene, pneumonia. The advanced demolitionists manifest as cancer catalysts. The more skilled a demolitionist, the greater power it has over a cell’s ecosystem. Medicine will arrest what it can, and we may be able to do the rest, if we get there in time.

No demon has the power to kill a human; they can only sow the seeds of disease—physical or mental—and let nature take its course. That’s the pact the Parents have with us, their children: Lucifer cannot kill us. Yet he continues to search for a way to do so and this, the Atchafalaya basin, is one of his biggest training grounds and laboratories.

I don’t know why he bothers.

Generally, we don’t interfere in a disease process. There is a time and a season for everything. Repairing psychological damage—attempting to, anyway—is different. The schizophrenics, bipolars—not all are caused by specters, just as not all diseases are caused by demolitionists. But it’s very rare that science loses a human body to disease if its turn on earth isn’t done. Not so with specter-induced mental illness.

Several hundred demolitionists burst up in rapid succession, coming for us. They’re small, about the size of a barn owl, and usually invisible to all but us.

It takes both my 3-megajoule dispersers and the monk’s behemoth to pop that ambush right on back to hell, for lack of a better word. Technically outer darkness either hasn’t been built yet or stands empty awaiting its prisoners once this Earth is cast back into the celestial recycle bin.

“Hmm,” I say, and because I can’t keep myself from stating the obvious, “this is not normal.”

The swamp waters aren’t as still as usual. I don’t know if it’s the oil or if there are more demons here than the water can hide. With pelts of moss and a slick over it, it should be harder to displace than water alone.

A battalion bursts out of the water and charges us. They’re no match for us both, but the sheer number of them is cause for concern.

So. The flooding and oil aren’t the only reasons I have a roving monk at my side.

… the unique dangers. I wish I knew what that meant.

Generally, we only make a little headway each night when we hunt. Lucifer replaces the demons almost as fast as we can dispatch them, but never quite fast enough. Out of the hundreds or—like tonight—the thousands that we send back to him in an evening, perhaps collectively, we will have lessened their numbers by a factor of ten.

Sometimes I wonder why we bother.

The water settles.

“I don’t know why we bother,” says the monk wearily.

I look at him sharply. Can he read my mind? I’ve heard it’s a possibility, a gift given to the upper echelons of our kind.

I answer by rote: “So someone can live and fulfill the measure of their creation.”

“Deb, I heard it in correlation meeting last year. And the year before that. And the year before that. Don’t want or need to hear it while I’m hunting.”

He’s jaded.

Bitter.

“How old are you?”

“Four twenty-three.”

Oh. I’m only fifty-eight. I feel that I’ve missed some important information.

No wonder he didn’t like having a nun—and such a young one—take the dictation.

He knows my name. He probably knows everything about me.

“What’s your name?”

“Ezekiel Alleyn.”

Oh. My. Stars.

The water bubbles and I don’t dare think about him as we go about magnifying our callings with weapons powered by cold fusion. Not magic, not supernatural.

Technologically advanced and genetically enhanced.

Like the demons.

Like the hunters.

There is no supernatural, no magic, only puzzles that haven’t been solved. Even we hunters don’t know how most of our technology works, and I’ve always wondered how much the general authorities who build this stuff know.

I figure they get their instructions like Noah did: Here are the blueprints and the supply list. Go to it. Don’t ask any questions.

The hunters’ DNA is altered when we’re set apart for our callings. I don’t know how that works, either, but considering Jesus healed the blind and the lepers…

Something brushes up against the back of my leg, wiggles its way between my feet. “Bonjour, mon ami.” The smallish ’gator flips his tail up behind me, making a splash.

The monk steps away to escape the oil-and-debris rain.

“You have a lot of friends here?” he asks.

What an odd question. “Of course I do.” He, of all people, should know the extent of my enhancements. I couldn’t work this swamp without having the flora and fauna understanding of and sympathetic to my purpose.

The ’gator maneuvers through my legs, and around again, making a figure eight, like a cat. He wants my attention, so I trudge to a log and he climbs out of the water so I can scratch his oil-slicked head with my titanium claws.

He almost purrs.

Non, chèr,” I tell him in Cajun. He doesn’t understand English. “I can’t get rid of him, sorry. He’s my boss.”

“He’s whining, Deb. What are you doing to this place?”

“He’s just a baby.”

“A baby you’ve spoiled rotten. Tell him to go home. We have work to do.” I translate as kindly as I can and he slides back into the sludge, but not without a swipe of a tail at the back of Ezekiel’s knees.

