It’s been seventeen years since I first published The Proviso, and a very hard ten since I put out the second edition. I can’t stop fiddling with these characters and I can’t stop feeling like I’ve missed something that will make the story richer.

My kids are grown and gone now, but not without a rough few years. Menopause has changed me in ways that have made me a stranger to myself—one I don’t like. My mother went through a medical scare that introduced a great deal of drama into my very large, previously drama-free family, which I never thought could happen. It’s not as intriguing in real life. I’m long past the pack’s age, and they are forever frozen in time.

I’m not sure I’ll write any more books. Menopause took my creativity, real life took my willingness to create trauma and drama for people who don’t exist, thereby reliving it, and my mother’s sisters took any security I had in my Dunham-like family structure and cohesion.

★★★

The current prophet/president of the church has decreed that we not refer to ourselves as “Mormons” or the church as the “Mormon church.” We are to refer to ourselves as “a member of the Church of Jesus Christ of Latter-day Saints.”

I’m not playing that game. It’s deceptive and I’m not going to hide behind the name of a church no one knows. “Mormon” is shorthand for a cultural touchstone, and is my identity as much as “American” is. Also, you can’t tell a good “a Mormon, a priest, and a rabbi walk into a bar” joke with such a cumbersome mouthful nobody will grasp immediately.

Centering my characters’ motives around Mormonism allowed me to accomplish two goals: explain a thirty-six-year-old virgin (they exist—well, okay, they did) and put our culture out there accurately and hopefully somewhat objectively. I’ve been accused of making the church look bad, but it has its warts and I’m not afraid of it.

I have a blog post on this cooking.

★★★

I’ve also been accused of writing porn and I’ve endured all the usual derision that genre romance usually engenders. A family member called it “your lady porn,” even though they did immediately apologize for minimizing my work. I’m largely immune to this, but sometimes I get my back up and try to defend it. I can’t. I can’t articulate why genre romance is so different from Penthouse Letters.

So, on to something I saw the other day on 𝕏.

sex is nervous system coregulation and if you think about that a little bit you’ll be a hell of a lot better at it thank me later

That statement — *“sex is nervous system coregulation and if you think about that a little bit you’ll be a hell of a lot better at it”* — is actually quite profound, both biologically and emotionally.

Here’s a breakdown in simple terms:

### What it means:

* **Nervous system coregulation** happens when two people *subconsciously help each other’s nervous systems feel safe, calm, and connected*.
* In sex, it’s not just about physical actions — it’s about *emotional attunement, presence, and mutual regulation*.
* When both partners feel **safe, seen, and synchronized**, the experience becomes much more fulfilling.

### Simple analogy:

Think of two musicians playing jazz together. If they’re not in sync, it’s noise. But if they listen, adjust, and feel each other’s rhythm — *they create magic*. Sex is like that: attunement creates harmony.

### So, how does this insight make someone better at it?

Because it shifts the focus from **performance** to **connection**. When you tune into your partner’s breath, body, tension, or comfort level — and respond with care — you regulate each other’s nervous systems. That deepens intimacy, trust, and pleasure.

Genre romance in 200 words.

“We all know how it works.”

What struck me then and still does is that, No, we don’t all know how it works,

especially the girls who’re told not to do that. I wanted to say something, but I’m not fond of walking into lions’ dens for the hell of it. This, that no, our girls don’t know how it works, is a ginormous problem. Not only do we not teach them what it is, what they’re supposed to be abstaining from, we teach them they have to dress so as to keep the boys from wanting to make them do it.

Then there’s this: When Virgins Collide, in which the newlyweds never do quite figure out how to do it right. I wonder where they are now and if they finally figured it out by trial and error or if they scraped up the courage to research the topic or if they gave up completely after kid number three. I shed tears to think that woman may never have an orgasm.

And this: Single, Female, Mormon, Alone, in which a 32-year-old woman had to go to Planned Parenthood for a Pap smear and an IUD because, I guess, she didn’t know she could call up a gynecologist to get that done. Seriously? Thirty-two? You’ve never had an exam?

