{"id":24,"date":"2008-06-19T12:15:05","date_gmt":"2008-06-19T17:15:05","guid":{"rendered":"http:\/\/moriahjovan.com\/mojo\/?p=24"},"modified":"2025-07-31T21:04:52","modified_gmt":"2025-08-01T02:04:52","slug":"eventually-you-will-succeed","status":"publish","type":"post","link":"https:\/\/moriahjovan.com\/talesofdunham\/blog\/eventually-you-will-succeed\/","title":{"rendered":"\u201cEventually you will succeed.”"},"content":{"rendered":"

Does anybody actually believe this without a boatload of qualifiers?<\/p>\n

Over at Romancing the Blog<\/a>, there was a very nice article about a mystery writer\u2019s convention comparing and contrasting how that genre\u2019s culture stacks up against the romance genre\u2019s culture (including ebooks, my pet topic, but I\u2019ll pimp that later elsewhere). I found this tidbit interesting:<\/p>\n

The motivating keynote and luncheon speeches sounded just like the ones we hear at RWA, discussing how important it is to write your story, to finish the book, to be persistent, hone your craft, and if you keep at it, eventually you will succeed<\/strong><\/em>.<\/p><\/blockquote>\n

Er, no.<\/p>\n

<\/p>\n

Why do people keep saying this? In what context are they saying this? What venue and skillset do they have in mind when they say this? What are the assumptions present when it\u2019s said?<\/p>\n

The only thing I can do is make a comparison. Say I want to go into biochemistry. Okay, good. I can go to the college and enroll, spend two years doing my general education credits (if I haven\u2019t already), some of which will include things like, oh, chemistry 101 and calculus 101, then it\u2019s off to my major and I\u2019m good to go, right?<\/p>\n

Wrong.<\/p>\n

I don\u2019t have the heart, brains, or passion for biochemistry, just like some people don\u2019t have the heart, brains, or passion for writing. Now, this is where the comparison starts to fall apart because while biochemistry is not accessible or even necessary (as an everyday intellectual need), language is<\/strong><\/em> accessible. We all use it; if we\u2019re halfway literate, have a piece of pen and a piece of paper, we can all express ourselves in writing in some way even if it\u2019s only to write a note to our kid\u2019s teacher. So it\u2019s hard to say to someone, \u201cYou don\u2019t know how to write.\u201d What do you mean? Of course I do! I do it every day! See, right here, I wrote.<\/p>\n

However, that\u2019s not the point I\u2019m making today.<\/p>\n

Let\u2019s assume that we\u2019ll take this quote in context of a bunch of aspiring published authors who actually do know how to write, and they do it well. After all, that is Romancing the Blog\u2019s target audience so the assumption is valid.<\/p>\n

Now let\u2019s assume that the context in which you will succeed is A) you write a book; B) you hone it (and your craft, but that\u2019s another post), even if you have to send it to an outside editor before submitting it; C) you submit it and submit it and submit it; D) you find an agent and\/or publisher; E) you make it onto store shelves. Success. That\u2019s the definition on the table here.<\/p>\n

Given those assumptions and that definition of success, \u201ceventually you will succeed\u201d must be true, right?<\/p>\n

Wrong. It\u2019s called odds. As in, there are a lot more variables involved than writing, honing, being persistent, and submitting. I don\u2019t think it\u2019s unfair or unwise to point out that no, you (general you) will most likely not<\/strong><\/em> succeed because there are too many of you and if one \u201csuccessful author\u201d (see definition above) screws up (i.e., not enough sales, not enough promotion, whatever), she can be replaced, but probably not<\/em><\/strong> by you. And if she is replaced by you, you then have to be careful not to screw up so someone else doesn\u2019t replace you.<\/p>\n

I saw this comment on a Dear Author thread re ebooks<\/a>:<\/p>\n

Right now, e-sales are just starting to take off. But when this becomes a big percent of profits, I\u2019m pretty confident that authors and agents will dig in their heals, as a group, and there will be mass defections from any publisher with an unreasonable contract. We control the supply,<\/strong><\/em> and we have free will to sign with the place that gives us the best deal.<\/p><\/blockquote>\n

Mmmm, no. Not in practice, you have no control over supply whatsoever because there are plenty more after you willing and able to take your place if you walk, with no thought to solidarity or that what happens to the people in front of them affects them. We (and I place myself in that context) are the infantry, the endless supply of cannon fodder for the publishing industry–and happy to be there if it means finding approval with an agent, editor, and then an audience. I am no different in that, for all I\u2019ve chosen to go a different route. Writers write to be read.<\/p>\n

In the context of all that reality however nastily flung, I think telling people \u201cif you do X, Y, and Z, eventually you will succeed,\u201d is more hurtful than helpful. It demands that a writer (and remember, we\u2019re talking about the legions of good unpublished yet quite<\/strong><\/em> publishable writers) place her dreams on the shoulders of a mitigator, a gatekeeper with his own agenda, and then classify herself as unsuccessful when that gatekeeper says, \u201cNo thanks.\u201d <\/p>\n

Every time I go to Absolute Write, I see, somewhere, a published author telling an unpublished newbie (the status of their writing ability undetermined) that \u201cif you can\u2019t get published, your manuscript is crap.\u201d That definition of success is flawed. The advice is flawed and ultimately (in my opinion) damaging. I\u2019m not sure which is the cause and which is the effect.<\/p>\n

My mother asked me something in the early \u201990s after I had gotten my umpity-umpteenth oh-so-close rejection letter. This question has never left me and I use it as my guiding principle even to this day:<\/p>\n

\u201cWhy are you making all your goals based on someone else\u2019s decisions?\u201d <\/p>\n","protected":false},"excerpt":{"rendered":"

Does anybody actually believe this without a boatload of qualifiers? Over at Romancing the Blog, there was a very nice article about a mystery writer\u2019s convention comparing and contrasting how that genre\u2019s culture stacks up against the romance genre\u2019s culture (including ebooks, my pet topic, but I\u2019ll pimp that later elsewhere). I found this tidbit […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[317],"tags":[],"class_list":["post-24","post","type-post","status-publish","format-standard","hentry","category-philosophy"],"_links":{"self":[{"href":"https:\/\/moriahjovan.com\/talesofdunham\/wp-json\/wp\/v2\/posts\/24"}],"collection":[{"href":"https:\/\/moriahjovan.com\/talesofdunham\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moriahjovan.com\/talesofdunham\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moriahjovan.com\/talesofdunham\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moriahjovan.com\/talesofdunham\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":4,"href":"https:\/\/moriahjovan.com\/talesofdunham\/wp-json\/wp\/v2\/posts\/24\/revisions"}],"predecessor-version":[{"id":17076,"href":"https:\/\/moriahjovan.com\/talesofdunham\/wp-json\/wp\/v2\/posts\/24\/revisions\/17076"}],"wp:attachment":[{"href":"https:\/\/moriahjovan.com\/talesofdunham\/wp-json\/wp\/v2\/media?parent=24"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moriahjovan.com\/talesofdunham\/wp-json\/wp\/v2\/categories?post=24"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moriahjovan.com\/talesofdunham\/wp-json\/wp\/v2\/tags?post=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}