Author: Moriah

Contest!

Moriah

As about 4 of you know, The Proviso goes on sale tomorrow. So to celebrate that (’cause, you know, I don’t drink and can’t share champagne virtually anyway), here’s a contest!

Three print copies of The Proviso (huge honker, too) and 5 ebook copies will be awarded to randomly chosen commenters who answer the following questions:

1. What literary character [uh, other than Mr. Darcy 😉 ] would you most want to meet and/or know–you know, Biblically?

2. If you have a favorite piece of artwork, what is it? (If you don’t, that’s okay! Just say so!)

3. Do you like blond heroes?

4a. Have you ever been to Kansas City? OR

4b. If you live in Kansas City, what’s your favorite part of town?

5. Paper or electrons?

Contest ends Sunday at 11:59 p.m. CST. Winners will be chosen randomly by random.org and announced Tuesday.

So, you 4 who read this blog, go find 4 friends who’ll pad the comments, ’kay?

(An honest review would be greatly appreciated, but not expected.)

Book Review: Do the Math

Moriah

Do the Math
by Philip B. Persinger
published by iUniverse

I read a review of this book that pissed me off, but the blurb looked interesting and so I went forth to iUniverse (yes, it’s independently published) to purchase the ebook. I will spare you the nightmare of actually getting the book, but iUniverse? Bite me. Fortunately, the author came through for me when I copied him on my bitchmail to iUniverse (which they still haven’t responded to). Anyway, he got me a print copy of his book posthaste and so I was a fan on that basis alone.

Here’s the blurb:

What could be worse than losing the love of your life? Getting her back!

William Teale is a brilliant professor of mathematics. His theory of inevitability posits that any human action, no matter how insignificant, might result in a disproportionately huge calamity.

His wife, Virginia “Faye” Warner, is a world-famous romance novelist who specializes in reuniting soul mates after a tragic and prolonged separation. According to her math, “one past and two hearts plus one love equals four-ever.” The Teale-Warner marriage is a thing of geometric and artistic perfection, a melding of the heart and the brain-amour and algebra.

But when Faye’s ghostwriter suffers a nervous breakdown and shakes all the arrows out of Cupid’s quiver, Faye reintroduces her husband to love. Unfortunately, it’s not with herself, but with the woman William had loved and lost years ago. Love is about to clash with inevitability, and it’s unclear which will emerge victorious.

Told in the off-beat voice of William’s graduate intern, Roger, Do the Math reveals the curious relationship between logic and love and the delightful consequences of taking a chance.

Only one bad point and it’s technical: The funky paragraph breaks in dialog. Oh, I don’t mean the looooong monologues that have to be broken, but, for example:

“Her home away from home,” he answered. “Room 407. New Coventry Medical Center. Only the best.”

“By the way,” he added as he picked up Claire’s drink and toasted me with it. “You did very well tonight, Roger.”

That unnecessary split happened enough that it was annoying, but certainly not enough to diminish the overall fantasticity of this novel. If you ever needed a posterbook for the validity of self-publishing, this is it.

And one aside, which I don’t know if it was tongue-in-cheek or not. A vague reference is made to the movie Poltergeist, but the story is set in 1978 and that movie didn’t come out until 1982. I could see how that could go either way, so I’m giving the author the benefit of the doubt.

This is the story of 50-year-old professor of mathematics William Teale and Virginia, his romance-novel-writer wife and Claire, Teale’s lost love from 25 years ago. It’s told from the point of view of his 25-year-old intern, Roger, in first person. And oh, it takes place in 1978. Did I say that already?

This book’s kinda sorta billed as a romance. I think. I’m not really sure. And I don’t really know what it is anyway except hilarious. I know it’s supposed to be poignant and bittersweet. I know it’s supposed to be about Teale’s relationship with his wife and his lost love. Really, I do know that.

But what you have to know going in is that I have an eccentric sense of humor and a wee bit of a crush on higher math. Can’t add or subtract without a calculator (multiplication and long division are simply out of the question) and I really just don’t care for discrete math much, but after some struggle and time, I’m a fair hand at simpler calculus. It’s like the bad boy you just want to take home and try to tame.