He glares at me. “You tell him he better never do that again.”

We spend the night sludging through the swamp, sending demons back to Lucifer. Our dispersers mess with their molecular structure somehow—or at least, that’s how it’s been explained to me.

We don’t speak. Ezekiel—

Oh. My. Stars. I can’t believe I’m hunting with Ezekiel.

—isn’t familiar with this terrain and I need to keep the awe out of my eyes and voice.

“Don’t believe everything you hear,” he mutters.

I don’t like that he can read my mind. I feel…naked. I don’t look so good naked.

“Are you trying to mess me up?” I ask. “Pick a fight? Because if so, I’ll take some personal time for the rest of the night and let you do this by yourself.”

“Watch your mouth, Sister Judge.”

I gulp. That’s the second time he’s dressed me down tonight, on top of his surliness at being here. It makes me rethink my abilities, my attitude.

“Don’t start doubting yourself now,” he grumbles as we trudge through the swamp. “I don’t need a hunter with a self-esteem problem at my back.” I purse my lips. “And no, I’m not here to kill you… Yet.

If you like science fiction, fantasy, paranormal, zombies, werewolves, ghosts, goblins, and things that go bump in the night, go get the whole collection! It’s only available in digital now from the B10 site and the Kindle store, but print is forthcoming in the next couple of weeks.

How to destroy a brand in one easy (lazy) step

So most of us DIYers out here are trying to brand ourselves. We spend our time on Twitter and Facebook and message boards and whatnot trying to build an audience and a fanbase.

Then the midlist authors come along and digitize their backlists, and everybody’s happy because they already have a brand and they’re simply supplying a product that people want. Yay.

And then there are the midlist and higher-up authors who self-publish new stuff. That’s kind of an interesting experiment. I like watching it all play out even though, well, their brand trumps my brand and I have to work harder at establishing my brand.

Thus, it should make me happy when a very well-established author self-publishes something new and it’s crap. But it doesn’t make me happy. It makes me sad.

See, one big slip, and the reader suddenly suspects that you’re not a very good writer and that your editors made you who you are, and…you’re going to throw away years of investment in your brand and your work product  just because you want to cash in on a 99c romance novella heatwave or make money off your under-the-bed manuscripts?

You insult your readers. You insult your former editors. You make a mockery of your previous publishers. And you embarrass the hell out of yourself. Do you really not know how bad you look, or do you not care?

If your intent is to destroy the brand you worked for all these years because you just have to put up that novella right now because can’t wait because you’ll miss the self-publishing train if you don’t, then you are succeeding.

And you deserve it.

P.S. If you insist on going without an editor, learn how to fucking write. If you can’t do it after all these years and titles, you’re a fraud.

The perfect bookstore: Decadence

Part 1 | Part 2 | Part 3

The perfect bookstore has a name: Decadence.

This is not another one of my bookstore-of-the-future/how-to-save-brick-and-mortar-stores posts. This is about a bookstore I dreamed up while writing The Proviso four years ago, the one that spawned the previous bookstore posts. Specifically, it’s Giselle’s bookstore, which was torched, causing her to have to reboot her life at the grand ol’ age of 30 by going to law school. (Because that’s what everybody does when they have to reboot their lives, right? Right?)

decadence05
In the spring and summer when the trees and flowers are in full bloom, it’s gorgeous.

This bookstore was in the River Market area of Kansas City, Missouri, and most closely resembles this building:

decadence04

Giselle describes it this way:

I owned a bookstore for seven years […] I shared space with a patisserie on one side of me and a confectionery on the other. Maisy and Coco weren’t my business partners, exactly; we just figured if we knocked down our walls and unified our décor, we’d all make more money and it worked. […] Decadence wasn’t a bookstore with food. It was a destination. I stocked romance novels of all kinds. Couple that with Maisy’s gourmet chocolates and wine, and Coco’s pastries, the events we put on every weekend… I was doing very well; we all were. I was never going to be independently wealthy, but I made a lot of money doing something I loved.

I’ve been percolating this post for a long time, and after many, many Twitter discussions on the relationship between independent brick-and-mortar booksellers and the romance genre (not good) versus Borders’ and Barnes & Nobles’ willingness to step in where the independent booksellers won’t (but Borders, the more romance-friendly store, went bye-bye), I decided to do yet another perfect bookstore post.