No, Big Name Important Mormon Writer Person, we don’t all know how it works. Because useful, necessary details don’t get passed along. Talk about purple words and euphemisms! And because we aren’t taught, many of us have long-lasting difficulties trying to navigate something that’s so much fun! Or should be. But no! Since we all know how it works, we’re all having fun, right?

Theric, who’s my editor when he’s available (he did Stay and Magdalene), reviewed Paso Doble. He said this:

I know her work is too explicit for many Mormon writers, but I think you should read her anyway. We need to deal with sexuality more as a people and reading her work is a great place to consider how it can be done.

Yes, we do need to deal with sexuality more as a people because we’re regressing, not progressing. Throwback Thursday on Facebook, wherein I see pictures of my (devout) cousins from the 60s, 70s, and early 80s, make the contrast between what was considered “modest” then and what’s considered “modest” now makes that clear. We would be looked at askance now for what we were wearing then, when our (still) devout mothers were dressing us. I could see XX TD sent home from activity night for wearing what we wore then.

And then Scott Hales, the creator of the comic “Garden of Enid, Adventures of a Weird Mormon Girl,” slid something into one of his comics that just floored me. (It took me about all day to see the sly wink in my direction.) (But I was busy writing sessytimes!):

But my not seeing that in-joke at first made me think how much I identified with Enid, where my sex education came from bodice rippers because in Young Women’s we were talking about “necking,” “petting,” and “self-abuse.” It’s true! Media is where we fill in the blanks and puzzle over labeling! Thank heavens for bodice rippers!

I don’t know what they teach now. They don’t let me near Young Women’s. I think they think I’m a bad influence or something. Not sure.

I answer XX’s questions straight up and give as much advice and knowledge as I believe she can understand. She’s 11. She’s very well educated on the topic. And when she hits puberty, I’m going to take her to the doctor to get her on birth control. She knows what I expect her not to do (explicitly). I operate under the premise “It’s better to have and not need, than need and not have.” I also don’t trust horndog boys who might play fast and loose with the “I love you”s and definitions of consent.

Anyway, I’ve been thinking about this since Theric’s review and Enid’s singular observation. I’m thinking that if a girl has to learn about sex from romance novels, well, at least she’ll get a good idea what goes on without all those purple words getting in the way. And I’m thinking, if she has to learn about sex from romance novels, she might as well pick mine.

Pssst, girls. Start with Paso Doble.

Or just ask your mother.

She is also a LIAR.

[link]

I have been very unhappily mostly silent about this for two years now, but one of her latest blog posts, “A Reviewer’s Confession,” has me seeing red and I’ll be damned if I sit silent any longer.

In this confession, she said:

Only once did I give a book a one star rating and that was because the language was filthy and the author hadn’t researched LDS policy. (The author came unglued over my rating!)

Oh, Jennie. Honey. You haven’t seen unglued yet.

Why? Because you gave me that rating not actually having read the book. How do I know this? Because this:

the author hadn’t researched LDS policy

is patently untrue.

If you had read past the one-page prologue you would know that.

My journalism training had qualified me as a critic …

Apparently you didn’t learn how to check your facts (or other reviews) before opening your mouth.

You also probably don’t grok that part of the temple recommend interview where the bishop asks you if you’ve been honest with your fellow man. Or else you were honest and you don’t have a temple recommend.

I don’t know if you were part of the judging panel for the Whitney Award committee or not, but if you were, that adds another layer of fraud to your pattern of behavior for this book—and is the catalyst for my having come unglued at your “review.”

You lied about reading my book.

In church vernacular, then, I challenge you to:

1) actually read the book and rescind your lie

OR

2) declare publicly that you read the entirety of Magdalene. Anywhere will do: your blog, Goodreads, my blog, Meridian magazine.

But before you attempt #2, I want to direct your attention to Scott Hales’s review [dead link] (he who is also a respected scholar of Mormon literature), the Exponent II review, and the Publisher’s Weekly review, all of which refute your claim that I did not research church policy.

You lied about reading that book, Jennie. That by itself is dishonorable and worthy of contempt. If you were assigned to read it for the Whitneys, you also tarnished the integrity of the awards.

Own it and confess.

