The first movie I ever took my kids to:

Where the Wild Things Are.

Why?

This article and this quote:

Q: What do you say to parents who think the Wild Things film may be too scary?

Maurice Sendak: I would tell them to go to hell. That’s a question I will not tolerate.

My new author hero.

Then a commenter (on whichever blog linked it; I can’t remember) said, “Thank you for not contributing to the pussification of America.”

So…I took my kids.

3-almost-4-year-old XY TD was interested until his popcorn ran out and then it might as well have been church with better seats, for all the attention he paid. Besides, he is unscareable.

6-year-old XX TD seemed more engaged with the movie…until she lost one of her quarters. Oh the weeping. Over which I was unmoved because I TOLD her to put it in her pocket or she’d lose it. Ta da! Mama’s right again.

Me? I cried in spots. It’s a mom’s movie. Yeah, I’ve been that torn, that tired, that struggling, that scattered, that out of control.  So has my kid.

I got it.

I mean, I got what I could between trying to corral my own little Max and telling the Drama Princess to suck it up.

Whether you wanted to know or not

I’m a visual person, so when I write, I have to have some fairly specific object or person in mind in order to describe it. I write because I can’t paint, so if I have never seen what I see in my head, I’ll try to find something relatively close and make sure I can look at it often.

A lot of authors use real people as the basis of the looks of their characters. Some authors even reference those people in the text (I did it with Giselle and Bryce). Some readers like it, some don’t. Some readers like faces on their covers, some don’t. Some readers (*ahem* Th. *ahem*) don’t like any description at all. It gets to be a balancing act for an author not to intrude on a reader who likes to imagine the character, yet provide enough for the reader who wants to know which famous person the character most looks like.

Anyway, I’ve been debating writing this post for about a year now, but I’m going to go ahead and bite the bullet. Wanna know who I had in mind while writing The Proviso and Stay and Magdalene (albeit Magdalene‘s only about half written)? Here you go, in order of actual appearance across the books:

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Evolution of a cover, part 1

Originally published at Publishing Renaissance January 6, 2009.

 


If you’ll all indulge me, I though it’d be fun to do a little series on the evolution of a cover by a non-cover artist/designer. It took me almost a year and hundreds of hours of Photoshopping to come to the cover I did, which I affectionately call The Bewbies™. Originally, The Proviso was one book and it was enormous. I originally titled it Barefoot Through Fire. Then I figured I’d probably do better to split it out into 3 parts, 1 part per romance. This is where the cover journey begins.
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Asus re-redux

I haven’t read any more on the Asus since my last post about it. However, it recently paid for itself when I had a computer emergency. For three days that little thing was an absolute workhorse. It was a little slow and klunky, but it did the job and it kept me earning money. I NEVER expected to need it for that.

So for around $250, I have an emergency work computer, an e-book reader on which I can read ANY DAMN FORMAT I WANT, listen to music, surf the net, keep my data, and write.

And I should buy a Kindle/Sony/Nook/JetBook . . . why?

Redecorating again

Okay, my last theme was annoying me to death. Could barely stand to look at it. I’m working on the sidebar now because, you know, i R a righter and I gotz me sum bookz to sell. Need to make it easy for you to get there to buy them.

Anyway, this is much cleaner and easier on my eyeballs. I hope to get back to blogging semi-regularly, too.