Okay, so what that’s got to do with the price of tea in China is this: If you don’t get the math jokes, it’s okay. It’s still funny. If you do, it’s ROFLMAO funny. The author conflates mathematics and romance in such a bizarre way I can’t help but chortle just thinking about it. For instance, Teale tries to figure out what to do about his problem using set theory in a discussion with Roger:

“It’s about balancing the quality of the empty set against one with two elements,” I started out. “That just doesn’t make sense.”

“No, it doesn’t,” he said.

Relieved by that concession, I followed up.

“Then how can a set of two elements be qualitatively equivalent to an empty set?”

He smiled wearily. “Unexplored territory, isn’t it?”

He thought a moment longer. “It’s the wasteland,” he said. “We understand the null set. There’s nothing there. But a set of two elements which has no connection, or, if connected, no contiguousness, that is, ultimately a set that is in and of itself empty, isn’t it?”

In other words, using set theory, Teale equates his relationship with his wife (two elements in one set that are disconnected) to a set with nothing in it.

All the little oddball characters that populate a college campus/faculty/town are fondly drawn and you can immediately find the equivalents of these people in the memories of your own college experience. All the subplots come together nicely in one tight, tidy little knot at the end (although I’ll admit I knew where one of them was going on page 23, and sure enough).

Now, about that “romance novels are just a formula” business: That is repeated ad nauseam throughout the tale, but funny enough, even though they spend valuable computer time (vacuum tubes! keypunch cards!) trying to figure it out, they read from a how-to-write-romance manual and follow it strictly, and yet…they never manage to figure it out, disproving their own premise that there’s a real formula to it.

I had no problem with this facet for three reasons: (1) Though all the characters (including the romance novel writer and her ghostwriter) think this, it doesn’t seem to be thought of as a bad thing; it’s simply a fact of their life and needs to be adhered to as any other product specification, as they’re up against a deadline, and (2) This is set in 1978, remember. The specifications outlined are, to the best of my recollection, exactly how romances were written in the late ’70s, so I can’t really go throwing stones at fact (or at least my perception of fact), and (3) For all the “formula” talk, it was still respectful of the genre and its fans.

Some passages that made me howl (and wake up the Tax Deducations) got their pages dog-eared. (The horrors!) Examples (although I must warn you that my sense of humor is a bit, ah, weird, and these are somewhat out of context so they might not translate):

[Sample from a technical writer for a nuclear reactor handbook applying for the job of a romance novelist ghostwriter]:

“…pump type can be determined by identifying flange at top of housing. Inductive cooling pump has a rigid pressure release vent hanging down perpendicularly on flange centerline. Whereas action release coil pump is unique because of the two nipples protruding from either side directly above the emergency bleed valve.”

and

“A warning. The manifold might be hot. Use caution when sliding the spanner between the opened blades, as there is a danger of electrical arcing… It might be necessary to remove the probe from the main sheath and reinsert with proper lubrication… If vibration continues, apply appropriate torque to the uppermost junction point until release is achieved…”

[Romance novelist] closed the booklet with a rude snap.

“There has been a terrible misunderstanding here.”

“I’m sorry?” said Claire.

“This seems so–how should I put it? Technical.”

Even though it is in no real way similar, it vaguely reminded me of Neal Stephenson’s The Big U. Loved the premise, loved the voice, loved the characters and the humor is dry enough to make you beg for water.

And, oh, the author didn’t assume the reader would be 5 and need everything explained.

Kansas City: Chiefs 10-26

Moriah

This is what I want to know: Why is Peterson getting WORSE at his job as time goes on? Isn’t he supposed to get BETTER at it? I mean, that’s how age and experience work, right? Right?

And you know what? I’m not even gonna touch Herm Edwards with a 10-foot punt. I want a Schottenheimer clone. Yeah, we never got the brass ring, but damn, at least we got close a few times.

Then I had to go rub salt in my wound and read Whitlock’s column this morning, which asks the question: “Why did the Chiefs go away from what was working?” Well. If they could answer that, we’d have a winning team, right? Or at least a mid-’90s team. And then this:

There was only one way to ruin Sunday’s game, and Edwards and Gailey found it.

For you non-Kansas City readers: We’re all about the football. I’m not sure who these “Royals” people are that get talked about every so often.

Meh.