I still don’t know what to do, but I’m losing my patience because I discovered that writers of some of the stuff that’s really bad are giving writing advice. Oy. Stop it. You’re not qualified to give writing advice. Really.¹

In light of this post and this comment,

in light of a recent romancelandia kerfuffle about writers/unpublished authors reviewing,

in light of Mormons’ cultural tendency to say nice or nothing at all,

in light of the fact that I’m a reader first and I’ve spent money on these books and I have a reader’s perspective and want to express it,

in light of the fact that writers reviewing is generally fraught with dangers, not the least of which is shitting in your own nest,

in light of the fact that my work is in no way intended for a Mormon market² …

I’m still conflicted.

Mostly I don’t relish the idea of people like OutAndAbout (and I think I know who wrote that comment) coming to bash me for MY writing. It hurts my feelings. Yes, there. I said it. It hurts my feelings. Dirty little secret: It hurts every writer’s feelings.

On the other hand, there’s a very small minority of Mormons who’d brave my stuff anyway, so the worst criticism I’m bound to get—probably anonymously—is that I’m too graphic and my characters swear and they DNF’d it after the first two pages. Okay. And?

I’ve got several Mormon novels on my TBR list (albeit heavily weighted for stuff that’s been pre-vetted by readers with whose taste I get along). One I’m reading, The Road Show by Braden Bell, is pretty good. It’s not a page-turner and it’s episodic (natch, written by a playwright/screenwriter), but that’s never bothered me unless badly done. It gets a little churchy-heavy-handed in spots, but I like it.

I read Angela Hallstrom’s book Bound on Earth and I loved it. I’m dying to write a review of that, but I have nothing to say other than “I loved it” and respond to some reviews I read on Goodreads. Oh, and that it’s a novel a short-story-writer-who’s-not-a-novelist would’ve written (which is both its weakness and its strength). I’m interested to see if she can write a long work that’s not a series of interconnecting/interdependent vignettes strung together.

So what to do. What to do.

As a compromise, I created a new alter-ego to review, but I don’t like doing that. I’m not cut out to sustain such an act.

The unnamed book I previously linked has been haunting me (not in a good way) for months, because this is what the market base for Mormon fiction, the one that wants clean and good (e.g., my mother), associate with Mormon fiction. They are the people who need to be brought back into the Mormon fiction fold, and they aren’t going to be unless Mormon fiction improves. It can’t improve unless someone just says, “This sucks. It should never have been published. Next!”

Yeah, it’s clean.

But it still sucks.

This coincided with a post on AML wherein a novelist/publisher wondered if God cared about our art or even wanted us to cease making it.

After using Galen and Theric as a sounding board, I wrote a bit for Lisa, and figured I’d share it here, too:

I’m a novelist. I write Mormon characters (in varying states of grace with the church) who have sex. On the page. While I’ll admit that can be seen as gimmicky, it’s really not. I write what I want to read, and I want to read characters who are like me and not The Other, The Freak, The Cultist, The Satan Worshipper, The Molly Mormon, The Longsuffering Sister, The Polygamist, The Weird Neighbor, The Prude.

Other than writing what I want to read and expressing myself in my chosen art form, my broader goal is to plant our culture and traditions and jargon into the national consciousness the way Catholicism and Judaism permeate it—a common vocabulary even if one doesn’t believe or practice that faith. Everybody knows what a rosary is and what it’s for, what mass, diocese, parish, and priest mean. Everyone knows what a yarmulke is and what it symbolizes, what synagogue, Passover, Hannukah, and bar mitzvah mean. Nobody knows us by anything but our magic underwear. They don’t know what sacrament meeting, stake, ward, and bishop mean. If we don’t define ourselves for the world, the world will define us for us, and they do. And it sticks.

I’m also an active, practicing Mormon with a pagan streak a mile wide. If it weren’t for the belief that we can become gods and spend the eternities creating, I wouldn’t bother with the church at all, and I probably wouldn’t even bother with Christianity. I am willing to jump through whatever hoops I need to just in case what I believe—what I hope to be true—is, in fact, true. If it’s not, it won’t make any difference in the long run because I refuse to believe any other alternative. If I burn in a lake of fire, so be it.

