Holding my nose to vote. Again.

McCain hasn’t been my favorite person in the world for going on about ten years now, so I was looking at McCain or Staying Home or The Libertarian Dude. It’d be the first time I’ve not at least voted against The Other Guy (like I have since, oh, King George I–bastid) and I sure as hell didn’t vote for ClintonPerot, the schizophrenic little freak.

So here I am again, having to hold my nose to vote. I already knew this, you see, but I don’t get much worked up about this stuff anymore because a) too old for all this bullshit, b) got other things to do, c) does anybody really think this is going to be worse than Carter?, and d) did everybody forget that economies cycle and we’ve been LUCKY for the past thirty years that we haven’t had anything like this happen when they usually happen every 7 to 15 years?

Repeat after me: ECONOMIES CYCLE.

That’s their job.

So, anyway, I couldn’t have broken it down better than this:

..

Oh, who am I voting for?

Obama.

Because when he completely fucks up, maybe we’ll get a real fiscal conservative in the White House in 4 years (and I am so NOT looking at you, Mitt Romney).

The cold-blooded murder of the English tongue

I am resigned, although I have yet to make the official transition.

I have finally, irrevocably, inexorably decided that I cannot stem the tide of the use of “to raise” in reference to human beings. Much like the law of chastity, the use of “to rear” in reference to humans versus the use of “to raise” in reference to animals was beaten into my head from an early age and, well…

…I give up.

But I swear, they’ll have to waterboard me before I’ll give into “alright.”

The perfect purse

The last time I had the perfect purse, I was 20 and on my way to Europe. Got it at Jones on sale and it was a tan leather saddlebag-looking thing, tall, thin, boxy and with my number one requirement, a very long strap. About the size of a glass block, only longer and narrower.

Yesterday, I took the Tax Deductions to the Liberty Fall Festival where TD #1 indulged her type T personality on all the carnival rides (although there was nary a roller coaster to be had). TD #2 consented to go on the merry-go-round, but he clung to me the entire ride.

Anyhoo, I found the perfect purse made by Journey Leather (their link is under construction, dagnabbit). It’s a black leather saddlebag-with-pockets-looking thing with a very long strap and is obviously designed to hold every electronic gadget ever made.

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.

Except…my ebook reader. Or a paperback. It’s not that big. So I can do one of two things: I can fashion a strap to go on my ebook reader’s leather pouch or I can go get a Blackberry, which will not only allow me to carry my library around in my hand, it will also hold my brain, let me talk to people (verbally or writtenly), cruise the net, buy stuff, do business, listen to mp3s, and take pictures.

Yeah. Don’t tell Dude.

I yam what I yam

I try to be literary. Really, I do. That’s what Smart People do.

I read Racy Romance Reviews and Read For Pleasure and Teach Me Tonight and I think, “Gee, these women are Smart. ” I am not that Smart. So I don’t comment much.

I read the in-depth reviews at Dear Author when they talk about worldbuilding and layering symbolism and use all sorts of literary techniques I learned but didn’t absorb for whatever reason. I read Mrs. Giggles reviews, wherein she’s snarkalicious but not (IMO) unkind–and I think, “Gee, these people are Smart.”

I read A Motley Vision and occasionally, Segullah. I read Theric and Tyler and Trevor. I think, “Gee, these people are Smart.” I am not that Smart. So I don’t comment much, except at AMV, where I probably drive the regular inhabitants insane with my less-than-suave sensitivities. Every time I post there I think, “That was a stupid thing to say.” But I let it lie because that’s who I am, even if I don’t like it sometimes.

And this is why I didn’t study English lit. I can’t analyze worth a damn and half the time, I don’t even know what the existing analyses are saying. I suppose there’s something to be said against a writer who doesn’t think about Great Works beyond “thumbs up” and “thumbs down,” but really, I’ve just come to the point where I have to admit that I like what I like and a good portion of it is crass and commercial.

Then again, sometimes the labels are deceiving. Perhaps I do like crass and commercial, but most times when I pick up a romance novel that intrigues me (mostly historicals), they’re rich and complex, layered and moving so that I’m still thinking about them long after. Sometimes they depend more heavily on characterization or on plot, leaning to one side or the other, but I really don’t care. When they strike a balance–well, that’s a lagniappe.

All I want is a good book to curl up with and a story that sticks with me a while.

But hey–I liked “I’m Too Sexy,” too.

So what’s stopping you?

I’ve referenced agent Lori Perkins before because she’s not constantly talking about how to write a better query or cheerleading constantly. YOU!CAN!DO!IT! YES!YOU!CAN! as if the odds of being picked up by an agent and, in turn, a publishing house aren’t astronomical. (And for a pittance, even.)