Moriah

I’ve had something rolling around in my head for a while since Dear Author asked, “What’s wrong with a C Review?” More recently, a discussion at Racy Romance Reviews involving a book I must get expanded on the conversation at Dear Author (I have a sneaking suspicion RfP and I are on the same wavelength with regard to this).

To clarify: C means neither good nor bad, but average.

To me, an average book = meh = forgettable. In my opinion, if a book is forgettable, it didn’t finish the job it started. What I haven’t figured out yet is if a book is so bad it’s not possible to forget, did it do its job?

I’m trying to distill this out for myself, but I’m reading a lot of books lately that are meh. In fact, they are so meh I forget I was reading them the minute I turn my ebook reader off to tend to other things. As I said on the Dear Author thread, I found a dozen books by bestselling authors that I didn’t remember buying and, worse, that I didn’t remember reading until I scanned the blurbs. Mind you, these are books that got high marks at Dear Author and Smart Bitches (I know, ’cause I went back and looked).

Now we have DocTurtle reading a Harlequin Blaze as a challenge by Smart Bitches to read a “real romance” and see how wonderful it is. Turns out he’s having fun, but not of the type everyone expected. He seems to read in fits and starts, so obviously it’s not keeping his eyeballs glued to the pages, unless that’s the type of reader he is, which I don’t know.

So what is this meh? Where’s it coming from? One of the last non-meh books I read was Ann’s because it was so damned different. What made it different?

I’ll tell you what made it different. She broke all the “rules.” Somewhere, somehow, with the evolution of RWA and its sister organizations and their writing workshops, easier access to agents and editors, more stringent-yet-vague criteria on how to write a query letter, and more propagation of some writing “rules” (the ones that would get you a D in any college creative writing course–ask me how I know), there’s been some weird homogenization. (And I started noticing this really begin to gather steam in the early ’90s.) Yeah, you can have unique plot devices or tried-and-true plot devices done differently, but essentially, the voice has become the same: same meter, same literalness (thanks, RfP) to supposedly make for clarity, and same explanation of things that I (Random Reader with a modicum of intelligence) don’t have to be told and would have rather inferred or been left wondering.

Tired, y’all. I’m tired of reading the same stuff over and over again. Even the stuff I’m getting mad at and simply not finishing–one reason is because the voice is tired on top of other problems. Everybody’s taking voice lessons from the same singing teacher out of the same songbook. The only reason I remember any of these books is to say, “Oh. That.” And off it goes to be archived on CD or in the box to take to the used bookstore–without finishing. One book I’ve been looking forward to reading and bought on its release date (because I had it on my calendar as a reminder) was a real let-down.

This “write from the heart and you’ll get sold if you try hard enough” cheerleading? Bullshit. Don’t write from the heart; write from the rules. Write what the gatekeepers tell you to write and, more importantly, how they tell you to write it. Obviously, lots of people love it, and I am the High Priestess of Capitalism, so I’m not arguing with an established market.

But…if everyone’s following the rules, how do you know the reading public wouldn’t like what you wrote from the heart? I know how you know. The gatekeepers won’t buy it because why mess with the homogeneity of voice? People like it; people buy it. [Insert philosophical plug for doing things independently, but that’s not what this post is about.]

Nothing, but nothing, makes me realize how homogenized the romance voice has become until I read something different. Kristan Higgins’s books were different and I enjoyed them muchly (although I heard some whisperings they weren’t romance so much as women’s fiction/chick lit and honestly I don’t know what the hell difference it makes). Ann’s, of course. Laura Kinsale, always.  Eva Gale, who came here as a poster (never heard of her before that), whose voice (albeit short pieces) just pushes all my right buttons (not talking about the erotic aspect, either).

Remember, I’m not talking about archetypes, plots, and themes. I’m talking about rhythm, word choice (e.g., the obsessing over avoiding “be” verbs and adverbs that spawns ridiculously tedious prose), dialog tags, over-explanation, and, yes, punctuation, which is one of the biggest tools in keeping your rhythm and singing in your own voice.

RfP said it best over at Racy Romance Reviews:

My most frequent complaint lately is that genre romance has no voice: it’s overly literal and can over-explain mundane detail to the detriment of style. Some of my favorite novels include more impressionistic passages in which I’m not sure exactly what’s happening, but they’re wonderfully referential and evocative.

