Pretty women

Disclaimer: I can’t stand Hillary Clinton. At all. But… I find her very attractive in this picture. I’m not even going to chalk it up to the hair (very nice) or necklace (meh—not a fan of chunk jewelry). Perhaps the smile? Yes, that’s it. It looks…genuine. Happy. Even as much as I despise her, I didn’t like the constant yammering on her looks. On the other hand, if she’d let this side of her show more often, would she have gotten farther?

Then there’s this picture of Dame Helen Mirren who, at 62, is totally rockin’. I wouldn’t have posted it because Karen already did, but it’s stuck with me for 3 days. To me, it’s an illustration that Mother Nature doesn’t necessarily punish us XX types for having the audacity to turn 40. Or 50. Or 60.

And the last 2 ladies in today’s lineup are Alfre Woodard (56) and Diane Keaton (62). I don’t guess I have any commentary because, well, look at ’em. Obviously, I don’t know which ladies have had what work done, if any, but still.

Over at Teach Me Tonight, Laura Vivanco discusses the topic of older women in romance vis a vis Charlotte Lamb’s novels. She also points out RfP’s post at Access Romance and about young heroines who don’t really seem young and Robin Uncapher’s post about the time warp in romance.

Well, I’ll tell you. I didn’t really feel like writing an ingenue because at my age, it’s just silly and I was never an ingenue when I was that age. I wanted to write people who had some experience with life. Now, Susan Elizabeth Phillips writes older romance, but always within the context of having the older couple as a secondary love plot.

Mine aren’t 50-ish, but they are 40-ish and as the series progresses, they age. In book #2 (Stay), the hero and heroine (Eric and Vanessa) are youngish by my standards (late 20s and early 30s, but this is a challenge I set for myself). By book #3 (Magdalene), the oldest of the original characters are on the wrong side of 45 and still going strong. Mitch and Cassie, the hero and heroine of Magdalene, are on the wrong side of 45, with grown/almost grown children and possibly a grandchild or two.

So along with my other crimes against romance, you can add major characters in their 40s. Gee, how many other ways can I bend this genre?

Spiritual erotica

My book doesn’t have a genre. It’s too many things, but two things it is are spiritual and erotic. Okay, so in my mind, I think, “spiritual erotica.” I like it.

Anyhoo, I would like to direct your attention to today’s Thmazing’s Thmusings post by Eric Jepson on “The Erotic in LDS Lit, Part I: Why?” Very thoughtful piece. Tyler of Chasing the Long White Cloud appears on the verge of addressing the subject himself. Then there’s The Visitors’ Center, which is a blog “celebrating Mormon sexuality,” and I’m wondering…

Is this serendipity that a whole bunch of us are coming up with this just in the last couple of years or so or has it been simmering on the back of the stove for a while and is now gathering steam and getting ready to blow?

Religion. Money. Politics. Sex.

Haven’t talked about politics much, have I? Yeah. There’s a reason for that: I’m pretty burnt out.

Barack Obama: Untried newbie left-wing liberal with a yen to reach into my pocketbook. Yawn

John McCain: Moderate liberal who gave us McCain-Feingold attempting to pull the wool over the conservatives’ eyes. Yawn

(Don’t get me wrong. I wasn’t thrilled with any other choice out there, either, so it’s not like I’m mourning the loss of, say, Romney, ’cause, oh, honey, I’m so not on the Romney wagon.)

Yeah, I’m not having a good time.

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The 37-year-old virgin heroine

The Virgin Heroine has always been (and remains, IMO) a staple of genre romance. It’s getting not so much that way anymore, but as time goes on and society gets freer with its sexcapades, it’s harder for a writer to justify the Virgin Heroine, especially beyond, say, college age. On the other hand, we still have historical writers who are perfectly capable of pulling off the “wicked virgin widow trope,” which I have to admit is cracktastic and I never ever get tired of it. (Kind of like “I had to do it to fulfill the will” plots, but that’s another post.)

I don’t believe I’ve ever read a contemporary romance (other than an inspirational or sweet) that used religious beliefs as a solid, if not defiant, reason for the heroine’s virginity. And in any case, religious or not, if the heroine does lose her virginity before she marries the hero, she still marries (or commits to) the hero, so it’s all good.