Anyhoo, today’s LoriPost What Does This Economic Downturn Mean For Writers? is even more sobering for those of you still laboring in the shadow of the faint hope of The Call:

These publishing companies work so far in advance, that when they decide to slow down acquisitions, they can literally just stop buying for 6 or 9 months. And that’s what I predict will happen here.

And yet the news with epublishing is exciting, the industry vibrant and growing, niche markets blossoming as readers find what they want to read that isn’t the SSDD the gatekeepers must buy to maintain their bottom line.

Perhaps it’s time for more writers to shake the dust of [sneer] self-publishing (otherwise more properly known as independent publishing) off their feet and make like the shoppers at Home Depot: Do it yourself. Yeah, it’ll take some time, quite a bit of money if you do it right (e.g. and *ahem* avoid the more egregious vanity/subsidy presses, pay an editor, hire a graphic designer), a complete 180-degree shift in your thinking and attitude, and a helluva lot of hard work (details! O, the details!) but you’re in control.

Freedom, man.

My mother once asked me, “Why are you basing your goals on decisions someone else has to make?”

The springtime song

Tax Deduction #1 is 5 and can’t read much yet. Bad Mommy! Bad Mommy! Call social services.

Okay, well, I keep a CD player in her room so she can have music (“lullabies”) and we’ve been doing this for about 7 months, I guess, givvertake.

CD #1 was Kenny Loggins’s Return to Pooh Corner. That lasted about 4 months.

CD #2 was Tina Malia’s Lullaby Favorites. That lasted about 3 months.

She wanted the Nutcracker next (took her to the ballet last Christmas), but I couldn’t find my CD. (Must be in another case somewhere–I hate it when that happens.)

So we’ve been on CD #3 now for about a week and a half. It’s just one of those compilation samplers of baroque (you know, the musical equivalent of the bathroom book of quotations to make you seem really smart at cocktail parties).

She says to me, she says, “Mama, there’s a springtime song!”

Oh, really? I mean, I know which one she’s probably talking about, but where/how does she know it’s the “springtime song”? Did she learn that at school? (Cause, wow, great school!) Or does it just magically say “Hey, I’m a springtime song” to a kindergartner?

So she’s on me about this, right? Tonight I turn on her “lullabies” (she had a meltdown when I told her it was really called “baroque,” so we’re back to “lullabies”) and she says to me, she says, “Number 9 is the springtime song.” So I look and why, yes, it is, right there, #9. I asked her a bunch of questions about how she knew this (well, I guess interrogated would be a better word), but she didn’t cough anything up.

I decided to go on the theory that a 5-year-old, when listening to Vivaldi’s Concerto No. 1, automatically knows that that’s the springtime song.

Because to think otherwise would take away the magic.

Bits and bytes

This and that, in no particular order. Mostly stuff I forgot in the ePub post or didn’t know while I was writing it or changed as soon as I hit the “publish” button.cybook-specs.jpg

BOOKEEN CYBOOK. I briefly mentioned this in the ePub post, but forgot to say that this is one that’s caught my attention more than a few times. It’s just that it gets overshadowed by the Biggies and I forget about it. eInk (therefore, no backlight–but you knew that), supports PDFs (don’t know about reflow), plays mp3s. Also supports Mobipocket, HTML, TXT, and PalmDoc. It runs $379, which is a bit rich for my blood.

BEBOOK. There’s a new little kid in town. According to MobileRead forums, this puppy’s got 30k machines in circulation (which I have no idea what that really means). At $349, you can add it to the eInk contenders.

BOOKS ON BOARD and DIESEL EBOOKS. I know I talk about Fictionwise a lot, but more and more I find myself going to booksonboard.com and diesel-ebooks.com just because their formats are easier to follow and I can find stuff more easily. Fictionwise is a nightmare for my poor ADD. So, hey, Fictionwise. Do something about your web design, because you’re about to lose a customer.

ESPRESSO IN-STORE POD. Behold: espresso.png

Coming to an Australian bookstore near you. Am I the only one who can visualize this beast in the middle of Wal-Mart and Target, Sams Club and Costco? I mean, this isn’t new news; the concept has been around for a while, but the machines are expensive.

Still, I’d think Barnes & Noble and Borders would find this to be worthy of early adoption, if only to reduce their stores’ square footage and associated costs. Why are you still sitting in that small box? Your cheese moved.

[Okay, okay, to be fair, PersonaNonData reports that they’re steadily rolling out in the US.]

As ebookie as I am, I’m excited about this thing Time called an “ATM for books.” Paper is still my first love, to stroke and fondle, to smell and behold. Uhm, paper prØn?