That forms the core of my artistic philosophy: Creating art is practicing to become a god.

Specifically, creating paper people with souls, intellect, and free will is practicing to become God.

(Most days when I watch the news, I wonder if the Creator we worship isn’t still practicing and just hasn’t gotten it right yet. If that is so, I like to imagine we’ll all get an abject apology.)

My favorite thing to imagine is that one day, Father or Mother, whichever one likes the detail work, looked into the ocean and said, “Hm. Those could use some color.” He or She picked up a brush in one hand, and a dory fish in the other and went to town.

I like to think Father was doodling in His lab, doing some structural calculations, sketched something out and said to Himself, “They’ll call that the Fibonacci sequence and I’ll laugh my butt off while they try to figure it out.”

I express my spirituality not in small part through sexuality. I think once one starts down the path of the Mother, then pagan philosophies, it winds up there anyway. Hello, Beltane.

So I like to think Mother was sculpting in the afterglow of some really good sex and sculpted anthurium to hold onto her lover when He was off doing something else. Galen phrased it “a dildo fit for a goddess.”

Because sex is where creation begins with human beings. We created offspring before we created the tools to hunt, before we learned to farm. We started off with the Tree of Life, not the Tree of Knowledge of Good and Evil, but we needed to eat of the Tree of Knowledge to understand the Tree of Life.

But then the doubt sets in and leads to: Are we created in God’s image or are we creating God in ours?

Does it matter? For better or worse or whatever reason or by whatever mechanism (why are creation and evolution mutually exclusive?), we’re here and we’re living our lives and there’s no getting out of it and no finding out the truth until we’re released from the bonds of mortality (or choose to take the bolt cutters to it ourselves).

When I form people and their worlds, and their characteristics, beliefs, and philosophies, then set them loose to see what they’ll do when I give them a particular set of circumstances, I am not worshipping God.

I am God.

It was one of those little moments in life where everything becomes crystal clear.

Years and years ago. English 400-something. Summer course. American Lit. Very … strange … professor. Lemme talk about her for a sec.

I forget her name. I forget what she looks like. I remember a whole lot about her:

1. In the span of one year, she had been violently raped in her home by a stranger. Twice. Not the same stranger. And yet she was …
2. … annoyingly cheerful and filled with joy.
3. She was a complete ditz.
4. She was an evangelical Christian who got married in the Loose Park rose garden in a Buddhist ceremony.
5. She had a completely random way of teaching. If you could call it teaching.
6. One of the first things she said to the class (with great exuberance) was “I want to fuck your minds!”
7. She taught me one of the single most important lessons I have ever learned, so whatever I don’t remember about Prufrock or Leaves of Grass (and surely don’t care a whit), it doesn’t matter. All that matters is the life-changing thing she taught me.

I don’t remember the text under discussion. She rarely used it, anyway (goodbye $90 for yet another Norton’s). She made the shocking proposition (prompted by some discussion of Judaism that had nothing to do with American lit) that Eve may not have sinned by eating the apple, and that they had to eat the fruit for them to have children, to know good and evil, joy and sorrow, and that Adam was just too chickenshit to do it, so she took the initiative.

It was like the sun came out. My quiet contempt of her scatteredness vanished. I was so excited I went all Horshack OOOh OOOh OOOh!!! Mistah Kottah!!! Mistah Kottah!!!

I blurted, “Yes! That’s it! That’s exactly what happened!”

Suddenly, she was all business, totally sober, like an English professor should be. She stared at me and said, “No, that’s what you believe happened.”

I was embarrassed. The class was silent, but not looking at me. There were no contemptuous snickers at me, even though I probably deserved them. I suspect it was as much a teaching moment for a lot of other people as it was for me. How had I gotten to be a senior in college without having learned this? How had any of us?

Life-changing? Exaggeration? No. She distilled an entire lifetime of being told this is the truth and there is no other truth, and those who don’t believe this truth are worthy only of our contempt and then shattered it.

(As it happens, my playlist popped up with the soundtrack of Shine: Original Motion Picture Soundtrack, hence the name of the post and appropriate track.)