I mean, come on. If I’ve noticed it and other people have noticed it enough to remark upon it and complain about it (and we’re only a fraction of a percent of the reading public), maybe there are a lot more people tired of it than the gatekeepers think.

Not feeling the love

Moriah

You know, I like good m/f/m menage erotica as much as the next girl, but could you please give me some emotional basis for it first? I mean, really. When I go to an erotic romance site to buy a book, I expect some romance.

If you want to shag from page 58 [in my ebook reader, which is roughly page 24 in print], please give me a reason other than some esoteric werewolf rule thing, which must have been explained elsewhere, but the book is not marked as part of a series that Must Be Read In Order. I usually don’t even read werewolf/paranormal anything. I just thought the blurb was funny.

Now I’m feeling a bit bitter about spending what little leisure time I have right now trying to plow through a dozen names I think I should know from previous books, trying to figure out who’s what to whom, trying to figure out this world’s rules, and having absolutely no reason to enjoy a girl sandwich, and trying to get past “slow-eyed.” (Pssst: It’s sloe-eyed, as in sloe gin fizz.)

And I’m peeved I spent money for it.

Doing my part to save a species

Moriah

DISCLAIMER TO CLEAR UP SOME CONFUSION: This is NOT about my book. This is about SOMEONE ELSE’S book.

The Mysterious They say that contemporary romance (you know, without vampires, shapeshifters, werebeasts, ghosts, phantoms, and mimes) is dead. Yeah, I know. ’Swhy I wrote one. Sorta.

I have a very low tolerance for romantic suspense, paranormal romance makes me roll my eyes, and m/m doesn’t float my boat (although I can tolerate it in menage). Give me alternate reality or steampunk or post-apocalyptic or anything that could happen, and I’m good to go. Better yet, give me contemporary.

Okay, so in doing my part to save the whales–uh, er, straight heterosexual contemporary romance (because “straight contemporary” is taking on a whole new connotation these days), I’m going to plug the competition: Flat Out Sexy by Erin McCarthy, as reviewed on Dear Author.

Obviously, I haven’t read this puppy, but I plan to when it comes out and so I’m going to plug it in advance. Why?

I’m dying for a straight contemporary that’s more than 150 pages long (i.e., category length). That’s a snack (and besides, I stocked up on early ’80s Carole Mortimer Harlequin Presents at the thrift store Saturday). Okay, it’s 304 pages, not exactly a feast, but it’ll do in a pinch. I want to support straight heterosexual contemporary the way I want to support independent publishing.

Plus, the heroine is a cougar (not the werecat kind) and we could all use a few more cougars in romance.

For future reference

Moriah

Over on Teleread, there’s a new blog post today about ebooks being fertile for annotation. I envision this somewhat like a post littered with Wikipedia links to explain things so that the reading audience who doesn’t know what he’s talking about can go get a little primer, and the part of the audience that does know won’t have its reading flow interrupted.

I could have (and still could at any point in the future) litter The Proviso with references and annotations embedded in the ebook editions, but my question is this:

If you had an ebook reader (or if you HAVE an ebook reader), how do you think you’d like such a thing?

On the ebook front, nothing much to report except the iLiad just released a new thingymajig that’s not getting rave reviews. And the Kindle’s not coming out in the UK this year.

On the publishing front, The Mysterious They say that if you’re a midlister or a new author–or an agent specializing in such–y’all are just SOL ’cause the PTBs at major houses are tightening their belts (which means either the smaller houses will be, too or they’ll step in to take up the slack and make a mark).

Yeah. I don’t have that problem.

Oh, one more thing. As a reader, I have a suggestion for you e-publishers: Put the blurb of the book on the first page. That way I haven’t forgotten what the book is about when I open up my ebook reader and see titles and author names. I’m terribly forgetful and have no wish to dive into a book I don’t know what it’s about. Yeah, I downloaded it so it must have intrigued me but now I don’t know why. With my print books, I always go to the blurb to figure out what I want to read next, but obviously, there is no back-of-book on an ebook.

And by the way, we did put The Proviso‘s blurb in the front for that very reason.

Sex and money

Moriah

In this society, we treat sex like the Big Cheat. You know, when you go on a diet and you can’t have this food or that food or any other food you’d really like to have, so…you substitute. It doesn’t hit your spot, you’re still hungry, and you’re still craving what you didn’t allow yourself to have. So you binge. It’s at once the prurient attraction and the guilt-laden violation.