STANZA. I’ve been hearing a lot lately about this ebook reading software which runs (built expressly for? I don’t know) the ePub format. After preliminary perusal, we at B10 find this pertinent to us in that it offers ways to convert text to the ePub format and an iPhone/iTouch app to read ebooks on those devices. According to the website, it is also:

…the first program that has a built-in export feature especially for the Amazon Kindle. Your PDFs, Word documents, and other eBooks can all be exported to the Kindle’s native format and copied over to the device using a USB cable.

However, before we get our hopes up, Apple may blackball Stanza the way it’s blackballed Podcaster. Still, Stanza 1.4 (newest version) is now up in the iApps store.

So along with Stanza, the current state of publishing, the slow (in my opinion) early adoption of the Espresso by outlets such as Barnes & Noble and Borders, please simply add in the requisite anti-DRM rant–

Just how long until commercial publishers start using Stanza to sell and distribute their wares as nonDRMed ePub? And how will the terms compare to those of Amazon and others? (From the Teleread article linked above.)

This is where you start wondering where the Greedy Bastards went. Ban? Ignore? Flee? No! Embrace! Embracement = mo’ money. Where’s Gordon Gekko when you need him?

The gatekeepers, part 1

I haven’t read Stephenie Meyer’s Breaking Dawn. I read Twilight and while I like cotton candy, I can only take so much. Like, one cone every 10 years or so or.

By now I’m sure everyone’s heard about the backlash against what is reputed to be the shoddy workmanship of Breaking Dawn and the push to return it to the bookstores after having read it. Mind you, the complaints ranged from the fact that Meyer tore her own world’s rules asunder to the poor editing job (i.e., grammar, spelling, typos). I found more than a few of those in Twilight and it bugged me then that a major publisher would release it like that. It looked so [sneer] vanity published.

I’ve heard ad nauseam about the gatekeepers, the agents and the editors, whose self-appointed Prime Directive is to keep out the unwashed masses of illiteracy who think they have a bestseller in them somewhere. They are there to not only 1) screen out the dreck and vet work that is potentially money-making, but once that is finished, to 2) put out a product that is well edited, well designed, and doesn’t look like it’s [sneer] vanity published.

Well, with Twilight, they did the first part right: They found a piece that would make money.

With the second part, they dropped the ball (especially with regard to Breaking Dawn) and Meyer ended up being put on the spot for a) bad writing, b) violation of her world’s rules, and c) bad editing in all stages.

I think that’s totally unfair.

I’ve been thinking about one particular Breaking Dawn post/thread on Dear Author for over a month now, wherein the commonly held die-hard fan opinion [that Meyer wrote by whimsy alone (putting forethought and craft aside)] was reiterated by author K.Z. Snow:

What’s so irksome is this: Meyer seemed to have a serious–and, to me, really appalling–lack of commitment to and respect for the craft. So shoot me for idealizing what we do, but one doesn’t become a writer on a freakin’ whim. I’m not surprised there’s been a degeneration from one book to the next.

and I opined:

I think this is clearly a case of wringing blood out of a turnip by the publisher and editors. They’re the ones who control the channel to the marketplace. If Meyer doesn’t have a commitment to the craft, who’s to blame? Meyer? No. The publisher and editors who facilitated her in that. If she has any thought about “craft” at all, I’d be surprised–and that’s not her fault. She hasn’t been required to to sell a gazillion+1 books.

Nora Roberts disagreed with me:

Yes, it is. Her name’s on the book. It’s her work. […] But it is the author who’s responsible for what’s on the page.

And this comment is what’s had me thinking about this for so long after it’s been done and gone.

Ms. Roberts’s comment is borne out in the fact that Meyer alone was held accountable for what’s widely perceived as shoddy workmanship. Do we know who her editors (content, line, and copy) are? Undoubtedly somebody does, but they aren’t the ones being burned in effigy. I wonder if they got dragged into a meeting to find out why so many die-hard fans took their books back? I wonder if they got sent to Remedial Editing? I wonder if Meyer went back and said, “Hey, why didn’t you do your job? You made me look bad and you’re supposed to make me look good. You’re the gatekeepers.”

She was also responsible for selling those gazillion+1 books and making a helluva lot of money for those gatekeepers, whimsy and shoddy workmanship and all.

Yet why should Meyer bear sole responsibility for what is obviously a case of “Bless her heart. It ain’ her fault; she doan know no better”? Moreover, she doesn’t know she “doan know no better” as evidenced by the fact that she’s trying to defend the book by blaming readers. “They just didn’t get it.” Well, maybe they didn’t, but you don’t say that in public. If you can’t keep from digging yourself into a hole, shut the hell up.

(And ahem, Stephenie. You’re college educated. Could you not have gone through your manuscript to make sure you caught all the typos? Oh, right. That was the copy editor’s job, wasn’t it?)