Yesterday I happened upon a post by a well-educated adult who, for all her proclamations of learning empathy through fiction, displayed none for a flesh-and-blood woman. She proudly told of her shock and horror at this woman’s lack of understanding of The Truth, drew several condescending conclusions from what little the woman had told her, and then went on to pity her. I guess that’s the empathy part.

Yet she didn’t actually ask the woman why she did not buy into The Truth and made no effort to understand someone else’s point of view. Whether the author of the post agreed or not was irrelevant; it didn’t occur to her to ask why the woman felt that way. It didn’t even occur to her to think up possible reasons for the woman’s viewpoint.

I still believe that my truth is The Truth, but every once in a while I get shocked out of my comfy little philosophy by someone who thinks her Truth is or should be everyone else’s.

BUT I still have something to give you. Peculiar Pages, an imprint of B10 Mediaworx, is giving away The Fob Bible (PDF only for now, but crap, it’s 76MB of heavily illustrated awesomeness!) this week.

What is The Fob Bible,¹ you ask?

Reviewer Jeffrey Needle describes² it thusly:

Part Bible, part midrash, part send-up […]

But make no mistake, by and large, this book is a delight from beginning to end. There are smiles and smirks, but there are also deeply insightful ponderings on things previously considered too holy to study too closely.

There’s something for everyone here: poetry, prose, play-writing, and even some e-mails (it’s not clear from my reading of the Bible that the patriarchs and prophets had access to the Internet, though this would explain quite a bit…). There’s pity and pathos, humor and hubris […]

Trust me, you want this. Ain’t a speck of preachin’ going on, neither.

If you’re passingly familiar with Christian myth,¹ it should be quite clear where I’m going with this.

But let me tell you a little about my main characters.

So I was on the search for a special little gift that Mitch could give Cassie that meant something but was not expensive. After all, what do you give a woman who can buy anything she wants?

Naturally, I turned to books because I have a vested interest in people buying books (product placement!). I decided that Mitch might have a special book that he may have acquired on his mission and is probably in French. Naturally, I googled, and then headed over to Wikipedia where I stumbled upon a list of French novels. I doggedly worked my way through them one by one, read the synopses, then picked one based on a vague similarity of the plot to Cassie’s past.

I wrote it into my book as if I’d read the thing (but hadn’t), then decided I probably should read it. And it freaked me out. Big time.

The book? Angélique, the Marquise of Angels by Anne & Serge Golon, first published in 1958.

Unbeknownst to me, this was a huge hit in Europe and apparently a big hit here. I’d never heard of it, never stumbled across it in the intellectual drunkenness of my youth (that actually amazes me).

The book is heroine-centric, so it’s all about Angélique. The parallel I found between Angélique and Cassie was that they both had arranged marriages. The similarity stopped there.

Angélique didn’t know her contracted husband, feared him at first, then grew to love him.

Cassie knew the man she was to marry, adored him from afar and was eager to marry him, and then quickly realized that her marriage was a sham.

Cassie is familiar with the story via film, so she has no problem making this parallel and had, in fact, written a paper on it during her undergrad years.

What doesn’t show up in the plot summary is a description of the hero’s “unusual way of life.” Joffray (the hero) is described as “scientist, musician, philosopher.” I didn’t think much of it. Mitch is a scientist with his own lab, true, but he’s also a CEO and I’ve always thought of him in those terms. He’s not a musician. He’s not a philosopher. At heart, he’s a blue-collar steel worker who loves steel enough to reinvent himself and the industry; steel is his life’s work.

Turns out that Joffray’s science is metallurgy. That was freaky.

Turns out that Joffray is hung out to dry, religiously speaking, for reasons that have nothing to do with religion and everything to do with power, politics, and money. That was even freakier.

As I got deeper and deeper into the book, I felt like I’d entered the Twilight Zone.

Then I got to the end. Angélique plunges out into the cold night, penniless and powerless, to exact revenge. That is so Cassie. I nearly expired from the freakiness the universe had perpetrated upon my person.

I couldn’t have picked a better novel if I’d written it myself.

Scroll down to #64.

064) Stay by Moriah Jovan (MS POLICY), finished July 15.