Behold, my real idea of the perfect bookstore:

decadence

And I still think this combination of products and location would make some serious bank. (Add an Espresso machine in the basement…) (A used books section on the second floor…) (Events at lunch and on the weekends…)

UPDATE: August 18, 2015, over 4 years later…

I was re-inserting pictures that got lost in the move so a friend could link to them, so I figured I’d add a couple of notes.

1. Since YA has become a bigger part of the market now, that section would get expanded.

2. I’m reediting The Proviso, and Giselle adds this to her description:

“Wine, chocolate, sex. […] We had PMS survival kits. Better than Midol. Men came in specifically for those.”

Trust me, I’d send my husband across the metro to Decadence to get me a PMS survival kit.

 

Writing: Ur Doin it Rong

I saw this in an author post somewhere on the ’net:

Thinking isn’t writing.
Outlining isn’t writing.
Research isn’t writing.
Rewriting isn’t writing.

Putting pen to paper is writing.

Really.

That’s odd, because I’ve been writing in my head for years, starting circa fifth grade when I couldn’t understand the concept of an outline, but could construct a well-organized essay in my head after a great deal of reading, assimilating, and thinking. When I finally put pen to paper, the work was already done.

Get that? The hard part was not done on the paper. Ever.

And here I am, thirty years, innumerable essays, a gazillion blog posts, a few short stories, a novella or two, a speech or four, two screenplays and one stage play, ten novels, three agents, and a writing degree later, still constructing fairly well organized works in my head, and sometimes after much research. Not only that, but I write out of order.

So I have to put some scenes and ideas down on paper before the story can be fully realized. So what. Let’s face it: a novel is not an essay.

I do a lot of thinking.

I don’t outline as it is understood.

I research.

Then I rewrite. A lot. In my head.

And voila! A novel.

Now, I can write on spec, but I prefer not to. I prefer to take time to assimilate information, to percolate fleshed-out characters and their motives, to ask “Why?” a lot and attempt to plug all the logical fallacies myself, but it gets done.

What I find curious about such assertions is the assumption that that person’s experience is, to him, universal, and then proceeds to instruct the world at large that his way is the only way.

So. Authors. When you get stuck wandering around the ’net gathering advice and feeling guilty because you don’t write “right,” remember this: Writing, like life, is a journey, not a destination. You have to find your own way.

Whatever allows you to produce a finished product works. And why mess with what works?

Fiction takes you places

A fan I tweet with regularly told me my books mess with her head and take her places she doesn’t want to go, but she goes there anyway.

I regularly hear the arguments that reading fiction can teach you empathy or give you a peek into someone else’s world. In other words, fiction is good for you. Like eating your vegetables is good for you.

Except…romance, which is porn for women. And young adult, which is too dark and dangerous.

Throughout my life at church, I’ve heard the call to seek out things (books, music, TV, etc.) which are lovely, praiseworthy, and of good report. I’ve gotten hammered for writing explicit sex and dropping the f-bomb. I’ve heard all the arguments about why fictional violence is more acceptable than fictional sex. Then there are the above-linked articles that basically say, “Protect deh wimminz anna childrinz cuz dey doan know no bettah!

Thus, fiction is bad for you. It makes you experience things you ought not to experience.

Well…yeah. That’s the point. Imagine the following conversation:

Bishop X: “Sister Mojo, you said you wanted to confess something?”

Me: “Yes, Bishop. I killed a man and had sex with a woman yesterday.”

Bishop X: [jaw drop]

Me: “And I want to repent.”

Bishop X: “Uh…how did this all come about?”

Me: “Well, I turned on my Kindle…” [insert confession of murder and lesbian action]

Bishop X: [steely glare] “Why are you wasting my time?”

Fiction takes you places. It’s a way to explore things you wouldn’t ordinarily explore without the risks involved in or resources needed to actually explore it. Maybe you don’t have a sparkly vampire handy.

You may or may not want to go there, but if you do want to go there (you dirty-minded perv)…

Well, look. It’s a whole lot easier to ’fess up to reading a murder mystery than it is to ’fess up to homicide.

People watching

Every breath you take and every move you make, I'll be watching you. Every single day and every word you say, I'll be watching you.Yesterday I had surgery for the first time ever (not counting wisdom teeth). It was elective and went well, so everything’s fine.

Anyway. I very rarely go out. I’m a serious hermit. When I do go out, I avoid people like the plague. I don’t care to be touched or talked at by total strangers. I’m very conscious and protective of my personal space. But.

I watch.