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Getting the job done, take 2

I read paper books in the daytime and the ebook at night so it doesn’t bother my husband while he’s trying to go to sleep, but I ran out of paper books in my house that I hadn’t read. On the recommendation of a friend, I picked up what was billed as an erotic historical Georgia romance (yeah, I’m into the Georgian thing right now) from the library.

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The price of nice

I was over on Dear Author talking about Breaking Dawn by Stephenie Meyer, which I have not read. One commenter expressed disapproval of Meyer on the basis that she’s a Mormon mother and shouldn’t be writing stuff like that anyway. I will go so far as to guess this commenter was not Mormon because she spelled it “Morman.”

I could crack on Meyer for a couple of different things, but when the religion gets broken out as a generic weapon to say “You can’t write that because you’re a Mormon,” I’m on Meyer’s side. Period.

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My guilty pleasure

My first full-on real-life romance novel was Shanna by Kathleen Woodiwiss. Naturally, it’s on my keeper shelf right next to The Wolf and the Dove. I have the ones with the original covers, though they are far from mint. The namby pamby covers on the ones with the links are meh. Unlike most of my contemporaries whose first (or close to it) romance experience was Woodiwiss, mine wasn’t with The Flame and the Flower or Ashes in the Wind, neither of which I cared for.

But she’s not my guilty pleasure.

It’s Carole Mortimer of Harlequin Presents circa 1979 through, oh, I guess around 1986.

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An embarrassment of half-assed riches

See, the thing is, I keep getting these great ideas to blog about, but then I get distracted and they don’t gel and I have about 6 half-written posts in my drafts folder that kinda sorta mean something to me now, but not really. Prepare for leftovers, kiddies, because mommy’s tired and she doesn’t want to cook dinner.

Re: Ann Herendeen and Phyllida

This is what’s apparently called “good” gossip. I shall take the liberty of bragging.

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Caution: warning label ahead

MEMORANDUM

TO: LDS Fiction Publishers

FROM: MoJo

RE: Warning labels

Lest you think I was kidding about that warning label thingie I mentioned only about 16 times across various blogs over the weekend’s little dustup, I bring you a way to justify such a practice to yourself: Sales.

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Genre, let me show u it

I am bored with the below discussion (but don’t let me rain on your parade, so carry on). However, I do need to use it as the springboard for what’s on my ADHD mind today: What, precisely, defines a genre?

We’re very specific in romance. Got an email yesterday from my newest BFF (kidding! but the offer’s open!) who said, “I know you don’t write romance…” Well, yeah, I do. It’s just got so much other STUFF in it that it can’t be classified, which is why I’m publishing it myself. In fact, it’s got THREE (count ’em, 1, 2, 3) full-length romances going on at the same time all woven together (which is why it’s going to top 700 pages and who-knows-how-many megabytes). And they have sex and there is no fade-to-black and they say the f-word and the c-word. They live a certain political philosophy (some more than others) that will probably be uncomfortable for other types of readers. The story takes place over the course of 5 years and oh, by the way, they’re all in their late 30s and early 40s and wow is that so not part of genre romance.

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Mormon-Vampire tale blows up intrawebs

This post is for the non-Mormon readers of this blog who come from (most likely) the genre romance corner of the net.

Backstory: LDS fiction (aka Mormon fiction) is analogous to, say, what Steeple Hill puts out or any other run-of-the-mill Christian/evangelical inspirational romance. No swearing, no sex, very clean. No taking the Lord’s name in vain, no smoking, no drinking, no allusions to any of these things. For all intents and purposes, the term “LDS fiction” has come to be defined informally in the same milieu as inspirational romance category fiction.

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Book Review: Phyllida and the Brotherhood of Philander

Phyllida and the Brotherhood of Philander
by Ann Herendeen
published by Harper Paperbacks

This book, whose tagline is “A man in love with his wife and his boyfriend,” wouldn’t normally catch my eye because m/m isn’t my kink. I bought it for an entirely different reason. So now that I bought it and read it and thoroughly enjoyed myself (oooh, have you noticed this trend about what I review?), I must speak my piece.