But money? Well, we treat that like it’s too sacred to be spoken of in detail and with clarity.

High School Sex EdWe teach sex ed in elementary and high school, but not money, not economics, not basic life/housekeeping crap like how to balance a checkbook, what credit is and how to control it, you know–stuff that if not managed properly can pretty much ruin your life for a while and sometimes, without money, you can’t get laid or worse, you don’t want to get laid because you’re too stressed about your money.

What, is money the sacred cow?

The Thing We Don’t Talk About To Our Children?

We didn’t talk about money in my house growing up. We were kids. It wasn’t our business. It wasn’t spoken of in public. It was just…gauche and undignified. I still feel like that with regard to salaries and such–no, it’s just not cocktail party conversation fodder. On the other hand, not talking about salaries amongst coworkers/colleagues does have its disadvantages.

I learned about checking accounts and your basic bookkeeping in high school (thank heavens or I wouldn’t have had a clue!). I didn’t learn about credit/charge cards until I got in over my head and didn’t know how I’d gotten there. Or how to get out. In short, I didn’t know anything about anything.

Dude and I plan to be as upfront with the money discussions in our house as we are the sex discussions. If that means we open up our bank accounts and break down our credit obligations, we’re prepared to do it. I shudder to think of my Tax Deductions going out into the world knowing what I knew about money, which was zero, zip, nada.

So I ask again: Why aren’t basic financial principles taught in schools, but sex is?

In which fashion pimps for pedophiles

Moriah

Yo, New York. Milan. Bentonville.

Roman PolanskiI’m tired of having to tart my 5-year-old FEMALE Tax Deduction up like a 63rd & Prospect streetwalker. There’s this thing called a waist. There’s this other thing called a waistBAND. The waistBAND should come up all the way to the waist.

A) I do not have the time nor inclination nor money to sew my TD’s jeans. I know how. Sorta. They’d look homemade and I don’t want my TD to come home crying because she got laughed at about her homemade jeans.

B) It’s not like I don’t want her to be fashionable. I just don’t want her to be Lindsay Lohan or Britney Spears at 5 or until she can pay for her own damned clothes and the laundering thereof.

C) This is not out of some outraged sense of modesty or affront to church standards, either. She’s FIVE YEARS OLD. She’s a target just by being five. I spose the gender doesn’t matter much these days.

D) I’m not even saying get rid of low-rise, but SHIT! Give me an alternative, eh? You give me boot-cut and straight-leg and bells, but you don’t give me a choice on rise?

E) If she does want to tart up like Lindsay Lohan or Britney Spears in the future, I could deal with it better if I could point my nightmarishly teenager-girl-ish Tax Deduction to her contemporaries who have a waistBAND touching their actual WAIST and tell her where she needs to shop. And, oh, the thrift stores are no better because they’re backing up on the last 5 (that I know of) years of other little tax deductions who outgrew their 4- and 5-year-old skin-tight, low-rise skank makers.

Every time I go clothes shopping for this kid I get pissed off about this and then I forget about it–right up to the point I have to take her shopping again. I can find modest blouses, no problem. It’s the jeans and khakis that are giving me fits. Or not. If anybody has a source for high-rise jeans/khakis online, I’ll take it.

When does a blog stop being yours?

Moriah

In romance [well, in other genres also? I don’t know], sometimes authors strike such a chord with readers that the characters the author created seem to belong to the readers (aka fans). When an author does something bad to one of her characters, much weeping and wailing and gnashing of teeth ensues. Well, you know, you write romance, you know that there needs to be a happily ever after (HEA) or at least a happily for now (HFN) ending. (We will parse the romance “formula” later.)

Well, I can see why there’d be some legitimate reason for distress here. The author created these worlds and people and they belong to her, true, but the public pays to read about them. Do they have an expectation to get the story they want/expect/hope for or not? Hell, I don’t know. I’m going to write my Imaginary Friends the way my Imaginary Friends tell me to. [Uhm, I’m independent. I can do that.] But I have to expect that some people are going to cry foul if I just completely make one of them [insert horribleness here].

