Okay, let me clarify: I’m not so crazy about the ones where you have to read them in order, especially if they’re not marked on the cover as being part of a series (Covenant, are you listening to me?) and which book it is. I like the ones you can read out of order. Yeah, you might get spoilers for the ones that came before it, if they happen in chronological order.

But what I really really really really super-duper like are books that are interconnected by characters, say, like a family series. Like, say, ahem, the Dunham family. With these people, I go back in time, forward in time, some of them aren’t even related by blood but by friendship. It doesn’t resemble a straight line so much as a wagon wheel, with a hub (The Proviso) and spokes, each spoke being a separate, standalone story but with characters you can keep up with in other books.

My current project is Stay, set in both Mansfield, Missouri and my beloved “Chouteau” County. It’s the romance between two of the very minor characters in The Proviso.

As you can see from the word-count meter at the right, I’ve written a good portion of it. That doesn’t mean anything. It’ll be rewritten several times before it gets published some time in (I’m hoping) the winter of 2009/2010. As you can also see, it’s a little more manageable (for me and you) at 100,000 words.

Disclaimer: I can’t stand Hillary Clinton. At all. But… I find her very attractive in this picture.
I’m not even going to chalk it up to the hair (very nice) or necklace (meh–not a fan of chunk jewelry). Perhaps the smile? Yes, that’s it. It looks…genuine. Happy. Even as much as I despise her, I didn’t like the constant yammering on her looks. On the other hand, if she’d let this side of her show more often, would she have gotten farther?

Then there’s this picture of Dame Helen Mirren (shamelessly stolen from Karen Scott’s blog) who, at 62, is totally rockin’. I wouldn’t have posted it because Karen already did, but it’s stuck with me for 3 days. To me, it’s an illustration that Mother Nature doesn’t necessarily punish us XX types for having the audacity to turn 40. Or 50. Or 60.
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And the last 2 ladies in today’s lineup are Alfre Woodard (56) and Diane Keaton (62). I don’t guess I have any commen-
tary because, well, look at ’em.
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Obviously, I don’t know which ladies have had what work done, if any, but still.

Over at Teach Me Tonight, Laura Vivanco discusses the topic of older women in romance vis a vis Charlotte Lamb’s novels. She also points out RfP’s post at Access Romance and about young heroines who don’t really seem young and Robin Uncapher’s post about the time warp in romance.

Well, I’ll tell you. I didn’t really feel like writing an ingenue because at my age, it’s just silly and I was never an ingenue when I was that age. I wanted to write people who had some experience with life. Now, Susan Elizabeth Phillips writes older romance, but always within the context of having the older couple as a secondary love plot.

Mine aren’t 50-ish, but they are 40-ish and as the series progresses, they age. In book #2 (Stay), the hero and heroine (Eric and Vanessa) are youngish by my standards (late 20s and early 30s, but this is a challenge I set for myself). By book #3 (Magdalene), the oldest of the original characters are on the wrong side of 45 and still going strong. Mitch and Cassie, the hero and heroine of Magdalene, are on the wrong side of 45, with grown/almost grown children and possibly a grandchild or two.

So along with my other crimes against romance, you can add major characters in their 40s. Gee, how many other ways can I bend this genre?

See, the thing is, I keep getting these great ideas to blog about, but then I get distracted and they don’t gel and I have about 6 half-written posts in my drafts folder that kinda sorta mean something to me now, but not really. Prepare for leftovers, kiddies, because mommy’s tired and she doesn’t want to cook dinner.

Re: Ann Herendeen and Phyllida

This is what’s apparently called “good” gossip. I shall take the liberty of bragging.

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