Meyer’s editors, in looking for a quick buck sooner rather than later, threw Meyer to the wolves. They, as the self-appointed gatekeepers should have done their jobs and when they didn’t, they let her take the fall because, as Ms. Roberts points out, it’s her name on the book.

They also threw the readers and die-hard fans to the wolves–who howled loud, long, and with their checkbooks. Who knows how many die-hard fans felt betrayed who did not take their books back and did not burn them (as some did)?

I have come to no conclusion except that, at this point, I think both Ms. Roberts and I are right. But how can that be? I don’t know, because obviously Meyer was held accountable for it, but she wasn’t the one who enthusiastically put it in the editorial pipeline. I can’t think she had much control over it after that other than galley proofs.

Right now, though, I only have two questions:

1. What, again, are the gatekeepers for?

2. How did such work warrant such gorgeous covers?

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I wouldn’t be a member of any club…

…that would have me as a member.

I spent all weekend with my Netgear wireless router trying to figure out why I couldn’t get into my own website. I could connect direct from the cable modem, but not through the router. I will spare you the details of the acrobatics Dude and I did to get back up and running. (It included editing the registry, so I am now completely traumatized.)

This morning I contacted my host to say, “Hey, I know it’s not you guys, but do you have any advice?”

It was them guys. My IP addy got blacklisted somehow.

So a writer walks into the ePub…

Th. said:

Tell me more.

Okay, this is the rundown of ebook devices and formats as I understand them. The news changes from day to day (though I try to keep on top of it), and some of what I might pass along is probably no more than hearsay (I’ll mark that part), but I do think the hearsay is important to the overall discussion. All of these readers have down sides (naturally), most of which I don’t know, but I’ll try to include them if I do.

* * * * *

big_ewreader.jpgFirst, I have an eBookWise-1150, which I adore. It uses the native IMP format. This is why I like it:

– It’s inexpensive. At $110 (plus shipping) for the stripped-down memory model, it’s what I consider the gateway drug to ebook readers. IOW, if you have enough interest, it’s not so much you can’t experiment if you’re a first-timer or just unsure.

– It’s ergonomically designed for one-handed reading. You have 2 buttons you can click with your thumb for page forward and page back. You can use it left- or right-handed. I can lie down and snuggle under covers in bed (or even under the covers–remember reading with a flashlight?) and hold it with one hand.

– It’s backlit. You can read in the dark. My husband loves that.

– If you get the eBookWise librarian, you can convert almost any document to the IMP format.

– It comes with a stylus so you can mark, write, highlight, and search.

– You can change font size, but there are only 2 sizes.

– It can play audiobooks, but I don’t know if it can play mp3s because I haven’t tried and I’m not that interested.

– It holds a good charge. Lots of reading time for not a lot of charge time.

– It can display .jpg files.

This is what I wish it could do:

– Read EPUB. I really, really, really want to see everything go into the EPUB format, as that’s what’s being worked on as the mp3 format of language and pictures.

– You can get books from eBookWise/Fictionwise bookstores (and direct from epublishers), but I wish the eBookWise could download on the go a la the Kindle, as long as you’re in a hotspot.

– It’s an LED screen, which is hard on some people’s eyes, especially after looking at a computer all day, but I don’t find this to be an issue for me.

– I wish conversion from one format to IMP weren’t so tedious and time consuming. In other words, you have to be a little more savvy than your average user to get files other than IMP onto your reader.

This is how it’s affected my reading/buying:

– I spend a lot more money on books now because of the instant gratification effect.

* * * * *

prs505sc.jpgSecond, I would love to have a Sony ebook reader, except for one thing: It’s not backlit. They do have a clever little device for it now, a plastic screen that opens and closes like a door and lights it from the top.

– It uses eInk technology, which is apparently better for your eyeballs.

– Sony’s latest release is touted to be able read EPUB format, along with PDFs (although I hear that’s not so good, really), its native BBeB, LRF, Word files, and mp3 files.

– You can find it in stores (Target! Score!) and look at it, touch it, see how it is. If they could get it into Wal-Mart, that’d be a coup d’etat. This also means it’s returnable if you don’t like it.

– It’s light and apparently well designed ergonomically.

This is what makes me hesitate to buy it:

– It’s not backlit. Again, this seems to be a love/hate feature. However, as stated, they do have a little add-on device to enable you to read in the dark.

– I believe (though I do not know) that conversion from one format to another is tedious and time consuming. See notation above on this topic, which, really, is a big beef for all the devices out there.

– At $300, it’s about $200 more than I want to pay.

– I do not believe they have a download-on-the-go the way Kindle does but I do think I heard they were working on it.