But now over at one of my must-stops for blog cruising, Dear Author, apparently the blog has ceased belonging to the person who built it, maintains it, and pays for it–which is a far different matter from creating books that you then persuade the public to buy who then eats them up and feeds your bank account.

I’m watching this train wreck of a thread and wondering: Why, if people don’t like a thread, a blog, don’t they simply stop reading? This isn’t Usenet, people (darn it). It’s Jane’s blog. She can post what she wants to and expect reasonably that people will remember that fact–without having to confront people who feel betrayed that what she said in her own house didn’t exactly fulfill their reading expectations that day. The sense of entitlement running through the thread is kind of…interesting.

Yo, all you gotta do is not go there. Or not read. Or sumpin. When did Jane’s blog become yours?

Kansas City: Comfort food

Moriah

Yeah, I’m on a KC kick lately. This post is prompted by the search phrase “kielbasa kansas city.” Heh. Do I know where to point you.

Peter May House of KielbasaPeter May’s House of Kielbasa, on the east side, just west of I-435, a few blocks south
of the Truman Road Viaduct. (In the Sheffield neighborhood—click the pic.)

Peter May’s House of Kielbasa
1654 Bristol Avenue
Kansas City, MO 64126
(816) 231-9850

I pimped a bunch of businesses in The Proviso, amongst them:

Peter May’s, Tasso’s Greek restaurant, Strawberry Hill povitica, Bryant’s, and Planter’s. (Mind, this does not mean I don’t like Gates, because I do, but I had to cut the scene in Gates, ’cause, damn, this book is huge.)

So. Peter May has precious little web presence. I’ve suggested they get a website and set up mail order because they are genius, but alas. Go there. Have much gastronomical orgasming.

Kansas City: Nelson-Atkins’s $200M mistake

Moriah

And it’s ugly, too.

no images were found


.

The Nelson-Atkins Gallery of Art is one Kansas City locale that plays a fairly significant role in The Proviso. I mean, the whole city is rather its own character (or at least, I tried to make it so), but this one spot, I think, plays the most parts other than “Chouteau” County and its pretty courthouse and The Country Club Plaza. It hosts a senatorial fundraising party, it’s where one of the female protagonists goes to meditate, and it’s the gallery chosen to premier a new painting by an infamous artist.

Anyhoo, I see on BlogKC that the gallery’s having to cut back like everybody else. Well, you see, the difference this time is because of that, uhm, $200M construction trailer brilliant Steven Holl masterpiece called the Bloch addition that they built next to the neoclassical structure.

Time called it the number one “(New and Upcoming) Architectural Marvels.”

Adding a new wing to a neoclassical museum, Holl devised a spectacular update on classicism: an irregular series of volumes that cascade down the museum’s lawn and glow from within. The effect against the nighttime sky is nothing short of magical.

If you say so, but I’m just an ignernt country rube who obviously doesn’t know brilliance, especially when it cost more than it was sposed to. And why are all the kudos about its brilliance coming from people who don’t live here?

(Poor Rodin. They displaced The Thinker.)

Now, three problems with this thing.

A. It’s ugly. Did I mention that yet?

B. It’s expensive to light (because, you see, its only marginally redeeming architectural feature can only be seen at night when it’s lit).

C. It’s the most inefficiently designed interior space I’ve ever seen.

So what is one of the things they’re having to cut? The hours and the lighting. And I’m telling you, folks, in the daytime, without the lighting, it looks like a construction trailer/storage shed.

Rozzelle Court Now, I’m not going to be one of those people who would start crying if they began to charge admission, because, well, it’s a very prestigious gallery in terms of its collection and yeah, I’ll pay to get in. And I know they’re not going to knock the damned thing down especially since they spent so much money on it.

But I just need to poke a stick and say, you spent a whole lot more money than you thought you would on something the citizenry doesn’t really like and now you can’t pay to make it do its featured thing that somewhat redeems it.

Enjoy. Or don’t. If you live here and you feel me, meet me in the Rozzelle court (closed Tuesdays now, remember!) and we’ll commiserate.

Kansas City: LDS temple coming soon

Moriah

So today at General Conference the announcement was made that the greater Kansas City metro area would have a temple of its own soon.

For my non-LDS readers, what this means basically is that the second coming of Christ is right around the corner. (Kidding. Well. Kind of.) Thing is, I’d be a lot happier about this if I didn’t think that half the Mormon corridor will be packing their bags come Monday to move here to prepare for aforementioned second coming. (And by the way, we don’t believe in the rapture version of the second coming.)