Maybe out of the corner of my eye. Maybe I use my ears to see (comes from years and years of transcribing for a living—you get to know people pretty well by voice inflection). Maybe a small gesture catches my eye. It doesn’t happen all the time, but it does happen enough that I get lots of ideas for characterization. I take lots of notes in my head. I’ve even taken notes on paper.

They never know I’m watching them.

Years ago, I was eating lunch at a restaurant, reading a book (natch), and three programmers for a medical software company headquartered here were talking in not particularly low tones. They were talking about a software they were selling that controlled the machines that administer insulin doses to inpatients. They’d found a bug that multiplied the dosages many times what was prescribed and it’d killed a few people before they caught it.

I managed to keep my jaw from dropping on the floor and went for pen and paper with great stealth. (Yes, I still have that conversation written down.) I went home after work and started writing as fast as I could. Before I got the story finished, though, it popped up on Law & Order, so I didn’t bother.

They never knew I was listening.

So yesterday.

My preop nurse caught my eye. I don’t know why. She was average height, with curly red-blonde hair, average facial features, and an overweight apple-shaped torso—in short, very similar to how I envision Giselle from The Proviso to look. She wasn’t particularly bubbly; she didn’t smile; she was even a bit terse. She was relaxed but confident. She wasn’t ugly nor truly fat. Just…plain. Ordinary. Average. Whatever it was, which I don’t know, it made her very attractive. In fact, I told Dude she was very pretty.

Next up: My surgeon. He delivered TD #1. Until I went to him last month to say, “I want this procedure,” I never really knew how genuinely caring he is. I’ve very rarely had that from the doctors in my life, but this guy… I’ve never written a doctor as a character before, mostly because my relationships with them as (by turns) patient, investigator, and vendor have never really been good ones. But now I have a model from which to write one.

Last: My operative nurse is someone I’ve known for years, from church. At church, she has always been very dour and standoffish. Her husband is affable enough, and he’s our new bishop (THANK HEAVENS!!!). But I’ve never really gotten to know her because of the brick wall she wraps around herself. But yesterday… Yesterday she was all smiles and genuine warmth and caring. I’ve never seen that before, and now it makes me wonder what about being at church makes her spine stiffen and her smile to go away.

I see people watching people all the time. They sit and watch people go by… You can tell. It’s the people watchers like me—the ones who seem to not be paying attention to anything around them—who could turn you into a character one day.

And you will never know.

Reviewing too close to home

I wrote on this topic two months ago.

I still don’t know what to do, but I’m losing my patience because I discovered that writers of some of the stuff that’s really bad are giving writing advice. Oy. Stop it. You’re not qualified to give writing advice. Really*.

In light of this post and this comment,

in light of a recent romancelandia kerfuffle about writers/unpublished authors reviewing,

in light of Mormons’ cultural tendency to say nice or nothing at all,

in light of the fact that I’m a reader first and I’ve spent money on these books and I have a reader’s perspective and want to express it,

in light of the fact that writers reviewing is generally fraught with dangers, not the least of which is shitting in your own nest,

in light of the fact that my work is in no way intended for a Mormon market**…

I’m still conflicted.

Mostly I don’t relish the idea of people like OutAndAbout (and I think I know who wrote that comment) coming to bash me for MY writing. It hurts my feelings. Yes, there. I said it. It hurts my feelings. Dirty little secret: It hurts every writer’s feelings.

On the other hand, there’s a very small minority of Mormons who’d brave my stuff anyway, so the worst criticism I’m bound to get—probably anonymously—is that I’m too graphic and my characters swear and they DNF’d it after the first two pages. Okay. And?

I’ve got several Mormon novels on my TBR list (albeit heavily weighted for stuff that’s been pre-vetted by readers with whose taste I get along). One I’m reading, The Road Show by Braden Bell, is pretty good. It’s not a page-turner and it’s episodic (natch, written by a playwright/screenwriter), but that’s never bothered me unless badly done. It gets a little churchy-heavy-handed in spots, but I like it.

I read Angela Hallstrom’s book Bound on Earth and I loved it. I’m dying to write a review of that, but I have nothing to say other than “I loved it” and respond to some reviews I read on Goodreads. Oh, and that it’s a novel a short-story-writer-who’s-not-a-novelist would’ve written (which is both its weakness and its strength). I’m interested to see if she can write a long work that’s not a series of interconnecting/interdependent vignettes strung together.

So what to do. What to do.