* * * * *

v3-whispernet_v4948240_.jpgKindle runs the AZW format, which is DRM’d Mobipocket, which also goes by the PRC/MOBI extensions, which I would not touch with a 10-foot pole and this is why:

– Amazon can lock up your purchases so you can’t read them anymore. In effect, you are renting the books, not buying them. They have a track record of doing this, so be careful.

– There is some speculation that they’re taking a loss on their ebooks so that the Gospel of Kindle can spread more easily, then they plan to raise the prices (remember, lease prices, not buy prices) once it can justify doing so. This is complete hearsay because Amazon won’t release good data on sales of either Kindles or ebooks. However, I don’t doubt that they could and would, because, well, Wal-Mart set the precedent, didn’t they?

– It’s also way too expensive for what you get.

– I have heard that it’s ugly and clunky to hold.

– Price: $359.00 Owwie.

– Proprietary format and DRM (digital rights management, which is a cardinal sin), which ties in with how they can shut your books off.

The only thing that sets this apart from the others is being able to purchase (rent) and download from wherever you are via “whispernet.” And I’ll tell you, from what I’m reading, that’s the draw, right there. If Sony got that, I think they’d win that skirmish.

* * * * *

Palm/Blackberry, by which I am also tempted. This uses the eReader (PDB) format. I mean, really, all-in-one capability for your life in the palm of your hand? Lists, phone numbers, books, music, phone, internet, email, instant messaging. What’s not to love? Erm, the really really small screen, that’s what.

* * * * *

iPhone/iPod touch. This one’s tricky, because while I’m attracted to the possibilities here, I’m REPULSED by the fact that Apple isn’t getting into the ebook scene. I’ve referenced it before, but this burns my ass: “It doesn’t matter how good or bad the product is, the fact is that people don’t read anymore… The whole conception is flawed at the top because people don’t read anymore.” (Steve Jobs said that. Bastid.) This means, no iBook store. If Apple built a reader, I am convinced it would take over. So why don’t they? No idea.

So with this device, what we see now is that ebooks are being sold, but as applications (like games), not as text. I’m not sure how this works yet, really, but I do know there are a couple of vendors out there converting ebooks to apps for the iPhone, which can be downloaded on the go, a la Kindle.

* * * * *

asus_eee_701-300x225.jpgThere’s another little device on the market right now that might get a little toehold, but I think it’s too early to tell: The ASUS Eee PC, which operates on Linux and a solid-state hard drive. More about this at Dear Author, as this is one of the few places I’ve seen with a decent breakdown. This, I am also interested in. The price tag ($299-499) doesn’t bother me on this because it’s a computer that can read ebooks and this price is comparable to the Kindle and Sony readers, which don’t do any more than that.

Choices! Ahhhh!

These are a couple of other ebook devices I hear bandied about once in a while, but am not really interested in learning:

RfP referenced the iRex iLiad by iRex Technologies. This uses eInk technology that Kindle and Sony do, but this is HEHEHEHEHELLLLAAAAAA expensive. It supports PDF, HTML, and MOBI/PRC.

Cybook (eInk). This supports all the major ebook formats.

And there are more here at the MobileRead Wiki (great resource), but I think I’ve covered the major players.

Right now, B10 Mediaworx will for sure offer The Proviso in the following formats:

HTML (any ol’ browser and most versatile for conversion to other formats)
IMP (eBookWise, ’cause…I got one-a doze)
LIT (Microsoft’s reader, which is what I buy when I want to buy a DRM’d book because I have a nifty little program that will break the encryption)
LRF (Sony)
MOBI/PRC (Kindle or any PC with the free reader installed)
PDB (Palm and Palm-type devices)
PDF (because, well…it’s there and we have to do the print version in PDF anyway, so why not?)

Of course, we’ll put it on Amazon in print and for the Kindle (glorified MOBI/PRC).

We’re also in the process of researching its conversion to an iPhone application and put in the iTunes application store. AND we plan to get it converted to EPUB format as soon as we can. Can’t promise anything on those front, yet.

* * * * *

I come at writing from genre romance. Its redheaded stepchild, erotic romance, can’t claim to be the leader in the ebook race because Baen (science fiction/fantasy folks) got there first. But romance is a close second and I would hope that others get on the bandwagon, particularly LDS publishers.

I needed to buy something from Deseret Book (that’s yet ANOTHER rant about marking your stupid series on the cover and what’s a sequel to what because you burned me AGAIN) and I really had to think about whether I wanted to purchase those books because they weren’t in digital format.

I was fortunate enough to get an electronic ARC of Angel Falling Softly from Zarahemla, but even then, I inferred that Eugene did his own conversion to Kindle (because he posted a primer on his site, albeit with regard to Path of Dreams). I hope that Zarahemla can see its way to digitizing its backlist and be a leaders amongst LDS publishers.