See, Independence, Missouri, is in the greater KC metro area and it’s significant to our religious history. During my incarceration in Provo, Utah, I realized that very few LDS, however, know that Independence is in KC because, well, nothing LDS exists east of the Rockies. And now that a new temple has been announced, they’ll all Google and figure it out and then oh noes! Here come the Saints back east dragging their handcarts behind them.

And if you do hit eastbound I-70, I-80, and I-90 running, prepare for tarring and feathering at the state line because the evangelical/born-again Christians still aren’t over that whole cult thing–like, they’re RABIDLY not over that whole cult thing.

Really, I’m happy we don’t have to drive 4 hours to St. Louis or Nauvoo, or 3 to Omaha to go to the temple and we have a built-in babysitter (grandma). Maybe I’m wrong about the impending mass immigration, given how the economy is right now. But really, folks, stay in Utah and Arizona and Idaho and Nevada and California. If you do come here, learn how to pronounce Olathe.

Now the question on everybody’s mind is: Where will it be built? I say Olathe.

Because I like saying Olathe.

Abolish marriage

Moriah

“Marriage” is an ancient artificial construct that, in modern US society with no property rights attached to the female (i.e., dowry), has no real place.

As I said on chosha’s blog A Little East of Reality, what’s going on with California’s Prop 8 and the LDS church’s involvement with that, is one of defining the term. What needs to happen is that the underpinning law defining the term needs to change and then let linguistic evolution take over as to what is and is not marriage.

Here’s what needs to happen:

You and your intended(s) go to a lawyer and draw up a contract (people already to this for prenuptial agreements). You specify things like kids, power of attorney, healthcare decisionmaking, who does and does not have access to your healthcare information (thank you, HIPAA), and other things that heterosexual couples just…get…legally because they’re married as defined by law. In this case, the contract becomes the law. The lawyer files it with the court (like a divorce decree, only it’d be called something else like, oh, a companionship contract), the state collects its data, and everybody’s good to go.

If you and your intended(s) then want to go to your local ecclesiastical entity (whatever it is) and have a rite performed, you do that. Or don’t, if you don’t want to.

Or…do none of the above and after X number of years, you’ve converted from cohabitating to common-law “marriage” and that could apply to whatever living arrangement you have.

Here’s the thing. You change the labels and the populace will decide what marriage is based on their vocabulary.

Since I’m a libertarian, I have no investment in regulating what people do with their bodies as long as it doesn’t endanger me and mine.

I also have no investment in helping the church attempt to define “marriage” in California (although thankfully I haven’t been asked because then I’d be forced to be rude) because marriage has historically been about money and alliances.

What I find hypocritical is that the people who are most invested in re-defining marriage to include same-sex couples then turn around and vehemently protest polyamorous unions, which should have the same protections under whatever law gets passed.

William Saletan goes to great lengths to define why this should not be allowed and I find that simply ridiculous. Two people know what they’re doing, but three or more don’t? Let’s protect you from yourselves!

Here’s the answer. The number isn’t two. It’s one. You commit to one person, and that person commits wholly to you. Second, the number isn’t arbitrary. It’s based on human nature. Specifically, on jealousy.

Ah, okay. There’s a good argument.

In an excellent Weekly Standard article against gay marriage and polygamy, Stanley Kurtz of the Hudson Institute discusses several recent polygamous unions. In one case, “two wives agreed to allow their husbands to establish a public and steady sexual relationship.” Unfortunately, “one of the wives remains uncomfortable with this arrangement,” so “the story ends with at least the prospect of one marriage breaking up.” In another case, “two bisexual-leaning men meet a woman and create a threesome that produces two children, one by each man.” Same result: “the trio’s eventual breakup.”

Let’s protect the women and children!

Then he resorts to quoting the Bible, so he loses credibility with me right there.

I’ve said it before and I’ll say it again: What’s good for the homosexual goose is good for the polyamorous gander and I defy any same-sex couple to give me a decent argument why that isn’t so…

…but that’s not my main point. My main point is this: You make it a civil contract between consenting adults, then let society’s usage of the word “marriage” define the word “marriage.”