As a compromise, I created a new alter-ego to review, but I don’t like doing that. I’m not cut out to sustain such an act.

The unnamed book I previously linked has been haunting me (not in a good way) for months, because this is what the market base for Mormon fiction, the one that wants clean and good (e.g., my mother), associate with Mormon fiction. They are the people who need to be brought back into the Mormon fiction fold, and they aren’t going to be unless Mormon fiction improves. It can’t improve unless someone just says, “This sucks. It should never have been published. Next!”

Yeah, it’s clean.

But it still sucks.

*But am I? No. It’s why I don’t give writing advice. At least not publicly. It’s hard to give writing advice to someone who feels free to harshly critique your stuff with great (if dubious) authority, but wants you to comment on theirs and the only thing you can say is, “It’s dead boring.” But instead you give advice on how to improve it, and they insist they’ve written a flawless masterpiece. And really, there’s nothing technically wrong with it except it’s dead boring. Boring sucks. First rule of writing: Don’t suck.

**Because I refuse to be held accountable for your salvation.

Magdalene contest winner…

…is DIANA!

The five runners up are

Traci Kenworth
Rachel T
Ju Dimello
Peach
Gian Faye

who will receive all the ebooks in a bundle as soon as I gather your email addresses together.

There were 37 entries total, counting each link or citation as a separate entry, and each link is very much appreciated. Thanks to all who participated and helped get the word out!

That was kinda fun. Maybe I’ll do some more contests…

Magdalene: a contest and a prize

Magdalene, the third book in the Dunham series, will be released on Sunday, April 24, 2011. This is the last book in the series with contemporary characters; book four, Dunham, is an historical and book five, tentatively titled Delilah, is post-apocalypse.

For this, I thought it would be fun to have a contest. The grand prize winner will receive an Easter basket full of goodies pertaining mostly to Magdalene, and five runners up will win a trilogy ebook. Here’s the grand prize:

(Click to make big; a couple of the items are not shown.)

1. Print copies of The Proviso, Stay, and Magdalene, all signed,

2. Two canisters of Jacques Torres hot chocolate (one milk and one spicy),

3. Magdalene mug and mousepad,

4. One new CD of Carmina Burana,

5. A thumb drive with all three books plus their playlists,

and

6. A super secret and sexy prize hinting at what Mitch and Cassie might have done in a scene I never wrote…

…all in a nice Easter basket that will arrive at the grand prize winner’s doorstep at least a week before the release date. (Even if you live out of the country. I can do that. Because I’m in charge.)

2011-04-04 UPDATE: I failed to remember that many of the songs on the playlists are full albums, so instead of burning them to the stick, and in addition to Carmina Burana (orchestral version), these will be included as full (new) CDs: The Piano (Michael Nyman), Messiah (Handel), Nutcracker (Tchaikovsky), and the Rach 3 (Rachmaninoff). (Unfortunately, the chamber version of Carmina Burana that I have is an import and very hard to get.)

The five runners up will receive their ebooks at the close of the contest.

But every contest has rules, right?

1. Post about Magdalene and link to this blog post anywhere on the web.

2. Come back here and comment on where you posted it.

3. The more places you link from, the more chances you have to win. (One link per comment.)

4. The contest runs through midnight, April 10, 2011, US Central Daylight Saving Time (Chicago).

5. If you’re related to me or you worked on the book, you’re not eligible. I will know who you are. *ahemDudeahem*

That’s it.

I’ll use random.org to pick the grand prize winner and five runners up.

NetGalley

For whatever reason, NetGalley has decided to start putting tighter restrictions implemented publishers’ tightening of restrictions on who gets free eARCs (electronic Advanced Reader Copies).

So what.

Here’s the thing: NetGalley charges what is, to me, a micropress, an astronomical amount of money to give away books. That’s right: I would be paying to give my product to people in exchange for…very little in the way of a quantifiable return.

NetGalley is not in business to lose money. It’s in business to make money by providing a publishers’ colony. However publishers decide to define their ROI (return on investment) is how NetGalley’s going to be bringing in the money.

Follow the money.

When all other explanations fail, just follow the money.

Printgasm BINGO

I totally don’t blame Scalzi for being sick of the arguments for self/digital publishing. I self/digital publish and I’m sick of the evangelizing, too. (Because most of the arguments are just shitty logic.)

HOWEVER.

There’s another side of the Electronic Publishing BINGO card: Printgasm BINGO, for those who believe that reading ebooks is just one step away from civilization sliding back into the primordial ooze.