Let me repeat: I spend a lot more money on books now that I have an ebook reader and can get it instantly than I ever did with paper books, which require gas and/or a lot of time and/or a lot more money and/or a lot more effort than the electronic version. Publishers, do you get that?

I SPEND A LOT MORE MONEY ON BOOKS NOW.

Say that until you start dreaming it in marquee form.

Beatrix Kiddo, feminist

I play with boys. Always have. I was the Batgirl and Princess Leia to my cohorts’ Batman, Robin, Luke Skywalker, Han Solo, etc. Apparently, I am not the only one, since the “urban fantasy” subgenre (with the blatantly hard-ass heroine) has become such a success.

Only within the last few years have I run into women with sensibilities similar to mine and with whom I feel comfortable. Also lately, I’ve found a couple of blogs with women I relate to on a more matter-of-fact level (e.g., Dear Author and Smart Bitches, Trashy Books).

But put me in the bloggernacle (a portmanteau of blog and tabernacle) and I have to start hanging out with the boys again because the women are…well, whiny. And inconsistent in their whining.

I didn’t realize this until I was reading over on Eugene’s blog about the Japanese movie, Freeze Me, which is, in his opinion,

…the standard Death Wish revenge fantasy formula: pacifist gets shocked into action delivers violent justice to evil-doers (“a conservative is a liberal who got mugged”).

But then the film disappoints him:

Freeze Me could have hummed and purred as well. Instead it alternately shivers and sweats and clunks and gives up without a fight.

Then Eugene goes on to blame:

Thelma & Louise which should more appropriately be titled: “The Original Dumb & Dumber.” This supposed paean to film feminism follows the exploits of two unbelievably stupid grown women who have spent their entire lives as victims of impulse and circumstance and aren’t about to let a little (almost justifiable) homicide stop them.

The good-guy cop (Harvey Keitel) finds them such a pathetic pair that he starts emoting like a father in pursuit of his two dimwitted daughters. Their exploits inspire pity at best, contempt at worst. Not once is logic ever allowed to compete with emotion, let alone overcome it. So why not just drive off a cliff?

It’s hard not to read a very obvious metaphor into the final scene: the caring man stands by helplessly while the newly “liberated” women cast themselves into oblivion. And a woman actually wrote it.

Which put me in the mind of Mormon feminist blogs. I can’t speak to feminist blogs of any other type because I don’t read those. (Except, well, I’ve stopped reading the Mormon feminist blogs, too. )

I can’t really get a handle on this feminist thing, being as I’m fairly new to the label. Some days I think I’m a feminist and some days I don’t. Most days I don’t know what a feminist is or how one defines oneself as a feminist. I mean, if it’s as simple as “equal pay for equal work” (and the definition of that is fodder for a different rant), I’m there.

This is what I have gleaned (albeit most likely incomplete) from my wanderings around Mormon feminist blogs:

1. You cannot be a feminist and against taxpayer-funded social welfare programs.

Where’s your compassion? Bitch. (Pssst: Did you hear that piece of the doctrine where Christ wanted people to be able to choose for themselves?)

2. You cannot be a feminist and a raging capitalist.

You’re contributing to the exploitation of women. Bitch. (Pssst: Did it ever occur to you that you can be more generous if you have money?)

3. You cannot be a feminist and pro-life.

(Yes, even amongst Mormons.) Bitch.

4. You cannot be a feminist and not want to be given the priesthood.

It’s just a natural extension of equality and you should want it. Bitch. (Pssst: Did it ever occur to you that God & Goddess might not be the ones doing the discriminating here? Oh, it DIDN’T occur to you. The church isn’t the final authority, you know.)

Oh, amongst other things. So it looks like to me the hierarchy goes like this:

Liberal-ish politics

Mormonism

Feminism

There’s apparently room for the traditional Mormon woman role in this construct, but what I find disturbing is the willingness to completely bitch-slap a woman if her political philosophies don’t align with the label of “feminist,” especially if it hints at a more conservative bent.

So the LDS women of libertarian capitalist leanings have only one place to play in the bloggernacle: With the boys. As usual. Who are a helluva lot more enlightened than they’re given credit for–they just explain their philosophies in Belch (yes, it is an official language).

My soul sister is reading AmBITCHous, which means I’ve put that on my TBR pile (she finds all the good non-fiction!) along with Rules for Renegades.

Mind you, these are just my gut impressions, but the “discussion” of feminist issues in the church has a whinier tone than I’m comfortable with. And at this point, I’m thinking I’m not so much a feminist (whatever that means) as a bitch.

Thelma & Louise or Beatrix Kiddo? I didn’t hear much whining in Kill Bill.