Here we are in Regency England (and those of us in Romancelandia are more or less completely and totally comfortable in Regency England, Heyer or no Heyer) and a sodomite wishes to marry to fulfill his duty to his family name while still continuing his unabashed lifestyle. He finds the right chick, marries her, figures out he so really doesn’t mind doing her, thinks she’s refreshing and falls in love with her blahblahblah (yeah, you know how it goes), then meets the male love of his life and we all end up happily ever after in the same bed with nary a menage a trois to be had. Of course, what would a Regency romance be without a little spying here and there?

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Book Review: Always Listen to the Ravings of a Mad Woman

Always Listen to the Ravings of a Mad Woman
(A Story of Sex, Porn, and Postum in the Land of Zion)
by JulieAnn Henneman
published by Draumr Publishing

This book was mentioned to me as something different (especially as regards Mormon characters), so I went a-seeking. And boy, did I get.

Corinne Young is having an affair with her dentist. Kinda. Sorta. She’s not sure why, but there’s gotta be a reason, right? Her husband, Brent, holes himself up in his office with his computer all night long, working on the software training company he built. And then, well, all hell breaks loose. It doesn’t take long to understand why Corinne’s diddling the dentist, even if it takes her longer than the reader to figure it out. (Because, well, what does “husband holed up in his office with his computer all night long” say to you? Okay, after much thought, it occurred to me he could have been gaming.)

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Reading against type

This morning I’m listening to Simply Red (flashbacks from freshman year at BYU) and the song “Money’s Too Tight to Mention” is a good song. If it weren’t, I wouldn’t have it in my library.

It also trashes things I believe in. Does it bother me? On some visceral level, yes, but that doesn’t make it difficult for me to listen to it and it certainly doesn’t keep me from listening. I’d miss a whole lot of good music (and that voice!) if I took umbrage at other people’s opinions and the way they state them (usually the way they state them is more off-putting than what they say).

So it started me thinking about how I read fiction,
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Book Review: Angel Falling Softly

Angel Falling Softly
by Eugene Woodbury
published by Zarahemla Books

Perhaps I should admit upfront that I consider myself an undemanding reader. I’ll happily go wherever the author wants to take me as long as it’s logical, consistent, and interesting. Let me add that I don’t even particularly care whether a story is plot-driven or character-driven; give me something to chaw on intellectually and I’m good to go. Make me laugh and I’ll forgive almost anything.

This is one reason why, when I read Stephenie Meyer’s Twilight, I was highly annoyed. I like vampires. I’ve studied vampire myths since I fell in love with Vlad the Impaler somewhere in the early ’90s, so her inconsistent worldbuilding, her habit of telling rather than showing, and her mostly flat characterizations grated.

By contrast, Eugene Woodbury’s take is haunting. Poignant, even.

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Niches are nice, but…

I started a new book a couple of days ago. It’s easy when you start ripping off plots on purpose instead of trying to reinvent the wheel and then finding out someone else did it before you. First Hamlet, now the New Testament. Next thing you know, I’ll be rewriting Moby Dick.

Now, I can write for a Mormon audience. Or I can write for the romance audience. Or I can write for the general fiction audience (whatever that is). Well. I wrote for all three, because that’s what I like.

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I am so getting this book

Phyllida and the Brotherhood of Philander
by Ann Herendeen

Yeah, so I’m not really all about the bisexual historical romance (“a man in love with his wife and his boyfriend”), but what I am about is when self-publishing serves its purpose, which is to say, it gained an audience and a traditional NY publisher’s attention.

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What the hell is Mormon romance?

So I went a-seekin’ keywords for my website header information and, naturally, plugged “Mormon romance” into Google and what did I get? This:

Mormon romance novels seduce book buyers

Germane point:

“I realized that there was a big hole in the LDS market for women’s fiction and I felt like I could do better,” [author Anita] Stansfield said. “I couldn’t find anything to read that satisfied me.”

Several years ago Stansfield wrote about a woman recovering from breast cancer. An important part of the book was the woman’s relationship with her husband, which included their relations in the bedroom, Stansfield said.

The novel’s bedroom scene dealt sensitively and obscurely with the topic of sex, referring more to the woman’s feelings than the couple’s activities. And yet Stansfield doesn’t believe those scenes would make it through the editing process today.

“I know I couldn’t write that now. They have cracked down,” she said.

WTF?

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