Lisa at Feminist Mormon Housewives had asked Giselle Galen about her creative process for a series of compare/contrast posts for fMh, and Galen kindly brought me into the conversation of creating art; more specifically, art as a form of worship.
This coincided with a post on AML wherein a novelist/publisher wondered if God cared about our art or even wanted us to cease making it.
After using Galen and Theric as a sounding board, I wrote a bit for Lisa, and figured I’d share it here, too:
I’m a novelist. I write Mormon characters (in varying states of grace with the church) who have sex. On the page. While I’ll admit that can be seen as gimmicky, it’s really not. I write what I want to read, and I want to read characters who are like me and not The Other, The Freak, The Cultist, The Satan Worshipper, The Molly Mormon, The Longsuffering Sister, The Polygamist, The Weird Neighbor, The Prude.
Other than writing what I want to read and expressing myself in my chosen art form, my broader goal is to plant our culture and traditions and jargon into the national consciousness the way Catholicism and Judaism permeate it—a common vocabulary even if one doesn’t believe or practice that faith. Everybody knows what a rosary is and what it’s for, what mass, diocese, parish, and priest mean. Everyone knows what a yarmulke is and what it symbolizes, what synagogue, Passover, Hannukah, and bar mitzvah mean. Nobody knows us by anything but our magic underwear. They don’t know what sacrament meeting, stake, ward, and bishop mean. If we don’t define ourselves for the world, the world will define us for us, and they do. And it sticks.
I’m also an active, practicing Mormon with a pagan streak a mile wide. If it weren’t for the belief that we can become gods and spend the eternities creating, I wouldn’t bother with the church at all, and I probably wouldn’t even bother with Christianity. I am willing to jump through whatever hoops I need to just in case what I believe—what I hope to be true—is, in fact, true. If it’s not, it won’t make any difference in the long run because I refuse to believe any other alternative. If I burn in a lake of fire, so be it.
That forms the core of my artistic philosophy: Creating art is practicing to become a god.
Specifically, creating paper people with souls, intellect, and free will is practicing to become God.
(Most days when I watch the news, I wonder if the Creator we worship isn’t still practicing and just hasn’t gotten it right yet. If that is so, I like to imagine we’ll all get an abject apology.)
My favorite thing to imagine is that one day, Father or Mother, whichever one likes the detail work, looked into the ocean and said, “Hm. Those could use some color.” He or She picked up a brush in one hand, and a dory fish in the other and went to town.
I like to think Father was doodling in His lab, doing some structural calculations, sketched something out and said to Himself, “They’ll call that the Fibonacci sequence and I’ll laugh my butt off while they try to figure it out.”
I express my spirituality not in small part through sexuality. I think once one starts down the path of the Mother, then pagan philosophies, it winds up there anyway. Hello, Beltane.
So I like to think Mother was sculpting in the afterglow of some really good sex and sculpted anthurium to hold onto her lover when He was off doing something else. Galen phrased it “a dildo fit for a goddess.”
Because sex is where creation begins with human beings. We created offspring before we created the tools to hunt, before we learned to farm. We started off with the Tree of Life, not the Tree of Knowledge of Good and Evil, but we needed to eat of the Tree of Knowledge to understand the Tree of Life.
But then the doubt sets in and leads to: Are we created in God’s image or are we creating God in ours?
Does it matter? For better or worse or whatever reason or by whatever mechanism (why are creation and evolution mutually exclusive?), we’re here and we’re living our lives and there’s no getting out of it and no finding out the truth until we’re released from the bonds of mortality (or choose to take the bolt cutters to it ourselves).
When I form people and their worlds, and their characteristics, beliefs, and philosophies, then set them loose to see what they’ll do when I give them a particular set of circumstances, I am not worshipping God.
I am God.
Interesting. I didn’t know you had pagan leanings.
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If there is a Creator God, and if we are made in that god’s image, then surely our (pro)creativity is one of the ways in which we can most closely resemble/reflect/worship our creator. And if, as you say, we are actually creating God in our image, then we have always, looking at the history of known human religions, created creative gods. It (creativity/worship/creative god(s)) seems to be, one way or another, an inextricable part of what it means to be human.
Cara, yes, exactly. It’s part of our…DNA?
well said!
Just got to this and you are talking about what I believe…brava!
This is why I adore you beyond reason.
Listening to a discussion about Lost (which, admittedly, discussions like this have thoroughly disincentivized me from ever watching) this morning on NPR, I again marveled at the penchant we have for endowing with life and agency what Kiefer Sutherland described (on Saturday, in regards to 24) as “the fantasy of two writers.”
We know full well it’s the product of somebody sitting at a word processor (and Avid machine) and pounding on keys. But at the same time, somehow, we don’t. And somehow, it isn’t.
I guess it depends on the veracity of the person at the keyboard.
I’m reading up on sociopathy for my current work-in-progress, and no matter how many times you’re confronted with people like this, you still can’t really understand it. Is this the part where we distrust the Gods as writers?
A rational–though playful and adventurous–God is one thing. A Greco-Roman God that just stumbled out of bed after a weekend-long bender is quite another. As exuberantly entertaining as they can be at times, the inevitable hangovers are rarely worth it.
That’s the metaphor that springs to mind whenever I encounter a story in which it becomes obvious that the writer had no idea, starting out, where the whole thing was going to end up (face down in a gutter somewhere).
Similarly, my answer to the claim that characters take on a life of their own (which they do) is to say that, even so, the writer is by no means compelled to tell us everything they do. You could say this gets back to the age-old teleological debate over agency and omniscience.
Or foreordination/fate.
I’d quote your whole thing but it’s succinct. It goes back to I am god part one. I didn’t realize there’d be a followup. Which may make me, in fact, NOT God. 😉
Dude is horrified at the thought!