Got you on my mind

Here’s to me and Dude, who got married 6 years ago in the LDS Nauvoo, Illinois temple (very soon after it re-opened). Yeah, we got married on a Friday. The 13th. On purpose.

Dude likes funny ties, but Serious Ties not so much. I’m not keen on the Stooges and I thought Spongebob Squarepants was hilarious–but he didn’t. We have been at a tie impasse ever since. Until today.

Happy anniversary, baby.

Too much of a good thing

I have an addictive personality and for years, I lived by the motto: If a little’s good, a lot’s gotta be better. It’s taken me years to get that pounded out of me. There are only 3 things where, as Madonna put it, “any number is fine with me/as long as it’s more”:

sex
money
books

And there are 2 things I have learned, to my everlasting detriment, where less is best:

salt (way to ruin a perfectly grilled slab of cow)
Rudolph the Red-Nosed Reindeer

See, Christmas for me usually starts in late September/early October, when the autumn rains start and the leaves begin to mat on the ground. Well, this year, the autumn rains are coming early (though the leaves haven’t even begun to whisper that they’re going to turn). The first sign I’m getting itchy? I crack out the Christmas carols. Okay, so I’m a bit ahead of schedule right now, but then I decided to do a bit of Mom Stuff (that would be mending) and went digging for the Rudolph DVD.

The Tax Deductions don’t appreciate Rudolph for the wonder and magic that he is and I have to admit, in September, there’s not much magic
there for me, either.

The magic of Rudolph, I’ve discovered, is in knowing that it will be shown on X date, probably early December, on CBS at X time and if you miss it, you’re just shit out of luck and you have to wait until next year.

I have a DVD and a VHS tape up for sale.

The DDJ

Damned Day Job

Yes, I have one of those, albeit from home and entrepreneurial in nature. Actually, I have 2 money-making gigs. I also have 2 non money-making gigs: the Tax Deductions’ mother and this here book thing I hope will start paying for itself in a little while.

I have a DDJ for the usual reason: Books. Oh, uhm, roof and food. Right. And clothing. For the Tax Deductions. Dude and I go au naturel.

Now, between the Tax Deductions, the DDJs, and the fact that my editor just bled all over my imaginary friends (thank you, Lorna!), I will be busy with scissors and cheap tape for the next little while. Office Depot is my home away from home.

In the meantime, please visit Thmazing’s Thmusings where you will find installment number 2 of The Erotic in LDS Lit. I’m finding the development of this series very profound and I’m still unpacking it.

Book Review: Married to a Rock Star

Married to a Rock Star
by Tami Parrington
published by Prairieview Publishing via Lulu

I read a great review of this book and went immediately forthwith to purchase it. I don’t know whether I’m more upset with the book or with the review, but let’s just say this would’ve been a wallbanger had it not been on my precious ebook reader. I shouldn’t have finished it, really, but I kept reading because I thought surely, somewhere along the way, the heroine would pull her head out of her ass.

Alas.

I wanted to like this book. Really. I thought I would like this book because of the real-life fantasy of it (as in, not elf- fairy- magick-type fantasy). It’s independently published and I want and need to support that community. Thus, I’ve been sitting on this review for several days, thinking about whether I wanted to post it or not.

Here’s the summary:

Out in the country, Karen and her two teenage children have a new neighbor-Isaiah Highland, who is anything but the farm type. Isaiah is a rock-star looking for peace, starving for privacy, and he’s found them both…and a whole lot more. Swept into a world of fame, fortune, and betrayal, Karen finds herself in a world far removed from her little farm.

Two separate worlds….

Worlds bound to collide…

When they do Isaiah and Karen will have to choose between their own versions of paradise…and each other.

Good points:

1. It’s readable.

2. Great concept.

Bad points:

1. Consistent homonym, spelling, and grammar errors that should’ve been caught by a proofreader.

2. Kansas City errors. If you want to get detailed with a city, please know what you’re talking about.

a. There are no stockyards and haven’t been since 1974.

b. Kemper Arena is not a stadium and is not referred to as such by locals.

c. Bryant’s (the one on Brooklyn, which is the one referenced in the book) isn’t a restaurant; it’s a sleazy, nasty, dirty BBQ diner (which was a lot sleazier, nastier, dirtier when Mr. Arthur Bryant was alive and sitting in his straight-backed metal chair with his arms crossed over his chest, right next to the BBQ pit, overseeing the operations with an eagle eye) which does not take reservations and there is no cutting in line and most definitely not at midnight and I don’t care who the dignitary is (uh, with the exception of Jimmy Carter when he was president; I think Clinton chose Gates). Considering I worship at the altar of Arthur Bryant, this is an affront.