My faith that I put in Moriah after reading The Proviso was justified. This book is good. Parts of it are excellent. And it’s still only a draft. It still has explicit sex (though not as much) but you should have no other qualms about checking this one out when it’s released in a few months.

Congratulations, Moriah, on a great book. Keep ’em coming.

MS POLICY

I am positively giddy.

Also, independent publishers Zoe Murdock and Riley Noehren and I had a roundtable chat about independent publishing. What we have in common: We’re female, LDS, and publishing ourselves. That transcript (and awesome discussion) are up at A Motley Vision.

The actor is clearly in love with the housewife; I don’t believe he is in denial about this, although he puts up a good act. Because he’s an actor. Heh. He’s a nice man.

The housewife is in complete and total denial. On purpose. She’s smart; she knows what’s up. She doesn’t want to deal with it because it’s gonna be nasty messy and painful. That is to say, she’s bored and she’s lonely and she’s completely unappreciated and she’s not getting much in the way of sexual healing from her husband. So handsome clever dude comes along and appreciates her as a woman, and of course it’s gonna go to her head. All the while she’s saying, “I have the perfect husband and I love him so much!” What she needs to do is wake up and tell her husband they need marriage counseling. I don’t excuse her actions. She’s lying to herself. IMO, that’s her biggest sin and she needs slapped.

The husband is … not a creep or a dick or an asshole. He’s lazy. Possibly stupid, but I’m leaning toward lazy. He’s lazy about his marriage. He’s lazy about taking care of his wife. He’s lazy about seeing her value to him as an unpaid (oh, but she gets room and board!) maid, chauffeur, nanny, and for the occasional (I think? He doesn’t seem interested.) sexual favor. Maybe. If she pushes hard enough.

He’s disturbed by her relationship with the actor (who calls every day; tells her he misses her), but he doesn’t notice when she’s trying to be sexy for him and his idea of a romantic evening is sitting on the family room floor after the kids go to bed watching the ten o’clock news and drinking chocolate milk—and that’s AFTER he’s already had his little pout about her friendship with the actor. He never gets really mad and yells at her. He does a couple of really passive-aggressive things to let her know he’s pouting. He can’t even be bothered to manifest his jealousy properly. (Is he that sure of her or does he think she’s not attractive enough? I can’t tell.) Yet he’s not disturbed enough to seduce her or romance her (or take what she offers, for that fact); either he doesn’t know how or he doesn’t see a need. Idiot lazy ass. You deserve to lose your wife to someone who’d sweep her off her feet given half a chance. Oh wait. You already have. Fight for her, you stupid fuck.

This is turning pretty dark with (dare I say it? I shall!) SPARKLES all over it to make it look like it’s all bright and shiny and cute and fun, and that the housewife is the only one with a little problem.

So far it’s shaping up not to be so much the story of her (without doubt) emotional affair with a (IMO) pretty awesome dude who’s head over heels in love with her.

It’s shaping up to be the story of an already fractured marriage that needs the x-ray of aforementioned affair to show it for what it is. It’s not a spiral fracture or a comminuted fracture. It’s not even a clean break. It’s a stress fracture, the kind that gives you twinges of discomfort that you can ignore for a long time until it breaks and you’re like, “I didn’t do anything to it!” But catch it early enough, and all it’ll need to heal is a cast and time and a helluva lot of TLC.

There’s a quiet desperation about it that’s starting to get heartbreaking (I have sprouted tears in a couple of spots). I suspect there are a lot of those kinds of marriages in the church. In a lot of churches. And outside them, too.

And oh, it’s so not chick lit. This is Women’s Fiction with a capital W and capital F. Dark and angsty without letting you KNOW it’s dark and angsty (and the bright perky cover is complicit in the deceit).

If this is where Shannon Hale meant to go without letting the reader figure out where she’s taking you, then I salute her. She’s effing brilliant.

But I haven’t finished it, so I may again change my opinion. I shoulda waited until I was finished, but this is too dense with subtext not to share as I go along. I hope it’s intentional. Dear Sister Hale, please don’t pull a Stephenie Meyer on me. Please. Pretty please.