3. A 40-year-old 1-year-widowed heroine who:

a. becomes a rock star’s groupie in front of her 15-year-old son and 17-year-old daughter,

b. drags said teenagers back and forth across the country to follow this guy around,

c. tolerates his milieu’s dismissive treatment of her,

d. tolerates him screaming at her in front of Princess Stephanie of Monaco for talking to reporters when she has no idea what the word “groupie” really means,

e. takes the advice of aforementioned 17-year-old daughter who says, in effect, “If you don’t fuck him, the groupies will,” so she does,

f. goes back to him after he’s abandoned her 90 miles from home with no cash and slaps her (in front of aforementioned teenagers and his entire milieu),

g. tolerates the groupies anyway,

h. seems to have no grasp on how her behavior can/will affect her already angst-ridden children (their father died barely a year ago, remember) and if she does, doesn’t seem to care, and

i. doesn’t seem to love the guy in the first place, or at least if she does, I see no reason why she should and she never indicates by thought, word, or deed that this is anything but an exciting fling for her, no matter how degrading.

4. No comeuppance for the, ah, “hero,” who begins the “I love you” business as a bargaining chip.

And you know, I could’ve gone with it and had snarkworthy fun with it had not children (impressionable teenagers, yet) been involved in her rapid and willing debasement. For that, I felt dirty after reading this book and I finished it wondering if the reviewer (whose recommendation I took) and I read the same book.

“Little Lion Face”

Thmazing posted this poem by May Swenson (1919-1989), Mormon poet, in April. I don’t usually “get” poetry, but I sure as heck got this and it is…beautiful. I’m going to have to invest some time in her work.

Little lion face
I stopped to pick
among the mass of thick
succulent blooms, the twice

streaked flanges of your silk
sunwheel relaxed in wide
dilation, I brought inside,
placed in a vase.Milk

of your shaggy stem
sticky on my fingers, and
your barbs hooked to my hand,
sudden stings from them

were sweet.Now I’m bold
to touch your swollen neck,
put careful lips to slick
petals, snuff up gold

pollen in your navel cup.
Still fresh before night
I leave you, dawn’s appetite
to renew our glide and suck.

An hour ahead of sun
I come to find you.You’re
twisted shut as a burr,
neck drooped unconscious,

an inert, limp bundle,
a furled cocoon, your
sun-streaked aureole
eclipsed and dun.

Strange feral flower asleep
with flame-ruff wilted,
all magic halted,
a drink I pour, steep

in the glass for your
undulant stem to suck.
Oh, lift your young neck,
open and expand to your

lover, hot light.
Gold corona, widen to sky.
I hold you lion in my eye
sunup until night.

Pretty women

Disclaimer: I can’t stand Hillary Clinton. At all. But… I find her very attractive in this picture. I’m not even going to chalk it up to the hair (very nice) or necklace (meh—not a fan of chunk jewelry). Perhaps the smile? Yes, that’s it. It looks…genuine. Happy. Even as much as I despise her, I didn’t like the constant yammering on her looks. On the other hand, if she’d let this side of her show more often, would she have gotten farther?

Then there’s this picture of Dame Helen Mirren who, at 62, is totally rockin’. I wouldn’t have posted it because Karen already did, but it’s stuck with me for 3 days. To me, it’s an illustration that Mother Nature doesn’t necessarily punish us XX types for having the audacity to turn 40. Or 50. Or 60.

And the last 2 ladies in today’s lineup are Alfre Woodard (56) and Diane Keaton (62). I don’t guess I have any commentary because, well, look at ’em. Obviously, I don’t know which ladies have had what work done, if any, but still.

Over at Teach Me Tonight, Laura Vivanco discusses the topic of older women in romance vis a vis Charlotte Lamb’s novels. She also points out RfP’s post at Access Romance and about young heroines who don’t really seem young and Robin Uncapher’s post about the time warp in romance.

Well, I’ll tell you. I didn’t really feel like writing an ingenue because at my age, it’s just silly and I was never an ingenue when I was that age. I wanted to write people who had some experience with life. Now, Susan Elizabeth Phillips writes older romance, but always within the context of having the older couple as a secondary love plot.

Mine aren’t 50-ish, but they are 40-ish and as the series progresses, they age. In book #2 (Stay), the hero and heroine (Eric and Vanessa) are youngish by my standards (late 20s and early 30s, but this is a challenge I set for myself). By book #3 (Magdalene), the oldest of the original characters are on the wrong side of 45 and still going strong. Mitch and Cassie, the hero and heroine of Magdalene, are on the wrong side of 45, with grown/almost grown children and possibly a grandchild or two.

So along with my other crimes against romance, you can add major characters in their 40s. Gee, how many other ways can I bend this genre?